Native Son Critical Analysis

The novel Native Son by Richard Wright tells the story of Bigger Thomas, a young black man living on the South Side of Chicago. Due to the severe oppression and racism he has faced throughout his entire life, the reader is shown how Bigger has no control over his life and is driven to extreme actions as a result of his fear and anger. Wright displays how media and popular culture in the novel serve as powerful driving forces in emphasizing the destructive racial prejudices that are present in society as a way to solidify these ideas in the minds of its members. Through presenting the media in such a light, Wright criticizes how the media inaccurately presents information to the public

Throughout the whole novel Bigger had felt cornered and intimidated by the white man and who they were. However, this man was different from the others. He treated Bigger as a normal human being, not as a downtrodden person or a murderer, just a normal human being. This is the only instince in which this happens in the whole novel. Wright used it primarily to show that he himself did not feel as if all whites were bad but that because of stereotyping, many were. Wright goes out of his way to show that this man was not under the inlfluence of stereotyping and to show the decent side of some whites.

Native Son by Richard Wright is about a black man, Bigger Thomas, who is becomes the chauffeur of the Daltons, a rich white family, and accidently kills the daughter, Mary. He attempts to cover his crime by putting the blame on someone else, but he is eventually caught and sentenced to death. Bigger deceives in an attempt avoid the consequences he knows the white world will deliver to him with and this deception contributes to Wright’s message of what racism does to the oppressed and additionally puts Wright’s communist party in a positive light.

In his most famous novel, Native Son, Richard Wright's female characters exist not as self-sufficient, but only in relation to the male figures of authority that surround them, such as their boyfriends, husbands, sons, fathers, and Bigger Thomas, the protagonists. Wright presents the women in Native Son as meaningless without a male counterpart, in which the women can not function as an independent character on their own. Although Wright depicts clearly the oppression of Blacks, he appears unconscious of creating female characters who regardless of race, are exploited and suppressed. Their sole purpose in the novel is to further the story by putting Bigger in new and more dangerous situations by

The events in life are ways of growth and development in a person’s life, family or a society. Over time, humans will know the mental, physical and spiritual changes as a result of experiences. These changes can make some broad similarities in life or make a difference to develop independence and make a lifestyle. In these essays: "Notes of a Native Son" by James Baldwin and "Three Spheres" by Lauren Slater are essays that give examples of events that are similar and different in characteristics that can occur in a person’s life in the growth stage.

In the 1986 film adaption of Richard Wright’s novel Native Son, the director presents the following question: can those who suffer from Post Traumatic Slave Syndrome go insane after years of oppression? That is the question that must be answered in the case of 19-year-old Bigger Thompson, who is accused of murdering Ms. Mary Dalton. The purpose of this essay is to examine Richard Wright’s film adaptation of Native Son, and Bigger’s innocence regarding ethos, pathos, and logos.

J.R. Miller’s article entitled “Victoria’s “Red Children”: The “Great White Queen Mother” and Native-Newcomer Relations in Canada” was published in July 2008 in the Native Studies Review, Vol. 17 Issue 1, p1 -23. The article examines how even though First Nations people suffered tremendously during Queen Victoria’s reign, they maintained their strong allegiance to the Crown mostly due to their kinship mentality. Miller notes that slowly but noticeably, by the end of Victoria’s reign the Great White Queen’s Red Children were beginning to adjust their rhetoric to use the Crown and imperial government at Westminster as counterweights against national and provincial governments within Canada that were oppressing them.

In the mid 1900’s, different parts of society struggled with power due to the idea of racial supremacy. The idea of a superior race lead to the racial oppression of blacks, which had deep and lasting effects on society. This can be seen in Native Son by Richard Wright. During this time, power was heavily dependent on race: a concept Bigger Thomas struggled with throughout the entire novel. This can be seen on Bigger’s journey to understand and grasp for power, and the lasting effects of racial oppression on not only himself, but the black community as a whole.

Throughout the novel, Wright uses both dialogue and narrative to move the plot forward. Through dialogue, Wright shows the interactions between Bigger and the other characters, which reveal the feelings and thoughts of others in order to give the reader a well-rounded perspective on the matter. Wright especially uses narrative throughout the plot to depict new settings, reveal Bigger’s first opinions of others, and also flow through Bigger’s thinking process. Because of this, the readers are able to better understand and relate to his emotions that may lead to his uncontrollable actions. In blending the use of dialogue and narrative, Wright takes the reader through Bigger’s interactions with other characters, and he also shows how these interactions affect Bigger’s later behavior in various situations.

