Natural Born Killers Analysis

John Cox is the author of To Kill a People and a professor at UNCC. Meeting John Cox was very exciting because I never met an author before. I can't believe he took the time to sit down with us, discuss his book, and answer our questions.

The main purpose of the article written by Gerald Jones is to change the public perception of violent media for kids. He argues for this by saying violent media can actually have positive effects on young people because a violent media help the young people to gain self-knowledge and sense of potency through heroic combative storytelling. In addition to this, when young people are growing, watching a media action full pool of blood, killing, stabbing, screams of agony and pleas for mercy help them pull out of the emotional trap by plunging themselves into violent story. Jones also believes that violent media are a positive influence on children because pretend to have a superhuman power helps children defeat the feeling of impotent that inescapably

Richard Wright made a film adaptation called “Native Son”, speaking on a time frame where segregation was still present in 1940’s of Chicago, a man was accused of murder. This film took a quick wrong turn when something unpredictable happened causing conflicting views. In addition to this racism played a great deal in his crime to be found guilty. In addition to this racism played a great deal in his crime to be found guilty. The purpose of this essay to examine Richard Wright's film adaptation of ‘Native Son’ and his innocent crime in regards to racism, violence, and poverty, to discuss view of points of whether he is guilty or innocent.

“Monster”, a 1999 novel by Walter Dean Myers, is an incredible story told through the fictional movie script of a boy on trial for murder and robbery. It’s an intriguing read that triggers deep thought and empowers the hearts within all. A book notable for its messages against implicit bias, encouraging the notion of truth within yourself, you can speculate on its events from start to finish and beyond. But it’s worth pondering of its connection to real life. Does “Monster” truly reflect the criminal justice system of our country’s society today? Read on to discover the shocking answer.

“Violent Media is Good for Kids” is an article which makes many claims to support the argument that a controlled amount of violence could be good for a developing child. Even though this article is controversial the claims serve to support the argument. Throughout the analyzing process logos, ethos, and pathos are searched for and scrutinized. The rhetorical strategies are what makes a paper effective or not. In this case the author uses, what I believe, is just the correct amount of each and fulfills his goal for writing the article. Although this article is written more as a story it still provides information backing up the argument.

In his book, More Than a Movie: Ethics in Entertainment, F. Miguel Valenti examines nine “hot buttons” of violence – “creative elements that filmmakers use to manipulate viewers’ reactions to onscreen violence.” (99) These elements, posited by researchers conducting The National Television Violence Study (Valenti, 99) are “choice of perpetrator, choice of victim, presence of consequences, rewards and punishments, the reason for the violence, weapons, realism, use of humor, and prolonged exposure” (Valenti, 100) .

Acts of violence are detrimental when regarding its effects on human emotion. When exposed to too much violence, a person’s perception on society and even themselves begins to be altered. Nevertheless, just as violence can be disadvantageous to people, it can also be seen as an advantage as it causes citizens to realize that change needs to occur. In “Great to Watch,” the author, Maggie Nelson, discusses how society, especially Americans, have become desensitized to violence. Nelson also goes into depth to explain how society has become accustomed to violence due to the fact that people are exposed to it on a daily basis. In addition, Beth Loffreda discusses and explains the effects that a violent hate crime had on the town of Laramie, Wyoming

Rhodes article got published in The New York Times on September 17th 2000. He is also a well-respected author with a fair share number of books under his belt. Rhodes’ audience is New York Times’ readers, who might be parents of young children. The author’s intention is to both persuade and debunk the notion that the media is the only source to blame for violent behavior. He is writing in a formal style that although there is a target audience, it is still unknown because other audiences can read it due to being published in a public news outlet. He is using objective facts and interpreting it in a subjective manner to prove his point.

