Need Of Help In Blood Of A Mole By Zdraka Evtimova

The Winter is the opposite of summer, during the winter not only does the winter change but the town's appearance. The houses that once looked artificial were exposed and looked abandoned. “Winter comes down savagely over a little town on the prairie...The roofs, that looked so far away across the green treetops...they are so much more uglier then when their angles were softened by vines and

Living in poverty with "slut" painted on her reputation, her children’s future begins to look dim. Hester takes chances with opportunity’s to receive help from Doctor, social services, her children’s fathers and her only friend. The play circles around Hester’s interactions with the other characters ' and their stories (confessions). Each of character has had an involvement with Hester 's struggling predicament and yet each character only ruminates at helping themselves instead of the woman that’s helped them all. The modern-day play In the Blood by Suzan-Lori Parks exposes the hypocrisy and prejudice of the privileged members of society toward the less privileged. The play shows that the richest and most respected people in society are not always worthy of the status they are accorded.

In the short story, the writer tells a woman’s depression which guides her to break the limits and restrictions over woman. The woman who has no name or identity symbolises all women’s suppressed position in patriarchal society. In the story, the woman describes the house and her rooms with the words; ancestral hall, old-fashioned chintz, barred windows, heavy-immovable bed. The descriptions depict the house as patriarchy’s realm. Also, the yellow wallpaper’s surrounding of her shows the woman in a trapped, confined and repressed position. Not only the yellow symbolise the weakness, but the paper also

The reader is almost forced to look at the actions of the grandmother as being similar to that of a young child. There's not a quiet moment with her around and she never sits still. The reader tends to have a negative perception of the grandmother due to these personality traits. However, these traits are expressed in a comical way causing the reader to be annoyed by the grandmother, but also entertained.

* A Farewell to Arms - Ernest Hemingway uses snow to symbolize safety rather than death because in chapter 2 snow is what stops the fighting that had started in the first chapter.

The protagonist fears, she may be forced to socialise with the inmates ‘smelling of pee’. Additionally expressing her feelings and obsession concerning hygiene. Unearthing Doris‘s neglected period of life, the saddest era of her being. In which recollections of Doris’s past history are triggered by present day objects such as; the wedding photograph of Doris and Wilfred represented to be a strong symbol, of the implication, in which Doris’s endless campaign against dust, has cause the glass to crack. Representing the destructive nature of Doris’s cleaning mania, and the separation of herself and Wilfred. Doris initial reminisces of the past, begin with thoughts like many of the elderly, of the golden days through coloured spectacles, in which the protagonist ruefully looks back upon the era where ‘people were clean and the streets were clean and it was all clean.’ The present for Doris lacks what she values and sees as important, and does not at all appreciate what the present has to offer – that is, a home- help; Zulema, and the prospect of care in an old people’s home. Doris perceives these interferences within her strictly controlled life as an adversary to challenge – if possible – demolish the remaining control the protagonist withholds within her life.

“A Sorrowful Woman” features a superficially simple narration style. “Now the days were too short. She was always busy,” Stylistically clipped, with a clear passive, detached, voice the narration style seems to be a banal, unimportant feature of the text. Yet the exact mendacity that prompts this description actually serves as a prerequisite to developing an understanding for the principal character’s mindset, and consequently the theme of the text. The last passage contains numerous examples of detached narration but the clearest occurs when “She was always busy. She woke with the first bird. Worked till the sun set. No time for hair brushing. Her fingers raced the hours.” The concise, third person narration in this segment allows the reader to experience the slightly off viewpoint of ‘the mother.’ Specifically, given the lack of motivation present through the text coupled with the concluding suicide it becomes evident in the text that ‘the mother’ is suffering from depression. Given the societal stigma surrounding mental illness authors generally face an uphill

As children we’re taught that we should help others in need, the golden rule, but also that we should mind our own business so really growing up we learn two contradicting beliefs, this makes us question, are we supposed to help those in need or mind our own

Deciding to help someone in an emergency situation is also important. At sometime everyone in life will have to decide whether to help another person. However, the most important time to make a decision to help is before you ever come up on an emergency.

When someone is in need and in trouble, the natural, neighborly thing to do is

In the world, it is so easy to walk past an individual that is in distress without even knowing that there is something wrong. People notice something and expect the individual in front of or behind them to assist the distressed, and it happens more than often. For example, driving past an individual that is stranded on the side of the road is so simple. It is much easier to drive past than assist, especially when driving on a city street. Many people think about helping, and want to help, but they just do not.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

Even though there are a number of instances when people help others who are in need,

Winter is a time of cold, when forests die and animals hide from the shrieking winds and biting cold. Winter is a time for survival against the odds. How apt that the speaker is struggling against the "lovely, dark and deep" woods to remember that he has "miles to go before [he] sleep[s]." The "easy wind" calls to him, and the "downy flake" beckons him to a comfortable sleep. If the speaker had paused on a bright summer day, the sleep might be just a short rest, but the poem is set on the "darkest evening of the year" while the "woods fill up with snow," and any rest taken in the "lovely, dark and deep" woods would result in the eternal sleep of death (474).

“Dust of Snow” is similar to “Spring and All” in the way it too begins and ends with the same tones of “Spring and All”. In “Dust of Snow”, Frost imparts a sense of death and hopelessness immediately, especially because of the shortness of his poem. Frost begins with: “The way a crow/Shook down on me/The dust of snow/From a hemlock tree” (L1-4). Here, we find Frost pointing towards death with his use of diction. The “crow” has been known to symbolize death, with all its blackness and eerie sense of being. Then, there is the Hemlock tree. Frost specifically uses the word “Hemlock”