Nefertiti Joann Fletcher’s constant research of Nefertiti and ancient Egypt led her to believe that an unidentified mummy is the long-forgotten queen Nefertiti. Many things found near or on the body pointed to their identification such as the fact that it was a woman who died sometime between the ages of twenty and thirty during the eighteenth dynasty, the impression of a tight band around her skull and the positioning and mutilation of her arms and body. Many busts that were made flaunting her beauty greatly resemble the mummy in the initial appearance and the exceptionally long neck. She was a powerful and prideful woman, and now she will hopefully once again be admired by people of the …show more content…
The x-rays also showed a small bead that was shaped like a pendant worn by royalty during the eighteenth dynasty. Though it is not documented when the queen actually died, she disappeared from all records shortly after her husband’s death. It is believed that she was in her mid-twenties when her husband died, so the mummy’s age is a perfect fit for her. One obvious clue to the identity of the mummy was the position of her right arm across her chest clenching something similar to a scepter. Though both of the mummy’s arms were deliberately ripped off of her body, the Egyptologists could tell that they belonged to the same body, and that one was flexed. Only royalty and significantly powerful people’s arms were crossed to state their class as they entered the afterlife. This placement of her arms was overlooked by previous Egyptologists because one arm was no where to be found, but Joann Fletcher did not miss any details and looked underneath some old, torn wrappings to find the missing limb. This was a big step because by itself, this clue determined that the mummy was royalty, and finds of such leaders are very rare and exciting. Around her head was a large indentation which was caused by the extremely tight headdress worn by pharaohs and their wives during Akhenaton’s reign. The shaved head, which represented wealth in being able to afford rare wigs, made the depression
This necapolis is located on the west bank of the Nile River in Egypt and dates back in use from 1539-1075 B.C. (cited). These structures were not monuments to the Pharaoh’s life but were considered to be portals to the next one. The chamber rooms contained items made solely for use in the afterlife to insure the Pharaoh’s success. Detailed instructions and illustrations are on the walls exhibiting the trials and tests the king will be required to pass before obtaining his immortality and placement among the gods. The process of mummification was developed for the purpose of the sovereign’s body to be reanimated in the afterlife.
In addition, the artifact was created by limestone which was then protected with modelled gypsum. The bust was created with only eye that was ornamented with crystal and the pupil has black wax. The second eye was never finished with the crystal and wax. The paint that was used in the bust as well shows us clues on its age, which seems to reinforce the idea that it is authentic. However, others say that it is not an authentic example of Egyptian sculptures because of the constant debate concerning the bust having only one eye, decorated and how the ancient Egyptians would have considered this to be the ultimate form of disrespect towards their queen. Another theory that circulated regarding the bust being a fake was Henri Stielin a Swiss art historian proposed that Nefertiti’s shoulders were designed vertically and that normally the ancient Egyptians cut shoulders horizontally for their busts which means that it does not seem to follow the usual expectations or ideas that some people might have of Egyptian
The wife of Akhenaten, played a vital role in Akhenaten’s unconventional reign. She was depicted as a warrior pharaoh riding a chariot “smiting the enemy”, trampling enemies as a sphinx and was shown wearing the pharaohs crown. Nefertiti was also shown in scenes on private and public buildings and as well as tomb paintings showing her driving her own chariot in state processions, accompanying her husband in worshipping the ate, receiving foreign envoys and distributing honors. She also had a temple devoted to her worship of the Aten in Karnak. Nefertiti is also the first queen to be shown in intimate scenes with her family. Queen Nefertiti had enormous religious and political influence in Egypt’s affairs during her co-regency with her husband Akhenaten.
