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Neil Gaiman's Influence On American Gods

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Neil Gaiman is a diverse author who enjoys using different media to express his stories, be it graphic novels, children’s books, adult fiction, screenwriting for film and TV, poems, and occasionally songwriting. Yet for all his diversity, many of his narratives feature elements from the fantasy genre, which he has often stated is attributed to a childhood spent in the local library where he would delve into folkloric tales, absorbing many of the old myths and fairy tales. These old tales have influenced Gaiman’s works greatly, and he therefore often extract elements from the world’s mythologies and remake them into new tales, transforming mythological and supernatural beings into characters that are part of our contemporary world and interact …show more content…

The protagonist’s experiences and interactions with the gods open up for a discussion of the influence of sacred myths and the relevance of discarded or forgotten myths in society; and furthermore, whether myths have any importance in secular society. In order to have this discussion, it is necessary to determine what is meant by the word “myth”, since it is a term that is notoriously difficult to confine to a single definition. The Oxford English Dictionary’s definition of the word clearly shows the complication of this seemingly straightforward task: “Myth” is described as a ‘traditional story, typically involving supernatural beings or forces, which embodies and provides an explanation, aetiology, or justification for something such as the early history of a society, a religious belief or ritual, or a natural phenomenon’; but also as a widespread yet untrue story or belief, an exaggerated or idealised popular notion of someone or something, etc. (OED, …show more content…

In this relation, myth is therefore linked to religion by narrating a sacred history and relating events that took place in primordial time, and by explaining how reality came into existence through the deeds of supernatural beings - both the whole of reality and fragments of reality like species of plants and animals, human behaviour, etc. (8, 5). There are many different types of sacred myth, but Eliade focuses on creation myths in which the actors necessarily are supernatural beings acting in primordial time, and it is by their intervention ‘that man himself is what he is today, a mortal, sexed, and cultural being’ (6). Myths are a manifestation of their sacred powers and show ‘the exemplary model for all significant human activities’ - be it diet, marriage, work, art, or wisdom (Eliade 8). These myths are part of sacred history and are therefore not seen as pure fiction; rather they are seen as stories of events that took place with the origin of the world, and from these primordial events human life and society came into

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