Nature 's Supernatural Effect On Frankenstein And His Monster

Nature is an important part of both Frankenstein and his creation’s life. Often Nature is used to describe certain points in victor’s life, for example, Marry Shelley uses metaphors in nature to describe Frankenstein’s youth. “I find it arises, like a mountain river, from ignoble and almost forgotten sources; but swelling as it proceeded, it became the torrent which, in its course, has swept away all my hopes and joys.” The use of nature to describe Frankenstein’s feelings is a prominent part of the book. Nature is also used as a calming technique for Frankenstein. After Frankenstein finds that his creation has murdered his brother he retreats to nature to calm himself and regain strength. “By degrees, the calm and heavenly scene restored me". Nature is also used as an escape for Frankenstein. After the execution of Justine, a dear friend to victor, the Frankenstein family takes a trip to Belrive to try to put their minds at peace. While there, victor took a boat and sailed in the water to pass the time and get his mind off recent events. “And I the only unquiet thing that wandered restless in a scene so beautiful and heavenly”. Similarly, the monster also shares a deep appreciation for Nature. After the monster was created Frankenstein fled from his house, leaving the monster to

Victor Frankenstein in the book Frankenstein faces many terrible situations and has to face many consequences for trying to play God’s role in creating life. Victor seen and dealt with many situations as a young boy that will lead to his madness and obsession with science. Victor has always been intrigued with science and life ever since he was a boy. He studied natural science endlessly trying to master how to create a creature that could sustained life. When Victor finally creates his creature, he becomes disgusted with how it turns out. Victor runs from his creation failing to teach him any social or moral qualities. The creature haunts Victor killing many of his family and friends. Victor will try to run from the many problems he has caused. This causes Victor’s misery throughout the book. Victor becomes the true murderer in the book for trying to play God and create life with science.

Mary Shelley’s Frankenstein deeply develops the trope of nature vs. nurture. The romantic era is characterized by a desire to revert to natural animalistic living in the world. Shelley’s main characters embody nature and nurture respectively. Victor, raised in a loving home, kills with no concern and disregards his caring family. The Monster, Victor’s creation, on the other hand, is forced to live in nature like an animal with no companion. Victor is Shelley’s direct comment on the Victorian lifestyle characterized by material possession and religious moral structure. Victor embodies one who is grounded in societally constructed niceties and formalities but is corrupted by the lifestyle. The monster is shown to be the morally correct character

“He is dead who called me into being; and when I shall be no more, the very remembrance of us both will speedily vanish. I shall no longer see the sun or stars, or feel the winds play on my cheeks. Light, feeling, and sense, will pass away; and in this condition must I find my happiness.”(161)

Shelley depicts the romantic’s love for nature and the desire to understand and acquire nature’s power. Frankenstein finds comfort when he is at his lowest, but at the same time, he is horrified by his creation and its quest for revenge.

A novel’s setting contributes to the atmosphere of a story in a myriad of ways. Setting provides insight of a character’s point of view, the culture of a specific time, and transports the reader to another world. In Mary Shelley’s Frankenstein, Shelley describes breathtaking scenes of nature in immense detail. Her descriptions of the Alps and the destroyed tree relate to the pursuit of knowledge, power and the idea of “playing God”, by providing places of contemplation and comparison for a reader to ponder on these issues.

In the novel Frankenstein by Mary Shelley, man tries to tamper with nature. This is an enormous mistake, because his experiences prove that man should respect the omnipotent power of nature so man can be happy. Man should respect nature because if man goes beyond his limits, then nature lets man creates all types of consequences for himself which proves Shelley’s point to respect nature’s powers.When people look at nature, they are automatically healed just by its looks. This is a much more powerful force than anything man is capable of doing, thus nature is all powerful. Nature is constant, unlike man who is constantly changing, which shows that nature is always in control.

In 1818 Frankenstein was written by Mary Shelley. In Frankenstein, Victor Frankenstein brings a creature to life. The creature kills William, Henry Clerval, and Elizabeth. Victor had promised to make a female creature for the creature, but he did not fulfill his promise. This makes the creature enraged. The creature runs away and Victor follows him. Victor gets on a boat with Walton. Victor dies and the creature comes and is very sad that his creator has died. The creature says that he must end his suffering and he jumps into the ocean. In the novel Frankenstein, Shelley uses the theme of nature to show how it is like the characters of the story and how it affects the characters.

