Negative Effects Of Dancehall Music

Music is an art form and source of power. Many forms of music reflect culture and society, as well as, containing political content and social message. Music as social change has been highlighted throughout the 20th century. In the 1960s the United States saw political and socially oriented folk music discussing the Vietnam War and other social issues. In Jamaica during the 1970s and 1980s reggae developed out of the Ghetto’s of Trench town and expressed the social unrest of the poor and the need to over-through the oppressors. The 1980’s brought the newest development in social and political music, the emergence of hip-hop and rap. This urban musical art form that was developed in New

The study of hip hop music has been cited well throughout its growth over time. The purpose of this paper is intended to discuss hip hop culture and address cultural stereotypes associated with rap and hip-hop music, but also how its original lyrical intentions were forms of expression and art. It will begin by guiding the reader through how it originated, its influence with the African-Americans with its subculture and popularity in urban areas, its styles of evolving, the introduction of hip hop and rap to the public, the depiction it gave off with its criticisms from outsiders. An evaluation of hip hop artists songs by Sugar Hill and the Gang, Run DMC, Queen Latifah, and N.W.A. Including lyrics from the songs “Rappers Delight”, “King of Rock”, “Latifah’s Law”, and “Niggaz4Life”. In the conclusion it exposes how hip hop music is clearly for black Americans to express themselves freely and in fact did not cause violence.

Music is an art form and source of power. Many forms of music reflect culture and society, as well as, containing political content and social message. Music as social change has been highlighted throughout the 20th century. In the 1960s the United States saw political and socially oriented folk music discussing the Vietnam War and other social issues. In Jamaica during the 1970s and 1980s reggae developed out of the Ghetto’s of Trench town and expressed the social unrest of the poor and the need to over-through the oppressors. The 1980’s brought the newest development in social and political music, the emergence of hip-hop and rap. This urban musical art form that was developed in New York City has now taken over the mainstream, but

Many Americans today embrace the culture of hip-hop. Since hip-hop became mainstream its influence has surrounded most Americans. People engage in social issues from the hip-hop culture In his recent work, How Hip-Hop Holds Blacks Back, John H. McWhorter have offered harsh critiques of hip-hop for delaying and marring the success of black people. McWhorter asserts hip-hop music “celebrates a ghetto life of unending violence and criminality(10).” He believes hip-hop contributes to the stereotype nearly all Americans maintain in regard to black people. Reflecting on harsh song lyrics McWhorter attempts to strengthen his argument. McWhorter acknowledges not all hip-hop promotes violence in people. He concedes “not all hip-hop is belligerent

Reggae is a genre of music that originated in Jamaica during the late 1960s. It is known for the heavy and strong emphasis on the bass within the background beat. Reggae was perceived as a kind of music used to express feelings about the social, political, and economic hardships in Jamaica during the late 1960s and early 1970s. It was performed by musicians from black ghettos who used unhurried beats to make a style of music of their own. Reggae became an important part of the lifestyle of many Caribbean islanders; expressing a sense of pride of their Caribbean culture.

Hip hop is something that has been around since the 21st century. When it comes to the hip hop community, there are so many stereotypes that the media portrays. This essay will show that the stereotype of violent, crimes African American in rap music can become self-prognostication for the hip hop community. This is a behavior that has been corresponding in the rap music and has become accepted as a social norm by the African American community.

Rap music is defined as popular music advanced by disc jockeys and urban blacks in the late 1970s. This kind of music consists of a repeated beat pattern that provides the background for rapid, urban language, accompanied by a vocalist. Hip-Hop music is a genre that originated in the United States by inner-city African Americans in the 1970s which consists of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. The Difference between rap and hip-hop music defined by EBONY is that hip-hop is a culture while rapping is one of four elements contained therein—the others being breakdancing, DJing and graffiti. The perception of rap music/hip-hop music by academic scholars is often accurate, in the portrayal that types of rap/hip-hop musicians often exhibit violent, misogynistic, antisocial, and materialistic content and behavior. Writer’s Johnetta B. Cole, Tia Tyree, Michelle Jones, Matthew Oware, and have all discussed the topic of rap music, and the ways in which it exhibits violent, misogynistic, antisocial, and materialistic content and behavior.

