Essay on Natural Symbolism in "Blood-Burning Moon"

Macbeth is the ultimate story of a fight between the forces of good and evil. It tells the tale of a tragic hero whose quest for power leads to his ultimate downfall. Macbeth starts out as an honorable warrior but changes when his ambition becomes uncontrollable. As he becomes increasingly paranoid, Macbeth uses violent means to eliminate threats to his Scottish throne. As the play progresses, blood continuously plays a part in the events as the murders become more frequent. William Shakespeare, the author of Macbeth, uses blood imagery to develop Macbeth’s character, create a foil in between Macbeth and Lady Macbeth and to symbolize honor and guilt.

Racism was a normal thing in Maycomb County, but out of the entire county Bob Ewell was the worst. “I seen that black nigger yonder ruttin’ on my Mayella.” (Lee 231) Bob Ewell refers to Tom Robinson as (a) “black nigger” on the witness stand in front of everyone. Clearly, he doesn’t care about discriminating Tom Robinson right in front of his face and also in front of the people that are in the courtroom. “As you grow older, you'll see white men cheat black men every day of your life…” (Lee 295). If Bob Ewell had put himself in Tom’s shoes, he would have seen how hard of a life it is for African Americans. He is one who will “cheat black men everyday of (his) life”, because of his ignorance. (Lee 295) Being racist not only hurts the victim, but ruins your reputation and your life.

In addition to mirroring life, the Sea of Flames sets the stage for Doerr’s most pervasive yet inconspicuous analogy. When asked what he wants readers to take away from his novel, Doerr replies “that war is more complicated than they [the readers] might have thought, that there were civilians on both sides making really complicated moral decisions, [...] [that] little miracles” sprouted in the least expected of places (Schulman 27). The Sea of Flames is a central messenger for this theme at individual points of the novel but also in its overarching structure. The reader is first introduced to the Sea of Flames when it is housed at the National Museum of Natural History in Paris, marked only by “an iron door with a single keyhole,” a series ending with a “thirteenth [...] no bigger than a shoe.” (Doerr 19-20). All the Light We Cannot See is partitioned into fourteen fragments- but it is labeled zero through thirteen. Just as passing through each door brings one closer to the gem, Doerr seeks to guide his reader through the locked gates of compassion and conflict to arrive at his own gem, which is revealed after passing through the thirteenth gate, into the last chapter of the novel, as Marie-Laure contemplates all the invisible electromagnetic waves, “ten thousand I miss yous, fifty thousand I love yous” passing “over the scarred and ever-shifting landscapes.” Transient messages connecting ephemeral people who eventually fall away, like the Sea of Flames, and “rise again

I chose to perform this poem because I can personally relate to it, the character in the poem and to the author herself. I would consider myself as a feminist just like Andre Lorde; also I would consider myself Anti-racism and anti-homophobic. Growing up I was surrounding by people who believed that women should stay home, and cook and clean, their job was to just take care of the kids, not only that but my religion was Islamic, my cousins belief and parents that women shouldn’t have a career, they

Alice is a very light skinned, black woman who could pass off as white without any makeup. She works as a supervisor of case work in city welfare. She came from the one of the richest Negro families on the West Coast. She is, in Bob’s mind,

In “The Scarlet Ibis,” James Hurst uses the ibis as a symbol for Doodle in order

Through the use of the dark imagery and the Essex, religious symbolism in Wise Blood appears again and again to prove that the longings of the heart cannot be found in the world. O'Connor uses darkness to delve into certain aspects of each character. She depicts Taulkinham as a grim place. When the main character, Haze, begins his new life in this new town, it is depicted to have a “black sky,” he soon sees “a man with a black suit and a black hat…” accompanies a girl with her “black dress and black knitted cap…” (O’Connor 35). Not only does this act as a haunting description of setting, but these dark details can act as bold and bright red flags, for these characters dressed in black and this depressing town looming with destruction. She continues to describe

When Scout tries to justify Mr. Gilmer’s actions by blaming Tom for being a Negro, Dill snaps back saying, “I don’t care… It ain’t right to do em’ that way.’” (Lee 266) Along with limited attention, James lost his father at an early age, and it is unclear if Dill even had a clear picture of who his dad is. With the absence of a paternal influence for both boy’s, James’ becomes reliant on his mother even when she had little to no time to spend putting extensive care for any of his siblings while Dill attempts to run from his problem, literally and figuratively. In both stories, the concept of racism thrives.

