Nathaniel Hawthorne 's Young Goodman Brown Essay

The black veil represents, covering the face in shame. Reverend Hooper enters the church with a black veil over his face, causing quite a disturbance among his congregation. He preached a sermon on secret sin and what we hide from those closest to us. The Reverend Clark tries to talk Hooper, on his deathbed, to take the veil off. He claimed it was a sign of his sadness and refused. The phrase “He has changed himself into something awful, only by hiding his face” (338). The Reverend Hooper points out on his deathbed that the only difference between himself and the people is that they conceal their sins.

Nathaniel Hawthorne's "The Minister's Black Veil" embodies the hidden sins that we all hide and that in turn distance us from the ones we love most. Reverend Hooper dons a black veil throughout this story, and never takes it off. He has discerned in everyone a dark, hidden self of secret sin. In wearing the veil Hooper dramatizes the isolation that each person experiences when they are chained down by their own sinful deeds. He has realizes that symbolically everyone can be found in the shadow of their own dark veil. Hooper in wearing this shroud across his face is only amplifying the dark side of people and the truth of human existence and nature.

In "The Minister's Black Veil," Mr. Hooper, the village minister, begins daily wearing a black veil for mysterious reasons. While a veil typically symbolizes mourning and sorrow, the villagers saw the veil as representing so much more though they were unsure of what. The veil both terrifies the villagers and makes them feel drawn to Mr. Hooper. As the story progresses, we learn that Mr. Hooper used the veil to symbolize the evil natures that all human beings try to hide.

The story “The Minister’s Black Veil” is symbolic of the hidden sins that we hide and separate ourselves from the ones we love most. In wearing the veil Hooper presents the isolation that everybody experiences when they are chained down by their own sins. He has realized that everybody symbolically can be found in the shadow of their own veil. By Hooper wearing this shroud across his face is only showing the dark side of people and the truth of human existence and nature.

Specifically, Hooper’s spasmodic behavior leads him to wear a black veil over his face, which comes short just above his mouth. “There was but one thing remarkable in his appearance. Swathed about his forehead, and hanging down over his face, so low as to be shaken by his breath, Mr. Hooper had on a black veil.” (Hawthorne 2). Living in a deeply religious society, as well as being a preacher, wearing such an inappropriate garment is asking for persecution. “ He seemed not fully to partake of the prevailing wonder, till Mr. Hooper had ascended the stairs, and showed himself in the pulpit, face to face with his congregation, except for the black veil. That mysterious emblem was never once withdrawn. It shook with his measured breath…” (Hawthorne 3). All eyes are on the minister; his status does not bring him this attention, but the mystery and the astonishment of the black veil. The veil and Hooper are one; both are religiously symbolic and are the center of the

"I look around me, and, lo! on every visage a Black Veil!" In the story, Mr. Hooper tells his fiance, Elizabeth, that it is a symbol, but he doesn't say what. I think that Mr. Hooper wore the veil for his own personal sin, not to burden the townspeople. The quote I just put was his last words before he died. The meaning of it was him saying that everyone has their own sin, and just because someone isn't physically wearing veil doesn't mean that they don't already have one inside of them. Others would say that Mr. Hooper was a hyprocite and that he pretends to be holy but he's really just a devil. I argue with that. The whole moral of the story to me, was that everyone has their own personal sin. Just because you're a minister doesn't mean that you don't have any.

These seemingly mundane details Mr. Hooper handles them with a tinge of darkness and others take notice. The spectators of the clergyman’s sermon noticed a “gentle gloom” (Hawthorne 187) in his words that day. He spoke of “sad mysteries which we hide from our nearest and dearest” (Hawthorne 187), the reader may apply this to Mr. Hooper and the reasoning he wears the veil. His very own “secret sin” diverges him from the rest of society because he chooses to wear in a physical form as a veil. Later that day as Mr. Hooper attended to a funeral it is claimed that “the corpse had slightly shuddered” (Hawthorne 190) due to the minister leaning over the body, disclosing his face only to the dead. This eerie occurrence only builds to the fire the towns people fuel with their own fantasized thinking. That evening Mr. Hooper carries out a wedding ceremony. Already eerie due to his veil, during the toast the preacher “[catches] a glimpse of his figure in the looking glass” (Hawthorne 191) so frightened by his own appearance, the preacher disappears in the night. This happening is significant because the townspeople already view the clergyman as an anomaly, but even he is shaken by his own appearance. This debilitated way of living rises the question of the preacher’s morality. Mr. Hooper lost his good graces with the towns people the moment he decided to veil himself from the rest of the world. However, one person stood by his

