Nemesis in Macbeth

Lady Macbeth is one of the most complex characters of all time. Before King Duncan is murdered, she is extremely ambitious; she craves power and is willing to sacrifice anything for it. In pursuit of her goals, she is traitorous, brutal, and audacious. For example, when she receives a letter from Macbeth declaring that it has been predicted that he will become the next King, Lady Macbeth begins to devise a plan of action to make this prediction come true. A part of her agenda is to murder King Duncan; although she is aware of the negative consequences of this action, she wholeheartedly

Lady Macbeth’s desire for power prompts her interest in controlling Macbeth’s actions. This theme of the relationship between gender and power is key to Lady Macbeth’s character: her husband implies that she is a masculine soul inhabiting a female body, which seems to link masculinity to ambition and violence. Although women were often expected during Shakespeare’s time to be modest, humble, and obedient, Lady Macbeth is actually one of the most explicitly and relentlessly ambitious of all the characters Shakespeare created. She is a woman who defies the stereotypes of her culture, which assumed that most women were or should be unambitious. At one point, she wishes that she were not a woman so that she could kill Duncan herself. A character

Lady Macbeth has the power over her husband to persuade him into doing anything she requests. She manipulates Macbeth with incredible efficiency by overruling all of his thoughts and changing his perspective on the present. Even though the many tasks that need to be completed are difficult to understand why they need to be done, Lady Macbeth will always convince Macbeth to do it. Her husband often tells her that she has a “masculine soul” which is obvious due to her murderous and envious actions. When the time came to kill king Duncan, Macbeth believes that his wife has gone insane and tells her that the crime they were about to commit was a horrible idea. As a result of his questioning, Lady Macbeth says that executing the crime will show his loyalty to her. On the night of the assassination Lady Macbeth watched the guards of the castle become drunk and unaware of what was going on. Lady Macbeth sent her husband into the castle to kill King Duncan. The married couple fled the scene leaving the guards covered in the evidence. Lady Macbeth and Macbeth are stained with the blood of their victims and the feeling of guilt in their stomach.

In William Shakespeare’s Macbeth, Lady Macbeth is the true villain of the play as she is evil, ambitious and eventually insane. Lady Macbeth masterminded the idea to kill King Duncan and planted the vision into Macbeths mind, she convinced Macbeth to commit such a crime, and her love for her husband was eventually overruled by her determination and lust for power. Throughout the play she starts to show her true colours and the destructive force of her ambition, which inevitably results in nothing but disaster.

     Lady Macbeth progresses throughout the play from a seemingly savage and heartless creature to a very delicate and fragile woman. In the beginning of the play, she is very ambitious and hungry for power. She pushes Macbeth to kill Duncan in order to fulfill the witches’ prophecy. In Act I, Scene 6, she asks the gods to make her emotionally strong like a man in order to help her husband go through with the murder plot. She says, “Come, you spirits That tend on mortal thoughts, unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty!” Also, she does everything in her power to convince Macbeth that he would be wrong not to kill Duncan. In Act I,

On the contrary, Lady Macbeth begins as a ruthless woman. She has a manipulative and controlling character, convincing Macbeth to kill King Duncan; she will do anything to gain power. When she says, “How tender ‘tis to love the babe…I would, while it was smiling in my face, have plucked my nipple from his boneless gums and dashed the brains out” (I.vii. 55-58), she shows her ruthlessness and her “bad” ambition. In her “role reversal” with Macbeth, she gains somewhat of a conscience and realizes her guilt. When she tells him, “You must leave this” (III. ii. 35), she wants Macbeth to forget about his plan to murder Banquo’s family. She is very hesitant about committing another murder and does not want Macbeth to follow through with his plan.

In Shakespeare play, Macbeth, Lady Macbeth’s character progresses in an interesting manner. Lady Macbeth is made to act as an incentive to Macbeth's immoral actions. Even though Macbeth is generally the person to have a final say before killing someone, Lady Macbeth plays the role of his “sidekick”. She mocks her husband if he worries over a sinful deed (which usually she instructs him to do), saying he would be less of a man if he does not follow through with their plan (I. vii. 56-57). She gives Macbeth a short lecture in deceptiveness when they are planning to kill King Duncan (I. vi. 73-78). She also prepared the daggers for Macbeth to kill Duncan in advance (II. ii. 15-16). Although her husband was still having doubts, she was always ready to go in for the kill. She did not think twice about it or feel any remorse. This shows that Lady Macbeth evolved into looking like a humble and quieter person on the exterior, but being an insane woman and criminal due to the events that have affected her.

