Nelson Goodman Languages Of Art Analysis

Artists have many ways of conveying meaning using visual language. It is through the structural elements of a painting that responders are invited to discover the layers of deeper meaning and concept that may be present within any given work. Elements of visual language such a signs and symbols, colour tone and composition are used to further explore and develop the ideas which the artist wishes to express SENTENCE ABOUT WHICH ARTWORKS YOURE TALKING ABOUT AND HOW GR8 THEY ARE.

In Cynthia Freeland’s But is it art? Chapter 6 is titled “Cognition, creation, comprehension”, which in three words summarizes the main ideas in this chapter. Two disciplines of logic are introduced in attempt to evaluate these factors: “Expressive Theory” and “Cognitive Theory.” Freeland goes on to describe that art communicates with the observer.

The figure 1.120 on page 123 of Gateways to Art depicts a 3 dimensional piece of art called Monogram. Inside the work includes mixed media with taxidermy goat, rubber tire, and a tennis ball. The work was done by Robert Rauschenberg from Sweden. There is strong emphasis on the goat, making it the focal point of the mass. The installation of the tire is wrapped around the goat’s torso, while the goat is mounted onto the center of the wood frame. The size of the work is monumental compared to other works of art. The subordination of the painted half of the work prevents the viewer from looking at the plain pieces of wood. The span of the mount stretches diagonally across the frame. The addition of red paint brings a sense of luminosity to the work. There are illuminated letters printed of the wood pieces that draws attention to the left half of the piece. The text says Rauschenberg created the work “as a symbol of himself as a rebel and outcast.” The goat relates to a religious perspective as goats used to be offered as a sacrifice by Christians to God. This work was so odd at the time because it was not a sculpture or painting, making it unique in its own way.

To categorize art by such vague criteria as expression and form would be difficult if it were not for the several prevailing theories presented by Tolstoy and Bell. According to Tolstoy’s theory of expression, something is art only if it successfully does the following. First, it must have been created with the intention of being art and revealed to an audience through a publicly accessible medium, even if the audience is a single individual. These mediums must be physical things such as shapes, actions, or words in order to be available to its viewers. Second, the medium of art must be an individualized work that has not been replicated or mass-produced. Third, he believes that the art must convey the feeling or emotion that the artist experienced while producing the art. This emotion must also be evoked within the audience. Lastly, the work must require self-mediation or clarification in order to be interpreted by said audience as art. As a result, a work is not required to be about something in order to be art.

In the contemplation of art, or rather the conceptually intangible definition it currently possess, it is imperative to be mindful that “art” has been utilized as a promotional device, ceremonial item, aesthetically purposed article or perhaps none of these or all. It is because of this vague term that Carolyn Dean, in her text, “The Trouble with (The Term) Art”, makes a case for the consequences of applying the term “art” in societies that lacked such a notion which also accounts for the Western-centric lens the field intrinsically utilizes when viewing non-Western art. The claim is deftly supported by the utilization of expert accounts in the subject, alternative perspectives for what is considered the current norm, and self-examining questions,

Kehinde Wiley is a New York based artist whose paintings focus on the themes of empowering black men and combining classical and contemporary styles.

Many scholars criticize Neiman’s work because of his splashy, kinetic, and jigsaw-like style however; these critics have failed to fully evaluate Neiman’s work. Neiman is known for capturing many split second moments such as many of Muhammad Ali’s boxing matches and other Olympic events. Receiving much scorn, Neiman’s works are often dismissed for superficiality and garish among the art world. The common misconceptions have failed to acknowledge the discrete hints that reflect the development of African Americans. Leroy Neiman's paintings capture juxtaposition between frustration and aspiration through dramatic brush strokes, contrasting portrayals of community development, and metaphorical placements symbolizing the possibility of opportunity

Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist. Not only was it a movement, it defined the act of art as a whole. From the beginning of time, each work of art, excluding replicas, show a way of expressing

Art is a form of communication. Art is a form of language. The language of art can be elaborated in a multitude of ways, as well. These methods include the content, process, or themes of the artwork. The pieces “Who Tells the Truth?”

question John Berger, critic of art and author of the Ways of Seeing, raised in his essay, and it is

The west wing of the J. Paul Getty Museum holds several wonderful 18th and 19th century paintings. Two such paintings are “The Farewell of Telemachus and Eucharis” by Jacques Louis David, 1818; and “Belisarius” by Francois Gerard, 1797. Both of these paintings are extremely refined oil paintings, and both are representational figurative paintings, each with two figures. In these two paintings David and Gerard were able to portray distinct moods through the use of color, shape, composition and technique. Both painting are representational idealized neo-classical paintings and so compositionally and technically they

In beginning was the image. Before each of us learned to speak and speak on a topic, we started see and perceive the world through images. We tried to analyze what the world has to pass us. The same is true now, when as adults we choose, for example, to an art gallery. Looking at the work of art, at first glance, we can very quickly determine if that something we like or not, whether evokes in us an emotion. The model can also be in terms face or frontally, in profile or three-quarters, as shown in the image of Leonardo da Vinci’s The Head of the Virgin.

Shepard Fairey’s piece titled Pay Up or Shut Up is a representation of the role that money or your role in society dictate the power of your speech. This piece of art by Fairey was released in May of 2015. It is a screen print on cream speckletone paper.

Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation

Modernism has found new expressions in art which in turn have changed how people critic and understand art, in this essay I am going to focus more on abstract expressionism. Debates in this movement have gone as far as influencing many artists and the two well-known critics who have made this movement more remarkable and have changed the art world completely are Clement Greenberg and Ronald Rosenberg. On the writings of these two gentlemen about art I will try to draw out the differences in the idea of what abstract expressionism is and what it is supposed to be, compare and outline the similarities and the differences between the two critics.