They are the only two beings depicted with this great prerogative/privilege, suggesting equal association with the divine. This sense of not only equal power, but Nefertiti 's individual political power is especially seen in the uncovered reliefs of Amarna. During their joint reign a new wave of Egyptian art sweeps the country: Amarna art. It begins to emphasise an increasing influence of Nefertiti as a female ruler, now depicted as equal in size and positioning to her husband, rather than to his knee as queens in previous reigns. In many statues, the queen is portrayed in a masculine and regnant position beside the king, where she sits with one foot forward. She is depicted in many reliefs as individually powerful: in scenes at Karnak she is represented as a “warrior-pharoah sphinx”, and in Ay 's tomb she is seen equipped with a sheathed bow, driving her own chariot, a pose traditionally unseen for a female consort. To instil a sense of fear in the observer, she is even depicted on the talatat blocks from Hermopolis as smiting a captive with a scimitar, traditional of a pharaoh, on which John Cooney comments, “If she were a queen regnant, the composition...would be understandable or even suitable, but as queen consort the role is unique and incongruous.” Her distinct blue war crown, or “cap crown” with a gold diadem band and Uraeus answer any doubts as to her identity and advertises her kingly role at court. These scenes undeniably prove Nefertiti 's equal
Nefertiti often got more respect that other queens. Evidence states that in sculptures she was made to be the same height as her husband or even wearing a pharaoh's crown. On the walls of her husband's tomb she is shown standing alongside her husband, as other queens didn’t get this respect. She also had such an influence over the city, that she shifted the worship from the god Amun to the god
King Tutankhamen also known as King Tut was born in 1341 BC and died in 1323 BC. Akhenaten(King Tut’s father) birthday is unknown, but he died in 1335 BC. King Tut is known most for his tomb. “The most fascinating item found in King Tut’s tomb was the stone sarcophagus containing three coffins, one inside the other, with a final coffin made of gold. When the lid of the third coffin was raised, King Tut's royal mummy was revealed, preserved for more than 3,000 years. As archaeologists examined the mummy, they found other artifacts, including bracelets, rings and collars.” The tomb was discovered by Howard Carter in 1922. When Carter discovered it, it was untouched. Most of what we know about Egyptian history came from the tomb. Akhenaten and King Tut were both pharaohs, but had two different styles of ruling. Akhenaten made radical changes. These radical changes led to “his characterisation as the first individual in history”. King Tut was the complete opposite. This paper will prove that Tutankhamen took the necessary steps to legitimize his rule after the chaotic rule of his father.
Nefertiti's family history is not necessarily known or supported factually, but a popular theory among historians is that she was the daughter of Ay who was a later to be pharaoh at the time. Some other theories suggest she was a princess from the Mittani kingdom in northern Syria or that she was born in a foreign country. Some claim
The Egyptian queen Nefertiti was the wife of Amenhotep IV, later known as Akhenaten. She is known for both her beauty and for the power she held in Egypt. It is thought by many historians that the Queen and King were inseparable and even ruled Egypt together from 1353 to 1336 B.C. Nefertiti who’s name means “the beautiful one has come” is also somewhat of a mystery. A mystery that is still unsolved today.
Tutankhamun’s tomb created in 1323 B.C.E in Egypt demonstrates the burial traditions associated with ancient egypt. Both the visual and contextual pieces to this sarcophagus demonstrates the complexity and amazement that the ancient egyptians placed around death. From the materials that the sarcophagus was made out of and the symbols that can be seen, to the historical background surrounding the pharaoh that was placed inside many details about these people’s burial practices can be made.
Egyptian chantress, who had lain undisturbed since her burial nearly 3,000 years ago. The tomb discovered in the Valley of the Kings of Upper Egypt is the first un-looted tomb since the discovery of Tutankhamun in 1922. Yet this occupant was not a King and not the original inhabitant of the tomb. The Hieroglyphs on the side of the sarcoughugus identifies the person buried as “The Chantress of Amun: Nehemes-Bastet”, a woman of high social status from a family of priests at the wealthy and influential temple of Karnak. Her death is dated c.945-715 BC because the hieroglyphics match the style of that era.
To preserve the pharaohs the Egyptian people put the corpse through a process known as mummification.
Nefertiti was the Royal Wife of Akhenaten, who was formerly named Amenhotep IV during the earlier years of his reign. She ruled alongside her husband during the 14th century B.C. of Egypt’s 18th Dynasty. The two had six daughters, with two of them becoming the wife of Kings themselves. The origins of her land and birth remain uncertain, but it is believed that she did not come directly from the line of royalty. Some speculate that she was a foreign princess, but as her name was Egyptian, she probably stemmed from a high ranking official of the pharaoh by the name of Ay (“Nefertiti Biography”).
Today King Tutankhamun, died in his early 10s. King Tutankhamen (also known as boy king), reigned the Egyptian colony for 9 years. King Tut was suffering from genetic deficiencies but mostly he might of died from a broken leg, it isn't confirmed though. His golden coffin is now buried in a tomb in the Valley Of The Kings, surrounded by 5000 priceless treasures. These treasures include a golden throne, crown and cobra, pottery and big chests. Along with a golden burial mask, King Tut’s sandals are inside the tomb.
The Bust of Queen Nefertiti, which was created in 1340 BC by an unknown artist, is perhaps the most famous depiction of the Queen during her reign. The bust, being held at the Egyptian Museum in Berlin, shows an important connection between the artist and the queen herself
Through the years of Egyptian art, many various pieces hold a great deal of significance and beauty to their names. One piece in particular, known as the Bust of Nefertiti, which was crafted by Thutmose, radiates beauty as well as demonstrates a number of characteristics and skills from Egyptian art. This portrait came about during the 18th dynasty around 1350-1335 BCE. The piece shows Nefertiti, who was a queen of Egypt, from the neck up. The Bust of Nefertiti was made to portray Akhenaten's wife as an elegant beauty with a soft facial expression, using curving contour accompanied by a few other methods to display these features.