Throughout the novel Frankenstein written by Mary Shelley, the creature is subjected to countless acts of violence and rejection. For a monster to develop, one must have been formerly exploited either by an individual or their society. The creature is not only a physical product of science, but his atrocious behavior is also an explicit result of Victor’s actions toward him. The creature was not born a monster, but slowly morphed into one as he experiences violence and rejection from his society.

Shelley explains how Victor has a great mental turmoil after he indirectly caused the death of people who were close to him by the actions he took to create the monster. Shelley’s description of Victor’s feelings show the deprivation of hope and fear in his soul and the emphasises the pain in which he was indirectly the cause of. Victor not only caused his own mental illness, but he also caused his own physical illness. Victor makes himself physically sick by his actions during the creation of his monster. Victor’s work unintentionally causes himself to decline in health and become vulnerable to illnesses. “When Victor is working on his experiment, he cannot love: he ignores his family, even his fiance Elizabeth, and takes no pleasure in the beauties of nature. Moreover, he becomes physically… ill, subject to nervous fevers”(Weiner 83). Victor is shown to focus directly on his work, causing him to forget most of the outside world and not be influenced by forces that usually comfort and heal him. His work makes Victor subject to nervous fevers, causing himself to become sick more often and need help from family and friends more often. Although the process of creating the monster was physically taxing on Victor, the end product caused him even more pain. The creation of the creature impaired

Robert Walton, the captain of the ship that finds Frankenstein, notes “broken in spirit as he is, no one can feel more deeply than he [Frankenstein] does the beauties of nature. The starry sky, the sea, and every sight afforded by these wonderful regions seem still to have the power of elevating his soul from earth” (Shelley 16). In the presence of the starry sky and the sea the thoughts of death escape him. On Victor’s last and darkest day the element of nature is brought into the scene suggesting the importance nature plays within the novel. Despite the monsters deformities and seclusion from society, nature is able to lift his spirits and bring him hope for a better future. Nature has the same healing effect upon the monster as with Victor, “…spirits were elevated by the enchanting appearance of nature; the past was blotted from my [his] memory, the present was tranquil, and the future gilded by bright rays of hope and anticipations of joy” (Shelley 99). With spring comes hope, as the flowers blossom the monsters feels his spirits being elevated. Just as nature flourishes, the monster is growing as well.

The two dominant forces of our universe are man and nature, they need to be existing in a delicate equilibrium. One should not go beyond the other’s dividing line, we as humans should not meddling with nature and cross the line. In Mary Shelley's Frankenstein, the point is emphasized that the balance between man and Nature must be preserved. In the book, Dr. Victor Frankenstein gives life to a creature constructed from the parts of dead humans. The creature was a hideous abomination of unnatural origin, which makes him an outcast that has no place in our world. The creature is fueled by the hatred and violence of humanity, thus both the creature and Victor

Recognising the true feeling of his creator towards him the monster beings to inflict pain on to Victor by hurting his loved ones. Revengeful, Victor wants to“trample [his creation, the creature,] to dust” (Shelley 97) for the murders the wretched monster has done and fully intends to commit, similar to how a God in many religions may deliver divine retribution onto its creation. Victor’s supposition of authority over whether his creation will live or die is another attempt to play God. Victor plans to kill his own creation to protect the lives of his family and friends, however, as Victor pursuits after his creation, other humans are endangered and Frankenstein’s attempt to prevent the monster from harming any more of Victor’s loved ones is

Through literary history, it is evident that nature is often used as a symbolic representation of the speaker’s or characters’ personal issues present in a text. For instance, “Macbeth,” William Shakespeare’s tragic play penned during the Elizabethan time period, employs use of this literary technique in reflecting the mood and human emotion of the story through nature-related events. Likewise, Mary Shelley’s Gothic-Romanticist movement novel “Frankenstein,” uses the natural setting as a reflective depiction of her protagonist’s mental state. Similarly, nature as a symbol for hidden emotions is reflected in the post-modernist poetical work of Sylvia Plath. Specifically, in Sylvia Plath’s “I Am Vertical,” the author’s unconscious anxieties are

Mary Shelley’s Frankenstein portrays one of the darkest, most hopeless situations that could possibly occur due to the monstrous deeds performed by the main characters in the novel. When one thinks of Frankenstein, they generally think of Victor’s creation as being a monster, and the cause of the unfortunate events that occur in the novel. While Victor’s creation is indeed a monster, Victor is equally as monstrous in his actions. While both characters are initially innocent, they are being constantly corrupted throughout the story. Both Victor and his creation become monsters through their actions.