Nathaniel Hawthorne’s writing style is distinctly put into the Romantic styled writing category for many reasons. Hawthorne demonstrates his style by using many romantic elements throughout the novel. Characters and romantic elements are used to represent the ongoing battle between good and evil. Characters like Hester Prynne represent the side of good (although she has committed adultery) and Dimmesdale and Chillingsworth represent the evil. By using the romantic elements of fate and supreme beings will be significant to the thought that good will be rewarded and evil will be punished. Hester and Dimmesdale have both committed adultery, therefore sinning. They both suffer and take their punishment in different ways. Hester is publically humiliated, and therefore suffers. Despite her sinning, she continued to do her job, which was needlework. She did charity work by making clothing for the poor, and even though they did not return the compassion she continued her work regardless of her treatment. Dimmesdale suffers internally with his guilt, but is not punished publically like Hester is. He is still viewed as a good minister and the puritan society continues to listen and worship with him. Another difference between these two characters is that Hester does not act out and takes her punishment and shunning with grace. Dimmesdale has plenty of chances to admit his sin and rid himself of the guilt. He chooses not to many times, therefore suffering more than necessary. This
Even though Hester’s sin is the one the book is titled after and centered around, it is not nearly the worst sin committed. Hester learns from her sin, and grows strong, a direct result of her punishment. The scarlet letter was her passport into regions where other women dared not tread. “ Shame, Despair, Solitude! These had been her teachers--stern and wild ones--and they had made her strong... “ Hester also deceived Dimmesdale, also committing the sin of deception. She swore to Chillingworth that she would keep their marriage a secret. She even withheld this from Dimmesdale, whom she truly loved. Hester finally insisted on telling Dimmesdale and clearing her conscience. In this passage, you can see how he grows angry at Hester: “O Hester Prynne, thou little, little knowest all the horror of this thing! And the shame!--the indelicacy!--the horrible ugliness of this exposure of a sick and guilty heart to the very eye that would gloat over it! Woman, woman, thou art accountable for this! I cannot forgive thee!” Dimmesdale does forgive Hester. She has done
This fact is demonstrated as she casts off her letter and her stigma in society, as in the wilderness no judgment is held against her, and thus, she is more pure and noble. Dimmesdale is able to cast aside societal standards as well, showing affection for Hester in the forest: “‘Do I feel joy again?’ cried he, wondering at himself. ‘Methought the germ of it was dead in me! Oh, Hester, thou art my better angel! I seem to have flung myself— sick, sin-stained, and sorrow-blackened—down upon these forest leaves, and to have risen up all made anew”. Dimmesdale is no longer being held in guilt by those surrounding him and isn’t being slowly driven to insanity hourly by Chillingworth. The Puritan society, with such high respect for the reverend, showed to how high of a standard he had to conform to. Remaining in the Puritan lifestyle caused him to become ill by the day, as his guilt crept up slowly but powerfully upon him, and Chillingworth, a symbol for his guilt, slowly tortures Dimmesdale morally. The forest sets the reverend free from his guilt and sin, absolving and rebirthing him such that he can feel joy once again, a noble man again, plagued by no illness, and feels once again sane and real, lest he return to society and back to the
The narrator reveals that Hester is still “so passionately,” (Hawthorne 190) in love with Dimmesdale in chapter seventeen when she makes the decision to reveal Chillingworth’s identity. It is proven that Dimmesdale shares these feelings later on in the same passage when he forgives her for not revealing Chillingworth’s identity sooner and they reminisce on their sin. Dimmesdale tells Hester, “I have not forgotten!” (Hawthorne 191) This is in reference to their love for one another when they committed their sin seven years ago. Hester’s willingness to abandon New England and take off with Dimmesdale and their daughter towards the end of the novel shows that Dimmesdale was the one who truly held her back from leaving, not her sin. While the sin played a part in her own guilt, Dimmesdale was the one she truly stayed for. Their emotions towards one another are extremely complex, but had Chillingworth not ruined their potential escape plan, I believe that they would have lived out the last of Dimmesdale’s sickly days as a
Reverend Dimmesdale was a renowned, prideful man stricken with sin and extreme guilt. From the time Hester and Dimmesdale made love, he was grievous of his sin but he also felt a great love towards her. Dimmesdale's stubborn pride troubled him greatly, and although he tried many times, he could not confess his sin to his religious followers. Dimmesdale felt guilt so strongly that he scourged himself on his breast and patterned an “A” into his own flesh, yet he could not confess his sin until his grief grew so great it caused him to perish. Reverend Dimmesdale's sin was greater than Hester's because he let his pride conflict with his repentance, and let his life be ruined by his anguish.
The Scarlet Letter by Nathaniel Hawthorne presents the reader with the harsh, life changing conflicts of three Puritan characters during the 17th century. Hester Prynne, Arthur Dimmesdale, and Robert Chillingworth must endure their different, yet surprisingly similar struggles as the novel progresses. Despite their similarities, Hawthorne shows these individuals deal with their conflicts differently, and in the end, only one prevails. Nathaniel Hawthorne’s intricately critical diction helps determine his didactic tone; during the course of The Scarlet Letter, Hawthorne reveals that happiness can be harnessed through one’s perseverance.
