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Neat People vs Sloppy People

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The analysis of the passage Neat People vs. Sloppy People (外文学院02级2班 王思 020214214) Abstract: Suzanne Britt’s work Neat People vs. Sloppy People is a passage of comparison. In this passage, Britt distinguishes neat people from sloppy people in the moral aspect. She used kinds of figures of speech such as paradox, hyperbole, metaphor and so on in the description and comparison, making her work so distinguished. Key words: neat people, sloppy people Ⅰ.Brief account of the author Assistant Professor of English. A.B. Salem College; A.M. Washington University. Ms. Britt teaches literature and writing courses. Her poems have appeared in literary magazines such as Denver Quarterly, Lake Superior Review, Greensboro …show more content…

And “sloppy people are not really sloppy” seems to be self-contradictory. These two sentences arouse readers’ curiosity. Why, they may ask, the author said so? And the curiosity arouses their interest in reading the following part of the passage. b. Hyperbole: Form of inordinate exaggeration according to which a person or thing is depicted as being better or worse, or larger or smaller, than is actually the case. We can find the use of hyperbole in the sentence “the unread magazines threaten to reach the ceiling”. From this sentence, we can imagine the large number of the unread magazines, so many which even piles up to the height that reaches the ceiling. Then it is not difficult for us to understand the sloppy of the sloppy people. c. Metaphor: Use of word or phrase denoting one kind of idea or object in place of another word or phrase for the purpose of suggesting a likeness between the two. “Everything is just another dust-catcher to them.” For the neat people, so far as things are not of present use or may cause trouble to be looked after, they are dust-catchers to them. Their possessions, including family heirlooms and even their own children may be considered to be dust-catchers and therefore to be thrown out of house or into the trash can. It is a kind of humours, but at the same time, a kind of irony. Ⅴ.

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