While it gives the impression that Gerald Jones could be wrong in his arguments, there is an aspect of truth at least from his case studies he took in his research. In addition, while no one would support exposure of the young children to violence and violent scenes, not at least in a stable civilization like America, it is quite evident that violent media provides the children and the young people in the society with certain message in life. It becomes clear that the

The allure of crime for the general public is the deviant behavior itself. Crime brings about multiple questions that crime dramas answer. Why would a person commit such a crime? Why was that person a victim? What are the surrounding circumstances? These are questions arise for most violent crimes in society, but in the news media not much is reported as the police must keep investigations under wraps. Resulting in an area of intrigue between the action and the courtroom that primarily focuses on the action itself and the extenuating circumstances of the action. This is where television dramas fill the void by quenching the public’s thirst for insight into the social taboo of violent Mala Prohibita crimes. In order to do this though cable companies have to make the crime shows

In America, violence has always been an integral part of national culture. Crime and bloodshed, euphemized through use of “action” (this has a source) plots, are glorified both on and off screen. The more disturbing the act of violence, the more enthralled the public seems. The most prolific of crimes, those committed by infamous serial killers, inspire the most attention. As said by Jeff Lindsay, creator of the book series that inspired the wildly-popular television program, Dexter, “We’re sickened and disgusted, but we need to know. And the more we know about the scene, the more we really are horrified” (“Sympathy for the Devils”). Violence, especially committed by this special class of felons, is enthralling. News reports play a role in this strange attraction, as it is through the news that people even have knowledge of such killers, but the evolution in the “serial killer genre” (Lindsay, “Sympathy for the Devils”) of film and television helps to desensitize people to the gruesome murders that are committed. This begs the question of whether this disturbing trend should be stopped, lest the American “culture of violence” (this has a source) continues to grow stronger. Through news reports, film, and television, criminals are constantly romanticized through use of sympathetic characterization and gratuitous depictions of their crimes, which lends to peoples’ incr

Media violence is one of the most debated public issues society faces today. Television screens are loaded with the glamorization of weapon carrying. Violence constitute as amusing and trivialized. Needless portrayals of interpersonal violence spread across the television screens like wild fire. Televisions spew the disturbing events such as children being assaulted, husbands inflicting domestic abuse on their wives and children succumbing to abuse by their parents. Scenes of betrayal, anguish, infiltrate the television screen. Unfortunately, a child becomes subjected to media violence. Everything a child sees or hears in the media affects them in some way or another. The precise effects of media violence on children are

Oliver Stone’s 1994 classic, Natural Born Killers, excited and traumatized its audiences while also causing controversy. The tale of white trash lovers caught up in a realm of chaos that includes a continuous murderous rampage from state to state, draws in audiences with its graphic violence and riveting pulse inducing music. Yet, the message of this film seems to be much deeper than just exposing audiences to yet another chaotic action movie filled with guns, blood and mayhem. Stone’s Natural Born Killers examines the subject of media’s investment in serial murder very thoroughly, and so it seems likely that it has the potential to offer a more rigorous interrogation of the nature of the American public’s fascination with the serial

In essence, this paper will outline two significant themes related to crime and the effect of media explored in the film. Most notably, the nature of crime and criminality is explored thoroughly. Specifically, the effect limited opportunities and racial stereotyping can have on promoting an individual down a path of crime. Particular attention will be given to a scene in which a youthful fox wishes to join a prey-dominant Boy Scout troop, only to be rejected and humiliated because he is a predator. Furthermore, the concept of a moral panic caused by media news reporting is displayed excellently in a montage scene in which prey are scared of predators as the media reports that aggression and criminality is in their nature. Finally, I will critique how these issues are communicated in a neo-noir

Across America, certain states allow their governments to make use of the death penalty for a myriad of crimes. The methods through which it is attained is often as controversial as the act itself. In the tale of The Confession by John Grisham, the city of Slone, Texas comes to terms with the severe ramifications that come with taking someone's life, whether it be condoned by the law or not. In the case of Donté Drumm, a young football player is accused of killing Nicole Yerber, a popular cheerleader who was supposedly dating him at the time. He was forced into a confession by means of psychological torture. After nine years, Donté is killed for a crime he did not commit. The town unearths the reality that taking someone's life is a permanent action which cannot be undone when a mistake is made. The Confession takes a closer look at what the death penalty really means by not only looking at the statistics but the emotional toll it takes on the people connected to it too, explaining how the death penalty is fundamentally wrong and looking at ways to open people's eyes to the truth of it.