Natural Darkness Analysis

Throughout the writing piece, Bogard throws in many different types of figurative language. For example, in the first paragraph Bogard starts by using metaphors. In the text he states " I knew night skies in which meteors left smokey trails across

In the story a young boy decides to go hunting in the night and goes through a revelation as he witnesses an everyday act of the battle between light and darkness as the sun rises. Although set in a different place and time, both authors express a common universal theme: life is a constant battle between light and darkness in our everyday lives. This theme can be seen through a compare and contrast of powerful symbols, transforming settings and misguided characters.

Seeing an increase in light pollution and a decrease in natural darkness, Paul Bogard in his essay “Let there be Darkness” uses logic to persuade the reader to preserve darkness. Opening the essay with a personal experience from the past, he convinces the reader of the danger of light pollution. The author uses statistics, pathos, and science to support his thesis.

We see the first sign of darkness, when the narrator reads the headline of his brother’s arrest, the narrator’s face is described as “trapped in the darkness which roared outside” (58). From then on, Baldwin uses darkness at times of despair, fear, and hopelessness.

“Night exposes much that is wrong with human nature and reveals little that is right.” Discuss.

Throughout the adaption, Bogard appeals to pathos when he discusses his childhood relationship with the darkness. Bogard says that “at my family’s cabin on Minnesota lake, I knew woods so dark that my hands disappeared before my eyes. I knew night skies in which meteors left smoky trails across sugary

In Steinbeck's Of Mice and Men, the imagery of light and dark is used to deepen the themes of the normal. Sometimes darkness or "light lifting" can mean more than one thing. In this essay I would explore this subject.

Spaulding begins her essay with a detailed personal testimony that describes the deep emotional connection she feels for darkness. In part of the second paragraph she states, “the sky and shore and water were all one inky darkness though stars sparkled on the watery surface,” (83). This description of the

Harper uses darkness in the first sentence to portray what is unknown between the

The experience of darkness is both individual and universal. Within Emily Dickinson’s “We grow accustomed to the Dark” and Robert Frost’s “Acquainted with the Night,” the speakers engage in an understanding of darkness and night as much greater than themselves. Every individual has an experience of the isolation of the night, as chronicled in Frost’s poem, yet it is a global experience that everyone must face, on which Dickinson’s poem elaborates. Through the use of rhythm, point of view, imagery, and mood, each poet makes clear the fact that there is no single darkness that is too difficult to overcome.

The horrible accounts of the holocaust are vividly captured by Elie Wiesel in Night, an award winning work by a Holocaust survivor. It describes his time in the Holocaust and helps the reader fully understand the pain he went through. In the text, Elie continuously mentions how he is losing his faith to god. It is evident that he has nearly, if not completely lost his faith during the events of the holocaust. In the memoir, Night, Elie Wiesel’s faith changes because of the absence of God, the dehumanization of the prisoners, and all of the death that surrounds him.

However, the poem has fluidity despite its apparent scarcity of rhyme. After examining the alteration of syllables in each line, a pattern is revealed in this poem concerning darkness. The first nine lines alternate between 8 and 6 syllables. These lines are concerned, as any narrative is, with exposition. These lines set up darkness as an internal conflict to come. The conflict intensifies in lines 10 and 11 as we are bombarded by an explosion of 8 syllables in each line. These lines present the conflict within one's own mind at its most desperate. After this climax, the syllables in the last nine lines resolve the conflict presented. In these lines, Dickinson presents us with an archetypal figure that is faced with a conflict: the “bravest” hero. These lines present the resolution in lines that alternate between 6 and 7 syllables. Just as the syllables decrease, the falling action presents us with a final insight. This insight discusses how darkness is an insurmountable entity that, like the hero, we must face to continue “straight” through “Life” (line 20).

In the solitude of pitch-black infinite space, “men forgot their passions”-all values were lost, hopes and goals were put on hold, and only darkness existed. A world living in darkness was forced to displace its

As the poem continues into the second and third stanza the persona uses imagery as a tool to express natures power. From the water to the sky, Bogan’s poem describes how nature will continue to outlast humanity, thriving under a repeated cycle of life. Compared to the conditions described in “Night,” all human endeavors are naturalized. Line seven and eight explains, “shell and weed / wait upon the salt wash of the sea.” Long before the story of Adam and Eve, nature represented a powerful force of life and sustainment. Over thousands of years of tides, the “shell and weed” described by the auditor, are conditioned to expect resources from exterior conditions (7). Systematically, the universe provides nature will all conditions necessary for survival. A miracle. Even the “stars” located in outer space have a role as they swing their lights westward / to set behind the land”, the speaker suggests (9-11). Using imagery, the auditor is able to understand the universe attains limits much greater then humanity. Thomas Edison is credited

In Darkness Visible, William Styron writes of his deeply personal struggle through depression. He recounts his own thoughts and feelings that he experienced and describes the journey it took to emerge on the other side as he recovered. The book begins on a chilly evening in Paris in late October of 1985 as William Styron becomes aware of the seriousness of his