Native Son Figurative Language

Richard Wright’s “Big Boy Leaves Home” addresses several issues through its main character and eventual (though reluctant) hero Big Boy. Through allusions to survival and primal instincts, Wright confronts everything from escaping racism and the transportation (both literal and figurative) Big Boy needs to do so, as well as the multiple sacrifices of Bobo. Big Boy’s escape symbolizes both his departure from his home life and his childhood. Big Boy, unlike his friends, does not have a true name. This namelessness drives his journey, and Big Boy is constantly singled out in one way or another. The moniker ‘Big Boy’ is a contradiction—is he a large boy or is he a grown man?—and drives all of Big

Throughout the whole novel Bigger had felt cornered and intimidated by the white man and who they were. However, this man was different from the others. He treated Bigger as a normal human being, not as a downtrodden person or a murderer, just a normal human being. This is the only instince in which this happens in the whole novel. Wright used it primarily to show that he himself did not feel as if all whites were bad but that because of stereotyping, many were. Wright goes out of his way to show that this man was not under the inlfluence of stereotyping and to show the decent side of some whites.

Bigger’s reasoning for putting the blame on the communist Jan Erlone was his knowledge that white people don’t like communists. Therefore, he knows the police as well as the white people of Chicago will be happy to convict a communist for the murder. Part of Richard Wright’s purpose in writing this book was to share the views of the communist party and show how unjustly members of the party were treated. Jan was arrested and put in jail based on Bigger’s lies and false accusations and Bigger even pulls a gun on him. Despite all this Jan tries to help Bigger and has Max, the communist’s lawyer, represent Bigger in his trial. Wright simultaneously shows the prejudice against communists and how they are good people.

Wright implies, suggest, and even says that Bigger Thomas is an embodiment of the black revolt against the injustices of white caste society and that this revolt often takes the form of crime against this same white society. Borne into a white society, hostile and indifferent, Bigger becomes the total embodiment of that city hatreds and prejudice against the black man.

In book one, talks about crimes Bigger have done against other blacks, but never against a white man. He and his best friend Gus “play white,” and Bigger talks about, how “they don’t let us do nothing” referring to white people (Wright 17). Bigger feels that white people are going to force him to do something he cannot control. Bigger talks about robbing a white man named Mr.Blum. His friends are hesitant about the robbery and Bigger tells them, “ If old Blum was a black man, you-all would be itching to go. ‘Cause he’s white, everybody’s scared” (Wright 20). Bigger and his gang of friends have no problem committing crimes against their own people. They had never thought of committing a crime that involves crossing a racial boundary.

Wright uses Bigger’s psychological corruption to send a message to the reader. It offers a new view on the underlying effects of racism on the black community of the time period. Wright creates Bigger from the diversity he saw throughout American society. “I made the discovery that Bigger Thomas was not black all the time; he was white, too, and there were literally millions of him, everywhere... I became conscious, at first dimly, and then later on with increasing clarity and conviction, of a vast, muddied pool of human life in America. It was as though I had put on a pair of spectacles whose power was that of an x-ray enabling me to see deeper into the lives of men. Whenever I picked up a newspaper, I 'd no longer feel that I was reading of the doings of whites alone (Negroes are rarely mentioned in the press unless they 've

As we read Native Son, Bigger’s resulting attitude toward the whites is a combination of anger and powerful fear. He fears the whites as an overpowering force that he cannot

Within, ‘Big World' the unnamed narrator has an internal conflict in regards to his failures and of Biggies. The use of emotive language indicates that he thinks carefully on his ‘failures’ and which it leads to him considering to ‘kill himself’. The narrator decides to undertake a fulfilling and enriching getaway because he has always ‘ [Dreamt] of escaping’. The narrator thinks he is “Responsible, like [his] ghost work stopped [Biggie] from learning. In a way [he] ruined his chances” This indicates that he