Another effect on Dimmesdale, seen as his guilt slowly wears him down, is how he compares his actions to those of Roger Chillingworth. This is clearly seen when Dimmesdale claims to Hester, "We are not, Hester, the worst sinners in the world. There is one worse than even the polluted priest! That old man 's revenge has been blacker than my sin. He has violated, in cold blood, the sanctity of a human heart. Thou and I, Hester, never did so!” (Hawthorne 185). Even in the privacy of the forest, he did not want to accept the full reality of his actions. This is a step forward for him, however, because he chooses to actually say aloud that what he did was wrong, just not as wrong as Chillingworth’s terrorizing of him. Eventually, Dimmesdale is able to confess to the public his sin, and this is due to his longing to escape the torture Chillingworth has been putting him through. Dimmesdale is no longer affected by the guilt that his actions brought about, so Chillingworth has no reason to aggravate him anymore. Sadly for the reverend, the shame
Dimmesdale doesn’t tell anyone that he’s Hester’s lover and when given the chance to admit his sin, he let it go so many times . There is a time Hester asks him for help when the old minister tries to take Pearl away from her, she says “Thou wast my pastor, and hadst charge of my soul, and knows me better than these men can. I will not lose my child! Speak for me! Thou knows,—for thou hast sympathies which these men lack!—thou knows what is in my heart, and what are a mother’s rights, and how much the stronger there are when that mother has but her child and the scarlet letter! Look thou to it! I will not lose the child! Look to it!” (105). At that time there’s an opportunity that he could tell everyone the truth and stand up for them, but he chooses to hide it instead to admit what he has done and allow everyone to learn from his imperfection. He is the worst sinner because he is a coward that he decides not to confess to everyone even though he has so many opportunities.
He then goes on to say that Heaven has enabled Hester to be punished for her crime, allowing her to “triumph over the evil” within her. However, he says that by remaining silent, Hester is denying him of the same pleasure. This is hypocritical because Dimmesdale is arguing that he cannot expiate his own sin and Hester must do it for him.
In the Scarlet Letter there are two characters that are provided as a foil for one another. The one character Dimmesdale seems as if he is kind, but he has a terrible burden on him that is being torturing out of him. Chillingworth is his opposite. You think he is nice when really he is quite evil. Dimmesdale and Chillingworth bring out each other's characteristics and bring out the characteristics of other characters around them.
Nathaniel Hawthorne, a well-know Dark Romantic, employs the issues prevalent in Dark Romanticism in his novel The Scarlet Letter. These include the concepts of: guilt and sin, good and evil, and madness in the human psyche. Guilt and sin are heavily addressed in the novel, focusing on Hester’s outward versus Dimmesdale’s hidden guilt, and the sins committed by the adulterous couple and the revenge-driven Roger Chillingworth. The idea of what good and evil are is questioned in the novel. For example, the reader is led to question if Hester was right in not revealing Dimmesdale, and in turn if both Dimmesdale and Chillingworth were
As the story continues, Hester Prynne continues to be plagued by guilt and embarrassment. Every look from a fellow citizen seems to make the scarlet letter burn on her chest. Throughout all this though, Hester Prynne remains true to herself and becomes stronger because of all her trials. Reverend Dimmesdale on the other hand, becomes weaker and weaker
In Hawthorne's revered novel The Scarlet Letter, the use of Romanticism plays an important role in the development of his characters. He effectively demonstrates individualism in Hester to further our understanding of the difficulties of living in the stern, joyless world of Puritan New England. It is all gloom and doom. If the sun ever shines, one could hardly notice. The entire place seems to be shrouded in black. The people of this society were stern, and repressed natural human impulses and emotions than any society before or since. But for this reason specifically, emotions began bubbling and eventually boiled over, passions a novelist
Puritan society is also portrayed in a negative light when observing its effects on Dimmesdale. Arthur Dimmesdale is praised by many in his community as a holy figure and thus a leader, however, he is just as much a sinner as Hester, since together they committed adultery. The fact that he hides this secret in order to preserve this false image of himself shows how much he cares about how he is viewed by society. While many would argue that he does this out of his own free will, there is no doubt that he feels pressure from society to keep his past hidden and maintain this holy facade. Once Dimmesdale dies, some townspeople “affirm that the Reverend Mr. Dimmesdale, on the very day when Hester Prynne first wore her ignominious badge, had begun a course of penance … by inflicting a hideous torture on himself” (Hawthorne 230). When they see the letter branded on Dimmesdale, they are shown how he has been tortured by himself and by Chillingworth, as a result of the agony society put him through in hiding his secret of having committed sin. This instance shows how, in a deterministic society, even those viewed as the
This concealed sin is the center of his tormented conscience. The pressures on him from society are greater than those on Hester because he is a man in high standing, expected to represent the epitome of the Puritanical ideals. It is ironic that Dimmesdale, who is supposed to be absolutely pure and urges congregation to confess and openly repent their sins, is incapable of doing so himself. He knows the hypocrisy of his actions but cannot bring himself to admit his deed publicly. In resentment of this he punishes himself physically - he is "often observed to put his hand over his heart, with indicative of pain" (ch 9). Dimmesdale's resistance to be true to himself gradually destroys his well being as well as Hester's, and although he eventually declares the truth, his resistance ends him.
As far as the townspeople know, Hester is the lone sufferer for one sin committed by two people. No one would ever guess that their minister, alone, is guilty of three major crimes: adultery, hypocrisy, and neglecting confession. His heart becomes so heavy with guilt, remorse, and sorrow that he punishes himself by fasting for days, whipping his own back. Some believe that this is what caused the scarlet "A" to mysteriously appear on his chest. The guilt that is a direct result of concealing his terrible sins is literally destroying him. Hawthorne writes, "No man, for any considerable period can wear one face to himself, and another to the multitude, without finally getting bewildered as to which may be the true." (196) Dimmesdale is learning this lesson the hard way. His inner-conscience longs to confess, but he has too much worldly wealth at stake. He successfully keeps his secret from the town until he realizes it has already killed him.