Natsume Soseki's Kokoro

Relationships play an important role in one's life. They are formed on the basis of love and understanding. Relationship helps various people in every aspect of life and assists them in being a better person. Such a relationship was found in the novel

The narrator, Katsu Kokichi, was a low ranking samurai during the end of the Tokugawa Period. He was the youngest out of all his siblings and as a child he ran away from home multiple times. Kokichi told his readers how he had to beg for food and even began to pose as a representative to a feudal lord. The readers learn that he has a wife and children but he often times would beat her and he also never got an official promotion and was forced to obtain a low income by dealing swords, selling protection to shopkeepers, and sometimes using his muscle (getting into fights) and tricking others. In Kokichi’s lifetime, readers see a man whose life was filled with dishonesty, corruption, poverty, blackmail, and even lawbreaking. His story shows the reality of a samurai’s life during the end of the Tokugawa

Chikamatsu Monzaemon’s play, The Love Suicides at Amijima explores the disgrace of Jihei and Koharu’s misbegotten romance, the underlying conflict of the hidden innuendos aimed at the Japanese social class and the sense of duty formed between two women from unseemmingly different backgrounds. In order to fully understand these themes, on must take into account the societal structure of Osaka, Japan in the 1720s. Within this culture, every individual was instilled the notion of familial obligation and had to adhere to the rules placed upon them by society. Chikamatsu Monzaemon does an ideal job of capturing these concepts within the play.

“They wept together, for the things they now knew.”(104) The last sentence of the first story in Interpreter of Maladies, reveals the cruelty of the elapsed romance in a marriage. In the two collections, A Temporary Matter and The Third and Final Continent, Jhumpa Lahiri demonstrates that a marriage can be either uplifting or discouraging depends on the mindset held by the couple and the strength of human bonding. Lahiri emphasizes the significance of mindset and human bondings through the ending of the two stories. The endings of the two stories are polar opposite : In A Temporary Matter, Shukumar and Shobha weeps for the termination of their relationship; The Third and Final Continent, by contrast, the protagonist(MIT) enjoys a fairytale-like

Musui 's Story is a samurai 's autobiography that portrays the Tokugawa society as it was lived during Katsu Kokichi 's life (1802 - 1850). Katsu Kokichi (or Musui) was a man born into a family with hereditary privilege of audience with the shogun, yet he lived a life unworthy of a samurai 's way, running protection racket, cheating, stealing, and lying. Before we discuss how Musui 's lifestyle was against the codes that regulated the behavior of the samurai, it is essential that the role of the samurai in Japanese society be understood.

When you ask people what is the most important emotion exist in the world. Most people will certainly answer love is the significant thing which cannot be instead forever. This story talked about the love between main characters, including Rio, Aunt T, Uncle Jeff, Daddy and Stephen. It could be called multiple angle love. Uncle Jeff was a gay who loved Daddy, but Daddy had boyfriend rather than Uncle Jeff. Later, Uncle Jeff met Stephen, who was a homeless, invited him to home and bought furniture to this guy. It was amazing to say that they have not ever met before. However, Uncle Jeff took care of Stephen as a family member and friend. In fact, everybody nodded that Uncle Jeff was an optimistic person, who was enthusiastic and friendly to help others. After Jio realized the background of dead Uncle Jeff, Jio changed mind and agreed “Day Ah Dallas Mare Toes” was a memorable day, which deserved to be remembered.

Banana Yoshimoto’s Kitchen and Moonlight shadow are Japanese novellas in which the protagonist is followed during their grieving period. In order to accurately depict the nature of significant loss and its aftermath, the stories follow distinct structures to that of western literature. Yoshimoto intensifies unexpected losses in a young woman’s life with the non-linear structure and the deficit of foreshadowing. The structure supports the story’s themes of lack of control in life and the unexpectedness it withholds.

That Mr. MacPherson has grown tired of his job, he thinks that there isn’t much hope in being a teacher and that nothing good has come out of it. His students have drove him to regretting his career choice, that maybe the result of him not being the best teacher and letting the student get to him like they did.

The boy, in themidst of such decay and spiritual paralysis, experiences the confusedidealism and dreams of first love and his awakening becomes incom-patible with and in ironic contrast to the staid world about him.

In the novel Kokoro, Natsume Sōseki uses his character Sensei to represent how guilt can weigh too heavily on a person. Throughout the story, Sensei's interactions with the Narrator, both verbal and nonverbal occurrences, showcase how guilt leads to other negative emotional experiences, such as loneliness and misery. Sensei's internal struggle with guilt shapes the entirety of his adult life and the unfolding of the events in the book. This paper aims to show the implications that Sensei’s guilt has upon his life, especially his relationships with others.

History has shown how Japanese people are stoic people. During the time of terror and grief they showed no emotions but put one foot forward and continue to strive to build their communities. The six characters each experience the bombing but feel as if it only happened to them at first.

His arranged marriage is struggling because his wife cannot recover from her sorrow over the loss of their young son. Mrs. Das’s sudden interest in his job makes him start his romantic imagination journey. When the Das family has lunch, Mr. Kapasi is invited to join with them. Then, they take the photograph which Mr. Kapasi happens to sit next to Mrs. Das. At the time, Mr. Kapasi feels that he is the best match with Mrs. Das as both of them have the same maritally unsatisfied circumstances. Mrs. Das asks for Mr. Kapasi’s address to send the photograph that they have taken. For her, asking Mr. Kapasi’s address is nothing, but for Mr. Kapasi, writing his address on the scrap paper becomes the way to begin his romantic relationship.

In the essentially dual religious system in Japan, ideologies and traditions play a heavy role in the everyday life of the Japanese people. Shintoism and Buddhism intertwine and complement themselves in Japanese culture, despite Buddhism coming in from mainland Asia. A particularly powerful idea from Buddhism is mono no aware, the realization and acknowledgment of the impermanence and its place in the world. This idea that nothing stays the same forever manifests itself heavily in Japanese literature, whether in personal writings or fictional works. Despite spanning hundreds of years, each work was shaped by and include manifestations of mono no aware. I intend to underline and pinpoint instances that mono no aware is influencing these works, and discuss similarities and differences between them. In this paper, I have three works that I will explore, each one corresponding to a different time period before the pre-industrial revolution; The Diary of Lady Murasaki comes from the classical period, Essays in Idleness from the medieval, and the immensely popular play Chushingura from the pre-modern era.

On his final day as a teacher, the despairing Mr. Holland is led to the school auditorium, where his professional life is surprisingly redeemed. Hearing that their beloved

The problems that one encounters in coping with the death of a dear one are portrayed in the novel and how it make them realise is death most be understood so life is understood. R.K Narayan Narayan English teacher says that everyone in life is separated by one and another and death is the start of the new road and a new journey.