Throughout the short story, “The Minister’s Black Veil,” Reverend Hooper has a secret sin that is depicted as a mystery to the characters within the story and the readers, but teaches a parable. He wears the black veil for the rest of his life, even on his deathbed: an example in the literal sense for a spiritual sentiment. The crux of the parable is that every person dons a black veil, perhaps not physically, but spiritually. Hooper continually expresses that everyone hide sins and should fear one another instead of being terrified of his visually expressed sin as he had the audacity to wear a black crape, partially covering his face, for the rest of his mortal life. In “The

In Nathaniel Hawthorne's "The Minister's Black Veil," Mr. Hooper, a Reverend in the town of Milford, surprises his parishioners by donning a conspicuous black veil one Sunday. The town is visibly spooked, yet still curious, about his eerie appearance and profoundly affected by his sermon on secret sin. "A subtle power was breathed into his words. Each member of the congregation, the most innocent girl, and the man of hardened breast, felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought" (2432). The parishioner's expect that Hooper will only don the veil for one day and then remove it, having used the visage to make his point on secret sin, but they are taken aback to

First of all, I imagine that Mr. Hooper wears the veil for his own personal sins for many reasons. For an example, the first article says, “the sin that Mr. Hooper admonished himself over was the temptation or dalliance with a female.”. Meaning, that Mr. Hooper feels

Nathaniel Hawthorne, in his short story “Young Goodman Brown,” details the frailty of human morality when he has the story’s protagonist (Goodman Brown) journey through the forest on All Hollows Eve to witness/participate in a witches’ Sabbath just to see what evil/sin is all about. During Young Goodman Brown’s journey, his faith is shaken as he witnesses those he respects the most also journeying to and participating in the witch’s Sabbath. In “Young Goodman Brown,” Nathaniel Hawthorne demonstrates that an idealistic faith in our fellow man’s righteousness could lead to disappointment, distrust, and fear.

Sin is everywhere yet nowhere at the same exact time. Sin is inevitable yet many people believe they can combat it through their faith. Without faith, sin would consume anyone in its path. Even people of strong religious beliefs will continue to sin throughout their life. As stated in Romans 3:23, “for all have sinned and fall short of the glory of God.” Nathanial Hawthorne’s two literary pieces "Young Goodman Brown" and "The Minister 's Black Veil" highlight the struggle of human inclination to constantly hide their own sin. The two stories are different in that Goodman Brown exposes the real (sinful) faces of his peers, but in “The Minister’s Black Veil” Hawthorne purposely hides the face of the minister and creates the idea that

We take a trip back to the lovely Puritan era to understand the content matter of Hawthorne’s The Minister’s Black Veil. In this tale, Reverend Hooper, a young, unassuming, and unremarkable minister in everyway, suddenly dons a black veil, to the shock and mystery of the small town he preaches in. He becomes a pariah with his insistence to remove it, and loses his following and even his fiancee. He insists even on his deathbed to keep the veil into the grave.

Set in the New England town of Milford, the short story takes place in a Puritan society. Historically, Puritan towns were generally close-knit communities. In “The Minister’s Black Veil,” society holds a very heavy presence. When Mr. Hooper first appears in public with a black veil “swathed about his

If we take “The Minister’s Black Veil” as a horror story, it leads us to certain conclusions about the nature of the veil and Hooper’s refusal to take it off. If horror is something that centers upon the horrifying or macabre, especially concerning the supernatural, one can see that this story could belong. Hooper never divulges the exact nature of the veil, and we are left to speculate about what it could possibly mean. Several possibilities present themselves if we think of this story as a horror story; it could be that the veil is covering Hooper’s face to be a constant reminder to his congregation and all who see him of secret sin. It seems that the idea that he could possibly know someone’s secret sin is terrifying to the townspeople. Indeed, this veil does give Hooper “awful power over souls that were in agony for sin” (943). Sinners fear him, because they feel that the black veil is a reference to their own personal secret sins. And the veil gives him an association with the dead and ghostly qualities; after the girl’s funeral at the beginning of the story, one woman remarks that she thought she saw Hooper walking hand in hand with the ghost of the dead girl. Such things would not have been imagined if he had never donned the veil.