Native American Storytelling Lit Paper

Introduction: The concept of the change and longevity of the fairy tale (or myth) is well illustrated in the story “Yellow Woman” by Leslie Silko. Not only is the story a modern explanation of a traditional Native American myth, but the style that Silko uses to tell it evokes and adapts the oral communication style that those old myths were passed down with. The story is also very self-consciously aware of its place as a modern revision of a myth, and makes many internal references to this aspect of itself. “Yellow Woman” becomes, in effect, the modern version of a Native American myth or legend, and therefore is a perfect example of the way in which old tales are made new.

An emphasis on family is one of the central facets of Native American culture. There is a sense of community between Native American. Louise Erdrich, a Chippewa Indian herself, writes a gripping bildungsroman about a thirteen year old boy named Joe who experiences all forms of family on the Native American Reserve where he lives. He learns to deal with the challenges of a blood family, witnesses toxic family relationships, and experiences a family-like love from the members of the community. In her book, The Round House, Louise Erdrich depicts three definitions of the word family and shows how these relationships affect Joe’s development into an adult.

In American Indian Stories, University of Nebraska Press Lincoln and London edition, the author, Zitkala-Sa, tries to tell stories that depicted life growing up on a reservation. Her stories showed how Native Americans reacted to the white man’s ways of running the land and changing the life of Indians. “Zitkala-Sa was one of the early Indian writers to record tribal legends and tales from oral tradition” (back cover) is a great way to show that the author’s stories were based upon actual events in her life as a Dakota Sioux Indian. This essay will describe and analyze Native American life as described by Zitkala-Sa’s American Indian Stories, it will relate to Native Americans and their interactions with American societies, it will

Although stories are a universal art form, they hold a more significant role in Native American culture, and literature. This occurs due to the millennia spent in isolation from the rest of the world, and having stories as the main source of entertainment. Thomas King’s statement, “stories can control our lives,” is an important notion, because it embarks on the idea of molding the diseased into more interesting versions of themselves. The statement is prevalent in many pieces of literature which fuse reality into the imagination, and cause people to lose themselves in the fictitious realm. Native literature is all closely related, and they all hold messages within their stories that show their great culture; both the good and the bad. Story

There are hundreds of Native American tribes and millions of people that are within North America that identify themselves as Native Americans. Each tribe has their own unique customs, language, and myths. However, within the confines of this paper I will take a broad view with regards to Native American customs and traditions from a small sample of tribes that were observed prior to the vast expansion of colonizing the west.

Popular culture has shaped our understanding and perception of Native American culture. From Disney to literature has given the picture of the “blood thirsty savage” of the beginning colonialism in the new world to the “Noble Savage,” a trait painted by non-native the West (Landsman and Lewis 184) and this has influenced many non native perceptions. What many outsiders do not see is the struggle Native American have on day to day bases. Each generation of Native American is on a struggle to keep their traditions alive, but to function in school and ultimately graduate.

In her book American Indian Stories, Zitkala-Sa's central role as both an activist and writer surfaces, which uniquely combines autobiography and fiction and represents an attempt to merge cultural critique with aesthetic form, especially surrounding such fundamental matters as religion. In the tradition of sentimental, autobiographical fiction, this work addresses keen issues for American Indians' dilemmas with assimilation. In Parts IV and V of "School Days," for example, she vividly describes a little girl's nightmares of paleface devils and delineates her bitterness when her classmate died with an open Bible on her bed. In this groundbreaking scene, she inverts the allegation of Indian religion as superstition by labeling

From as early as the time of the early European settlers, Native Americans have suffered tremendously. Native Americans during the time of the early settlers where treated very badly. Europeans did what they wanted with the Native Americans, and when a group of Native Americans would stand up for themselves, the European would quickly put them down. The Native Americans bow and arrows where no match for the Europeans guns and cannon balls. When the Europeans guns didn’t work for the Europeans, the disease they bought killed the Native Americans even more effectively.

Culture, as defined by the Merriam-Webster dictionary is stated as “The integrated pattern of human knowledge, belief and behavior that dpends upon the capacity for learning and transmitting knowledge to succeeding generations. The customary beliefs, social forms and material traits of a racial, religious or social group. The set shared attitudes, values, goals and practices that characterizes an institution or organization. The set of values, conventions or social practices associated with a particular field, activity or societal characteristic.” Of these four definitions, I shall be focusing on the second one to discuss what makes up the culture of American Indians.The culture of the various tribes that made up the Native Americans is one of close knit families, highlyspiritual peoples and living together as one with the land they lived on. They believed in spirits, worshiping and honoring them. Some settled into single locations while others were nomadic, but all had a focus on working with the land around them. Because there are so many varying tribes that make up Native

As I mentioned above, everything began with Christopher Columbus discovering America in 1492. History is non-fiction, and perhaps the most concrete example of this non-fiction is the story of the beginning of the Indians. Native American mythology contains may different types of character including heroes, tricksters, and more. These characters can have both good and bad qualities, and fall into many categories. For example, creator gods usually restore order, but in some stories can be destructive. Tricksters can even be considered the hero in some stories. (Myths Encyclopedia, 2007). Indian stories are born from experiences and beliefs. Ross also states that “Native American societies are based on the concept of interdependence. Interdependence

Like a coin dropped between the cushions of a couch, traditional oral storytelling is a custom fading away in current American culture. For Native Americans, however, the practice of oral storytelling is still a tradition that carries culture and rich history over the course of generations. Three examples of traditional oral stories, “How Men and Women Got Together”, “Coyote’s Rabbit Chase”, and “Corn Mother”, demonstrate key differences in perspectives and values among diverse native tribes in America.

Perpetuation of Native American Stereotypes in Children's Literature Caution should be used when selecting books including Native Americans, due to the lasting images that books and pictures provide to children. This paper will examine the portrayal of Native Americans in children's literature. I will discuss specific stereotypes that are present and should be avoided, as well as positive examples. I will also highlight evaluative criteria that will be useful in selecting appropriate materials for children and provide examples of good and bad books. Children will read many books as they grow up.

The Native American Trickster is usually described as a character that “is a wandering, bawdy, gluttonous, and obscene” (72). The Trickster is “usually male but able to alter his sex at will,” he “may copulate with his daughter or daughter–in-law or send his penis swimming across rivers in search of sexual adventure” (72). He is often characterized as being “selfish, amoral, foolish, destructive, and as his name indicates, given to duping others in his own interest” (72). However, the trickster “is also a culture hero, someone often with godlike power who long, long ago helped to establish the order of the world that we know today” (72). Though, his folly caused him to forget his purpose of ridding the earth of evil entities, he is still a staple in Native American tales. Every tribe has their own version of the trickster!

It is easy to see that current events and issues of the world around them have had an impact on authors and what they have written from the stories in this time period. The Native American authors wrote stories describing life during and after white man came to America. We read Oratory’s by two Native American’s COCHISE and CHARLOT. They gave heart-wrenching speeches, giving great details into the history of the tribes and the devastating effect the white man had on them. Author Zitkala Sa gave us a powerful interpretation of her life as a Indian and how the white’s coming to America affected her life.

Native American literatures embrace the memories of creation stories, the tragic wisdom of native ceremonies, trickster narratives, and the outcome of chance and other occurrences in the most diverse cultures in the world. These distinctive literatures, eminent in both oral performances and in the imagination of written narratives, cannot be discovered in reductive social science translations or altogether understood in the historical constructions of culture in one common name. (Vizenor 1)