In her article “It’s Easy, but Wrong, to Blame the Music” Rosen writes from parent’s perspective but keeps teenagers and children in mind. She argues that Gansta rap music just reflect the violence, but do not create it. Just because an artist sings about violence, it does not mean that he or she encouraging listeners to perform it. Her key purpose is to make people aware of music instead of making people dislike music because of its bad content of lyrics. She present music as an opportunity for parents to understand their children well through the type of music they listen. She deny the complete censorship of music, because she understand that censorship of music does not prepare children for the real world. This article is interesting and

The impact music has on the life of people is very powerful. It can easily revamp the way people act and take control of people’s emotions. Rap music is a very common and popular type of music within the world today. Rap music has existed since the mid 1970s, nowadays it is practically everywhere. It is easily a central focus of many young people’s lives. Rap music was essentially intended to create a voicing of one’s frustrations and disappointment with society, it has recently taken a turn and is creating a negative impact on the youth. It is the root that influences and encourages degrading women, violence, and is filled with sexual content.

The corruptness of music today seems to be linked to the crude language and aggression found particularly in hip-hop and rap music. Some rap artists use vulgar language in their lyrics that are easily adoptable by teens (Holden). Not only have certain lyrics influenced the way teens speak but also their actions. An article on Headliners.org stated that “lyrics in the music are too violent and are to blame for many problems.” The problems range anywhere from suicide and aggression towards women to underage drinking and drug use. Lyrics are not only to blame, but also what people see in artists’ music videos can affect what they do (Doaks). The urge to emulate these rap musicians has escalated quickly causing a spike in rebellious tendencies among teens.

In society today, it is highly noticed that the role of rap music messages and video images of violence causes an increase in negative emotions, thoughts and behaviors which could lead to violence amongst youth. Rap music has been at the center of concern in regards to the potential harmful effect of violent media on social behavior amongst youth. This potential behavior could be seen in the music video titled “Kim” by Eminem. In this music video, the storyline, language and sound encourages hostile thoughts and feelings amongst its audience. In the music video, Kim husband catches her cheating on him in their home with another man, while he is away. However, when Marshall gets home and finds out that his wife is cheating on him, he gets upset, angry, and abusive and becomes violent towards his wife Kim. He screams at her saying that, if she moves again, he will “beat the shit out of her” (Line 11). Violence in rap music has increased in response to the complex interplay of changing social conditions such as the elevated levels of youth violence in the changing commercial practices within the music industry. Hence, the media influences violence in four negative ways, which contributes immensely to anger amongst youth which leads to aggressive behavior such as social violence, substance abuse, domestic violence, and negative perceptions of women.

Hip-Hop is an extensive and a broad conglomerate of various artistic forms that ultimately originated in the South Bronx and then quickly spread throughout the rest of New York City among African-Americans and other African-American youth mainly from the Caribbean and from Jamaica during the 1970’s. Over the course of decades and recent years, controversy surrounding Hip-Hop and rap music has been the vanguard of the media. From the over hype of the East and West Coast rivalry to the deaths of Tupac, Biggie, and even Michael Brown and Trayvon Martin, it seems that political and broadcasting groups have been injudicious to place essentially the blame on rap and Hip-Hop music for a superficial trend in youth violence.

One negative global implication that commercial Hip Hop in the U.S. produces is the characterization of young black women in four different personas: Diva, Hoe, Gold Digger, and Bad Bitch. When young black women hear music and see music videos that promote sexual conduct, they take on one of the different personas that is illustrated in the music and treat themselves as sexual objects. This characterizations affects the black community worldwide because this causes young black girls to be more sexually active at a much younger age, this results in teen pregnancies and

The paper discusses how Marley’s music changed society by mainstreaming the ideas of black resistance, social justice, racial equality, and anti-colonialism to the baby-boom generation and generations endlessly onward. The paper will outline the historical background of reggae as well as the social cause to which it became attached by the work of Marley. The paper submits that reggae, ultimately, became the chief means of expressing the angst and dislocation felt by many within the African Diaspora. Finally, the paper will offer a critical analysis of one of Marley’s works, “I Shot the Sheriff”, and will explain why this signature work is a classic instance of reggae speaking out against injustice and the prevailing power structure.

The music of Jamaica began five centuries ago, when Columbus colonized the land of the Arawak Indians. This dates the start of oppression by first the Spanish and then the English in this area of the Caribbean. Blacks were brought in as slaves by the English, and although Jamaica has had it's independence since 1963, the tension of authority and control still reigns. Jamaica is a story of injustice, international influence, ineffective governing, and unequal distribution of wealth; all of these elements provide a solid base for the theme of oppression and the need for a revolution and redemption in Jamaican music. Reggae in particular reflects these injustices, and the feelings, needs and desires to change the lifestyle that Jamaicans have historically lived. Reggae music has two meanings. It’s generic name for all Jamaican popular music since 1960, West Indian style of music with a strongly accented subsidiary beat. Reggae can also refer to the particular beat that was extremely popular in