Louisa working for Bob’s family allows him to see Louisa more than Tom does. This sets up the class section of the intersectionality we talked about, Bob is much wealthier than Tom. Louisa mentions how race factors into her decision in saying, “His (Tom) black balanced, and pulled against, the white of Stone, when she thought of them.”

Another presence of judgment in the novel is present in the character of Bob Ewell, an oblivious, grimy, abusive father, who looks down upon Negroes, believing he can take full advantage of them because he is of the white race. Scout declares that, “all [Bob Ewell] had that made him any better than his [Black] neighbors was, that if he scrubbed with lye soap in very hot water, his skin was white” (Lee 229). This indicates that the population of Maycomb judges primarily on race instead of morals, ethics, income, personality, or lifestyle, which further proves the segregation occurring within the South. This excerpt means that the community is more accepting of an unmannerly, poor, and often-drunk man rather than an honest, harmless black man, such as Tom Robinson. Skin color is the main eparation of the people for it determines who are neglected and who are treated like royalty. Furthermore, Mr. Ewell verifies his prejudiced nature, when, “[h]e stood up and pointed his finger at Tom Robinson. ‘I seen that black nigger yonder rutttin’ on my Mayella’” (Lee 231). This further reveals Mr. Ewell’s biased behavior because it presents him mistreating Tom Robinson. Lee uses words

Perspective plays a tremendous role in allowing the readers to understand racism, and prejudice as we view things from the viewpoint of a young girl raised in a white family with a black cook. Scout opinions of black people change from being enraged by the phrase “nigger lover”, to being a supporter of a black man on trial for rape. “Francis: He’s nothin’ but a nigger-lover. Scout: He is not! I don’t know what you’re talking about, but you better cut it out this red hot minute.” (pg. 110). Scout considered this an unacceptable phrase, however, as the novel progresses she learns more about black people and accepts them. Due to the long relationship between white and black people regarding slavery, white people have not outgrown the mindset that

In Shakespeare's Macbeth a play, a man named Macbeth goes through a great transformation; Macbeth goes from being a heroic general in the king's army to an assassin and a tyrant. The theme of the play is never give into evil because it destroys no matter what the benefits are. Blood Imagery is very important in the play; it shows Macbeth's evil ambition in the beginning, middle, and end of the play.

Edgar Allen Poe is known for the various literary devices he uses in his works. One of the most famous devices he uses is symbolism. In many of his stories, including “The Masque of the Red Death,” “The Fall of the House of Usher,” “The Tell-Tale Heart,” and “The Cask of Amontillado,” Poe uses symbolism to further develop each story by the messages he writes between the lines. Symbolism is an important aspect of Poe’s many works, seeing as how it allows the readers to make connections within the stories. In “The Cask of Amontillado,” Poe represents symbolism through the title of the short story, the outfit Fortunato wears, and the Montresor family motto and coat of arms.

Shakespeare’s Macbeth is a story taken from Scottish history and presented to the Scottish king James I. Shakespeare took this gory tale of murderous ambition, however, and transformed it into an imaginative tale of good and evil. Shakespeare brought about this transformation by relying upon “imaginative verbal vigor” that imbeds itself in the brilliantly concentrated phrases of this literary work. Critics have dubbed it his darkest work, along with King Lear. In his critique of Shakespeare’s works and plays, Charles Haines describes Macbeth as “one of Shakespeare’s shortest plays, containing just 2,108 lines.” He further states that it is a vigorous, headlong drama, a relentless spectacle in red and black. (Haines, p. 105) This red and

Over time, it has become relatively easy, almost second nature, for people to devise strict societal barriers and categorize people, cultures, and ideas into separate boxes. In Jean Toomer’s “Portrait in Georgia”, however, this is exceptionally challenging for the reader to do so. With his poetic paintbrush, Toomer describes a beautiful woman, but he intentionally blurs the racial lines of black and white in order to illustrate an underlying theme concerning the deep-rooted problems of racism in America. To help convey this theme, Toomer utilizes the literary tool of imagery, and he does so masterfully. Each image is meticulously placed and organized to provide the most powerful impact possible. While certain images emphasize the beauty and grandeur of a woman, others bring up unbelievably violent, gory, and horrific images of death associated with the treatment of African Americans during the time of Jim Crow Laws. Overall, Toomer’s use of imagery brings “Portrait in Georgia” to life, grabs the reader’s attention, successfully demonstrates an extremely powerful message, and causes society’s darker parts to be questioned.