Moreover, books with literary value that teach readers something worth knowing as its message sometimes changes who they are as a person. By using well developed characters, setting, and plot with important symbols, the author usually makes readers have deep reflections on humanity, life, and morals. For example, in Native Son, Richard Wright tries to shed light on the issue of racism and its adverse effects on people by utilizing literary devices such as the setting of Chicago, the characterization of Bigger Thomas, and the symbolism of blindness. By juxtaposing Bigger’s and Dalton’s house, both in Chicago and yet divided by the “Black Belt”, he underlines the segregation of American society. Wright also develops symbols of blindness to give an idea that both the black and white societies are

In the beginning, when Bigger started working for the Dalton’s, he had to drive Mary Dalton, the daughter, to the University of Chicago. However, she wanted him to pick up her boyfriend, Jan, and head to a restaurant. When Bigger was in the car with Jan and Mary, “he was very conscious of his black skin...Jan and men like him” made Bigger feel insecure of who he was. (Wright 67) Even though Jan and Mary did not say anything that would insult his race, the presence of white people made him self-conscious. Being

In Richard Wright’s novel Native Son, the protagonist, Bigger Thomas, lives in a world where he is constantly limited by the color of his skin; through his actions and through his words, Bigger proves that hatred is often derived from fear and misunderstanding, ultimately leading to the kind of treachery that sends a person to the ninth level of Hell. Living in 1930s Chicago, Bigger Thomas, like most other blacks living in the United States during the time, was fearful and envious of the privileged whites he saw driving around in their nice cars and residing in their large estates. Bigger spoke to his gang about his envious thoughts, saying, “we live here and they live there. We black and they white.

  In Native Son, Wright employs Naturalistic ideology and imagery, creating the character of Bigger Thomas, who seems to be composed of a mass of disruptive emotions rather than a rational mind joined by a soul. This concept introduces the possibility that racism is not the only message of the novel, that perhaps every person would feel as isolated and alone as Bigger does were he trapped in such a vicious cycle of violence and oppression. Bigger strives to find a place for himself, but the blindness he encounters in those around him and the bleak harshness of the Naturalistic society that Wright presents the reader with close him out as effectively as if they had shut a door in his

Although Bigger’s actions can somewhat be justified or at least sympathized with in an unusual way, this does not necessarily mean that he fits the description of an antihero. However, what does make him an antihero are the characteristics and values that assist readers in relating to Bigger in a way that betters their understanding of the messages of the novel. As explained by Michael Lewis, “Bigger [is] a character who longs to both receive and construct such fields — to have the freedom to tell a nonserious lie and have it taken seriously” (Lewis 234). In this regard, Bigger has a resilient conviction towards the concept of freedom applying to all people. He does not understand why his freedom is so limited, but he comprehends that this limitation is unjust — so much so that he actually feels freedom in killing Mary Dalton.

Bigger Thomas experiences the obstacles of poverty, financial income, and the law similar to those of the author. Richard’s inspiration for creating a character like Bigger Thomas originated from his childhood and past life experiences. Richard’s past affected his portrayal of the role Bigger Thomas. To begin with, the common themes featured in the literature are racism, poverty, and injustice ("Richard Wright.").

She tells Bigger, “I think I can trust you” (Wright 64) in order to toy with his emotions and disobey his boss’ orders as Bigger, Mary, and Mary’s communist boyfriend Jan Erlone take the car out for a night in the loop. After a rousing evening on the town filled with booze and conversations about communism that left Bigger offended and ashamed to be black, it became Bigger’s duty to make sure that Mary was placed safely in her bed after being too intoxicated to stand on her own. Because Bigger strives to obey his boss, he feels inclined to personally place Mary in her own room in order to avoid trouble. This shows that Bigger Thomas took Mary to her bedroom with no intention of causing any problems in his new workplace reminding the reader that Bigger is not an evil human being, just a product of his environment. After being in Mary’s bedroom, Bigger decided to overstay his welcome due to his curious arousal with white women. To Bigger’s surprise, “a hysterical terror seized him” (Wright 85) as Mrs. Dalton makes an appearance in Mary’s bedroom to check on her daughter. Bigger automatically assumed that if he was caught in Mary Dalton’s bedroom at an odd hour of the night he would be immediately fired and accused of raping a white woman that could ruin his already tragic life forever. Due to her blindness, Bigger was not seen immediately, but he realized if Mary kept mumbling, Mrs. Dalton would make her way