The book Maggie girl on the streets by Stephen Crane work uses a Naturalistic approach to his themes when describing the the characters lives and how they playout,the authors ability to paint a world that is grungy and horrid is fascinating,we will exploit those instances in his literary work and analyze its importance. Maggie was written when factory industry was booming however,The workers during this time were not compensated enough in which the people were low income, and often suffering from these conditions. The people weren't considered civilized and they were categorized as aggressive people. This traits were perhaps due to the change from the dated agricultural lifestyle to the upcoming industry of factories, due to this change …show more content…
The first example is when the Maggie brother Jimmie exclaims to his mother that she has “gone to the devil,” this phrase is used to insinuate the act of having intercourse before marriage. The mother yells and exclaims “ Ah, who would think such a bad girl could grow up in our fambly” (Crane, Stephen. Maggie, a girl of the streets. Ch.10, Starry Night, 2014.)This is a perfect example of irony, why is that? It is because of the area she grew up in isn't necessarily a great environment and also the family had drastic issues.Another example is when Maggie passes Jimmie goes home and tells his mother “Mag’s dead”(Crane, Stephen. Maggie, a girl of the streets. Ch.19, Starry Night, 2014.) But the mother who has been not really the greatest one she somehow mourns.A posse of people who knew the family arrive where they live, and one of the women who came in the group says “Yeh'll fergive her, Mary! Yeh'll fergive yer bad, bad, chil'! Her life was a curse an' her days were black an' yeh'll fergive yer bad girl? She's gone where her sins will be judged" (Crane, Stephen. Maggie, a girl of the streets. Ch.19, Starry Night, 2014.). Maggie's mother responds by stating she would. This again reflects irony by the fact that, in the household, she grew up in it was hard not to commit a
A prime example of this is on page 196, when Cassie offers to “sacrifice” school to help in the field. This is what is called verbal irony. Another good example of this is on page 258 when David says that there will be no “T.J.”s in the Logan house, but T.J. had just been in their house. When Cassie said that she wanted to “sacrifice” school it was a joke because in reality Cassie dislikes school; she would rather be out in the field. Both examples try to keep the story fresh and exciting and lighten the mood by adding humor to the story right before the story becomes very serious, as if the story was pulling punches. Additionally, the latter example brings attention to T.J. who is the main focus at the time; the statement is also ironic due to the fact that T.J. finally gets more of the thing he craves, attention: however this is at the time he wants it the least.
“The Open Boat” by Stephen Crane is a short story included in The Norton Introduction to Literature. In it, we embark on the journey of four men, whose ship has sunk and are now adrift. The characters fight for survival throughout the whole tale, trying to withstand nature. As the story passes, they realize that nature is indifferent and uncaring. Moreover, they begin to question the existence of God. Ultimately, three of the men survive and one of them dies. Stephen Crane’s “The Open Boat” shows the struggle of men attempting to understand nature and desiring to survive against this invincible and indifferent force. I will analyze literary elements of character, plot, and symbol, using Literary Naturalism to demonstrate this constant conflict between man and nature that plays out in “The Open Boat.”
Yelling “oh great!” after failing a test demonstrates one example. Someone wouldn’t really be happy about that; the irony is being overly positive about a negative occurrence. When the author writes, “you’re a game hunter not a philosopher, who cares how the jaguar feels” (Connell 18), and when Rainsford becomes the “Jaguar” later it is a little ironic. Connell wanted us to think about how a jaguar feels, and why they would be talking about that. When it came to the part in the story where he was being hunted, the readers think back to where the jaguar is mentioned and might think how that was ironic. The author was effective at showing irony. Another example of irony is, “ ‘...you’ll have a cocktail, Mr. Rainsford,’ he suggested” (Connell 22). He wanted the audience to think about how General Zaroff was being overly nice to a stranger he just met, but then, all of a sudden, changed into a psychopath, a murderer who hunts people for fun. The author made the reader believe Zaroff was generous and kind, and Rainsford probably believed it too. Zaroff acted this way to get Rainsford’s trust, so he could set him free and hunt him
Irony is the expression of one’s meaning by using language that usually means the opposite. Typically in literature, irony is used in emphatic sense. There is a multitude of irony in “Good Country People.” The character’s names of this story are incredibly ironic. Joy-Hulga is ironic because she is the furthest from being joyful. Another example is, Mrs. Freeman. She is not free because she has been hired and enslaved by Mrs. Hopewell. Another type of irony in “Good Country People” is how Joy-Hulga’s intelligence causes
“[E]nvironment is a tremendous thing in the world, and frequently shapes lives regardless.” (“Although it’s origins…”) Stephen Crane was influenced to write his 1893 novella, Maggie: A Girl of the Streets, as a result of his religious family, the secrecy to publish a novel that reveals the reality and impurity of the real world and from the impact of needy, urban landscapes that ended realism and began naturalism.