According to Frederick Douglass, “it was the blood-stained gate, the entrance to the hell of slavery, through which I was about to pass. It was a most terrible spectacle. I wish I could commit to paper the feelings with which I beheld it (p.4).” Frederick Douglass and Toni Morrison literatures examine the stigma of slavery, and the perceptions of its dangers. They illustrate what life was like and the mental as well social impact it had on enslaved African-Americans and their life after gaining freedom. Richard Wright convinces his audience in Black Boy that he was tired of the limitations and outcries in the South “I was not leaving the South to forget the South, but so that some day I might understand it, might come to know what its rigors had done to me, its children (284).” Alice Walker obtains her readers attention by transforming young women into their own characters with a voice using spiritual guidance. In Native Son, Bigger has achieved is lost after being apprehended and brought into captivity, as he transitions back into silence and passivity and begins to recover only in his final confrontation, whereas Douglass in the same prevailing convention, only heals after the regaining of his freedom. Through these literatures, and many others, African-Americans find multiple ways to alleviate and recover from the intensity of undesired bondage and bigotry.

1) From the last paragraph in the biographical section on page 51 that starts with “In ‘Notes of a Native Son,’” was most useful to my understanding of this essay because it gives a brief summary of Baldwin’s essay. However, the first couple of sentences on page 49 gave me an idea of what kind of writer Baldwin is: “took on the responsibility of speaking as a black American about the ‘Negro problems in America.’”

In the beginning, when Bigger started working for the Dalton’s, he had to drive Mary Dalton, the daughter, to the University of Chicago. However, she wanted him to pick up her boyfriend, Jan, and head to a restaurant. When Bigger was in the car with Jan and Mary, “he was very conscious of his black skin...Jan and men like him” made Bigger feel insecure of who he was. (Wright 67) Even though Jan and Mary did not say anything that would insult his race, the presence of white people made him self-conscious. Being

  In Native Son, Wright employs Naturalistic ideology and imagery, creating the character of Bigger Thomas, who seems to be composed of a mass of disruptive emotions rather than a rational mind joined by a soul. This concept introduces the possibility that racism is not the only message of the novel, that perhaps every person would feel as isolated and alone as Bigger does were he trapped in such a vicious cycle of violence and oppression. Bigger strives to find a place for himself, but the blindness he encounters in those around him and the bleak harshness of the Naturalistic society that Wright presents the reader with close him out as effectively as if they had shut a door in his

When analyzing Bigger Thomas, Richard Wright’s protagonist in the novel Native Son, one must take into consideration the development of his characterization. Being a poor twenty-year-old Black man in the south side of Chicago living with his family in a cramped one- bedroom apartment in the 1930’s, the odds of him prospering in life were not in his favor. Filled with oppression, violence, and tragedy, Bigger Thomas’ life was doomed from the moment he was born. Through the novel, Bigger divulges his own dreams to provide for his family and to be anything but a “nobody.” Although Bigger struggled to fight through obstacles to pursue his dreams for the future, his chase for a better life came to an abrupt

Richard Wright’s novel, Native Son, depicts the life of the general black community in Chicago during the 1930’s. Though African Americans had been freed from slavery, they were still burdened with financial and social oppression. Forced to live in small, unclean quarters, eat foods on the verge of going bad, and pay entirely too much for both, these people struggled not to be pressured into a dangerous state of mind (Bryant). All the while, they are expected to act subserviently before their oppressors. These conditions rub many the wrong way, especially Bigger Thomas, the protagonist of the story. Though everyone he is surrounded by is going through all the same things that he is, growing up poor and uneducated has made Bigger angry at the whole world. You can see this anger in everything he does, from his initial thoughts to his final actions. Because of this, Bigger Thomas almost seems destined to find trouble and meet a horrible fate. Wright uses these conventions of naturalism to develop Bigger’s view of the white community(). With all of these complications, Bigger begins to view all white people as an overwhelming force that drags him to his end. Wright pushes the readers into Bigger’s mind, thoroughly explaining Bigger’s personal decay. Even Wright himself says that Bigger is in fact a native son, just a “product of American culture and the violence and racism that suffuse it” (Wright).