Lady Macbeth can be said to be one of Shakespeare's most famous and frightening female characters. She fulfills her role among the nobility and is well respected, like Macbeth. She is loving, yet very determined that her husband will be king. At the beginning of the play, when she is first seen, she is already plotting the murder of Duncan, showing more strength, ruthlessness, and ambition than Macbeth. She lusts after power and position and then pressures her husband into killing Duncan. Upon receiving the letter with the witches' prophecies from her husband, she begins to think and knowing that Macbeth lacks the courage for something like this, she calls upon the forces of evil to help her do what must be

In the beginning of the play, Lady Macbeth is already plotting Duncan's murder. Because women are often unable to kill, Lady Macbeth asks the spirits to make her male. In Act I, Scene 5, she states if she were not a woman she could do it herself. "Come, you spirits that tend on mortal thoughts, unsex me here And fill me, from the crown to the toe, top-full Of direst cruelty!” Even though Macbeth listed eight reason against the murder, Lady Macbeth persuades him to kill Duncan (I vii). Macbeth feels remorse immediately following the murder, but Lady Macbeth assures him that everything will be fine. When he worries over his blood stained hands she tells him in Act II, Scene 2 that "A little water clears us of this deed. How easy is it then!" Lady Macbeth is very successful at persuading Macbeth to do things that he knows are wrong. Going against the stereotype of a woman, Lady Macbeth is unkind and uncaring. She tells him, “How now, my lord! Why do you keep alone, Of sorriest fancies your companions making, Using those thoughts which should indeed have died With them they think on? Things without all remedy Should be without regard: what’s done is done”. (citation) This speech symbolizes her cruelty, and her evil accounts for the murders that occur throughout the play. Lady Macbeth is far more cruel and ambitious than her husband.

Lady Macbeth is manipulative towards Macbeth in order to get him to murder King Duncan so he can become king and is very controlling in the planning of King Duncan’s Murder. She decides when and how they should kill King Duncan since Macbeth keeps questioning his decision to go through with the murder in which, Lady Macbeth has to step in and convince him otherwise. She scolds her husband for not acting more like a man, because he does not want to kill King Duncan. Lady Macbeth claims, “What beast was 't, then, that made you break this enterprise to me? When you durst do it, then you were a man; And to be more than what you were, you would be so much more the man.” (1.7.47-51) Lady Macbeth thinks her husband is a coward for not wanting to kill King Duncan, so he can become king; thinks that he is not man enough to do it. She is questioning her husband’s manhood and asks Macbeth if he would rather be known as a man, who did what he had to do or a coward who was too scared to do what he had to do. As a result Macbeth gives into the pressuring of his wife’s accusations towards his manhood and murders King

Throughout the play of Macbeth, the reader can see a decay of morals in the two main characters, Macbeth and Lady Macbeth. As the characters grow more brutal, the need for a harsh punishment grows with them. Though they do receive retribution, Macbeth’s does not fit his crime. Because of Macbeth’s lack of remorse along with the amount of blood on his hands, he deserves a harsher punishment than Lady Macbeth, who only directly contributed to one murder.

Throughout this essay I will be focusing on comparing the way Shakespeare and Orwell present ‘heroes’ and ‘villains’ in Macbeth and Animal farm. Both texts include indistinguishable characters either behaving with their utmost propriety or their ‘ambitions’.

In the beginning of the play Lady Macbeth was the evil one in charge, making decisions for her and Macbeth. She was making decisions for her and Macbeth and forcing him to act upon them. She was the mastermind behind the killing of Duncan. In the beginning of the play Lady Macbeth represents evil by her actions and her wanting to be this way. In the beginning she asks the spirits to unsex her and make her more masculine and powerful. She wants to have her Make thick my blood. Stop up th’ access and passage to remorse, that no compunctious visitings of nature” (1.5.47-61). Lady Macbeth wants for her to not feel any remorse and to act upon what she thinks is right. She wants for Duncan to be killed and forces her husband to do so. She is the mastermind behind the killing of Duncan and causes Macbeth to make a complete change in character. Macbeth begins to not listen to her and starts to boss her around. This really affects Lady Macbeth and she does not know how to proceed. By the end of the play Lady Macbeth gives up on trying to control Macbeth and her evil ways. Lady Macbeth realizes that Macbeth is crazy and she can not control what he does. She then decides that the situation she is in with Macbeth is so bad that she has end her life. Her death is a defeat to her controlling evil ways.

Lady Macbeth’s burning ambition to be queen drives her to the point of insanity. She stops at nothing to gain power and uses Macbeth as the enforcer for her plans. This power is clearly illustrated as her husband follows her command to kill the king of Scotland, she constantly taunts Macbeth bringing him even further under her control. She is quite the opposite of how we generally assume feminine characters to act, and even begs the gods to remove her femininity at one point, “...Come, you spirits that tend on mortal thoughts, unsex me here...Come to my woman’s breasts, and take my milk for gall, you murd’ring ministers...” (Shakespeare 12). As Lady Macbeth expresses her desire to become unsexed, we see the link that clearly exists between masculinity and murder. She believes that since she is a woman she cannot be capable of committing such evil deeds, and her reference to her breasts which is generally linked to the idea of nurture, is called upon in reference to her desire to do quite the opposite. Lady Macbeth presents a very strong character throughout the play, and through her actions a very clear picture of a manipulative wife is painted. Though Macbeth is the one to carry out many of the deviant plans, Lady Macbeth’s role is clearly portrayed as the evil mastermind behind the murders.