O’Connor uses irony to bring humor to her story. For example, Crater says “I wouldn't give her up for nothing on earth” (O’Connor). What she meant was she wouldn’t trade her daughter for anything on earth, but what she really says is she’d trade her daughter for nothing at all. The irony is further shown when Crater does, in fact, give her daughter up for nothing. Shiftlet scammed her of her car and money, and her daughter is left at a diner. She wanted a good man for a son-in-law, but now she doesn’t even have a son-in-law. Another example of irony is when Shiftlet prays for God to clean the world of filth, but he himself is the filth he was asking God to clean.
After the Civil War, realism became a dominant form of writing in the United States, with writers attempting to write about everyday life. After realism came naturalism, a form of writing similar to realism, but with more pessimism. One of the reasons for this pessimism stems from free will and the question of whether people possess it or not. In realism, it is definitely true, while in naturalism it seems less so, but the options are often less than ideal. Because choices do exist for characters, free will is still there, which indicates that naturalism is a derivative form of realism. In Stephen Crane’s “Maggie: A Girl of the Streets,” the characters may have little chance to escape the world they inhabit, like Maggie, Jimmie, and
Stephen Crane wrote many short stories, one of which was Maggie: A Girl of the Streets. His stories contained various aspects of Naturalism, a literary movement that sought to replicate a believable everyday reality, as opposed to Romanticism or Surrealism, in which subjects may receive highly symbolic, idealistic, or even supernatural treatment. Poverty, abuse and a survival of the fittest way of life created an environment which Maggie was negatively influenced by. Her environment is made up of many circumstances that affect her, one of which is poverty.
“Maggie: A Girl of the Streets,” is a novella written by Stephen Crane and published in the year 1893. This work was published during the time of the Industrial Revolution, when factories were appearing everywhere. Their workers were often not paid enough to lead a decent life, and suffered from their situation. They were not very civilized and sometimes aggressive in their behavior. Perhaps because of this radical change from a more agricultural lifestyle to one of industry and factories, some pieces of literature were starting to transition from the classification of Realistic writings to works that are now categorized as works of Naturalism. While the two categories are
Crane’s Maggie: A Girl of the Streets opening scene features violence, which is a taboo subject during the time period he wrote the piece; “His coat had been torn to shreds in a scuffle, and his hat was gone. He had bruises on twenty parts of his body, and blood was dripping from a cut in his head”(946). The three children experience abuse, both physical and emotional, from the mother and the father in the early chapters of this work. Stephen Crane states, [ Youse allus fightn’, Jimmie, an’yeh knows it puts mudder out when yehs come home half dead, an’ it’s like we’ll all get a poundin’ (949).] Furthermore, this abuse is evidenced by the following quote from Stephen Crane [The mother’s massive shoulders heaved with anger. Grasping the urchin by the neck and shoulder she shook him until he rattled(949).] Violence is a
"Irony is a device that protects him (the artist) from the pain of his experience so that he may use it objectively in his art(Susquehanna. "New Critical")." In The Glass Menagerie, it is ironic how Tom speaks badly of his father and his leaving home but in the end he leaves home just like his father, the man "in love with long distances (Williams 30)''. The fact that Amanda wants what is best for her children is ironic because she worries so much over it that she doesn't realize what is best for them.
The first example of situational irony would be Fortunato’s name, which means fortunate in Italian, an ironic name for someone who is about to be left in the catacombs to die. Another example of irony is when Montresor says, “It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation” (Poe, 3). Obviously this is dramatic irony as Fortunato has no idea that Montresor is smiling because he will kill him rather than actually being happy to meet him. Also verbal irony is present when Montresor says,
Crane’s “Maggie: A Girl in the Streets” is a story of unyielding realism. The story follows Maggie, a girl who resides within the Bowery with her physically and emotionally abusive parents and brothers, Jimmy and Tommie. The story focuses on the life and struggles of Maggie and her family within the slums. Maggie desperately tries to escape the life within the Bowery, but eventually succumbs to it and passes away a broken woman.
The first case in which he uses irony is when Montresor comes in contact with Fortunato at the Carnival. In this meeting Montresor says, “My dear Fortunato, you are luckily met." (Poe 80) This is an example of dramatic irony. Although the readers know of Montresor’s plans for revenge, Fortunato has no idea how truly unlucky he is to have come into contact with Montresor at that
In Stephen Crane’s book Maggie: A Girl of the Streets there are various themes, one of them is the impact of the social environment. The impact of social environment is how people are products of their own environment and people are who they grew up to be due to the conditions, people, and environment that surrounds them. The Bowery is 14 blocks and has 82 bars there that make alcohol very accessible to the residents, including children. The Bowery has a negative impact on people and even children that live there. The Bowery is a concrete jungle where only the strong survive. The living conditions are unquestionably poor and the tenements where they live is full of immigrants. The kids in the Bowery live with alcoholic and abusive parents, pregnant women who are not married, and finally prostitutes. Maggie, Jimmie, and Pete are all characters that deserve forgiveness due to Stephen Crane message, people are products of their own environment and deserve forgiveness.