Essay on Neoclassic vs Baroque

It is a famous example of Renaissance art showing portraiture, realism, and some perspective. In this painting there are four distinct characters. Each has a different expression that shows how they are feeling. There is also more detail in the faces then in any other parts of the painting. Another technique it demonstrates is heightened realism. Whereas before the Renaissance the figures may have been painted simply and in only enough detail to get the general idea across, these figures are shown more realistically. Lastly there is the technique of perspective as shown in the background of the painting. The sea stretches out into the sky and the land in the background is shown how it would look if the viewer was actually

Rococo was an art style that originated in France in the mid-17th century. Rococo itself evolved from the earlier Baroque period, and shared several elements with it. Indeed, Rococo is often referred to as Late Baroque for this reason. Both placed a heavy emphasis on ornate, highly sculpted detail and ornamentation, especially in regards to architecture and sculpture. Likewise both featured artwork rooted in more realistic depictions of people. However, they were also different in several important ways, and reflected changing social attitudes. Where Baroque was rooted in religion and promoted by the Catholic Church as a response to the Protestant Reformation, Rococo flourished during the “Age of Enlightenment”, a time where

Igor Stravinsky makes for a first-class example of differences and similarities between neoclassicism and modernism. Modernism is defined as “A term used in music to denote a multi-faceted but distinct and continuous tradition within 20th-century composition”1, while neoclassicism may be defined as “A movement of style in the works of certain 20th-century composers, who, particularly during the period between the two world wars, revived the balanced forms and clearly perceptible thematic processes of earlier styles to replace what were, to them, the increasingly exaggerated gestures and formlessness of late Romanticism”2 By not only comparing his works to others but within his own body of work the two movements can be better

A multimovement form for one or more solo instruments accompanied by a basso continuo. The different types were Sonata da camera (concert performance) and Sonata da chiesa (church performance)

The word Baroque was derived from the word barroco, which is used to mean the period in which western region widely used music especially in the nineteenth century to express how the European artist practiced the art. When the historical happenings of the music in well explored, the critics who applied the musical knowledge made it look strange and majorly sounded exaggerated. Furthermore, ornamentals were initially used during the era of Bash and Handel. After the brand of music had shed the connotations that were derogatory, baroques became one of the mot simplest and convenient in the brand and one of the richest term, which in the diverse period was included the musical history.

The first painting, Death of Socrates by Jacques-Louis David, depicts one of the great philosophers, Socrates being sentenced to death. Socrates was a famous Athenian philosopher. It was through the works of Plato, Socrates’s student, that we learn about the trials and imprisonment that Socrates endured for his way of thinking. Through David’s painting style and use of Neoclassicism, viewers can understand the significance.

Not only looking at the mere representation of the figure who is Socrates, but by examining how he is situated among others in the painting also uncovers meaning in of itself. Studying the way that Socrates’ body is situated you can see that the artist is trying to make a statement of nobility in self-sacrifice. The finger of Socrates is pointed upward and is in the highest position in the chamber. Much like a mountain commands the landscape, so does Socrates finger in a room full of disarray and uncertainty. This can also tells us that although ready to die and in his final hour, his teachings and beliefs will continue to live on. Although Socrates is on his deathbed he still continues to teach and philosophize.

As we continue to utilize this theme of femininity versus masculinity, we can see how the composition of each painting depicts each contrast. The Swing places the viewer inside an outdoors setting that is clearly soft, curvy, and feminine. The Death of Socrates takes place in an indoor setting marked by its attention to geometry, straight lines, and 90-degree angles. When looking at the setting in Fragonard’s work, we can see that there is no sense of order or structure, the same that are conveyed in David’s The Death of Socrates. This lack of order or structure was used by the Neo-Classicist to repudiate Rococo. By giving their form of art

The era known as the Baroque period includes the seventeenth and most of the eighteenth centuries in Europe. The Baroque style was a style in which the art and artists of the time focused upon details and intricate designs. Their art often appeals to the mind by way of the heart. During this time the portraits began to portray modern life, and artists turned their backs on classical tradition. Much of the art shows great energy and feeling, and a dramatic use of light, scale, and balance (Preble 302). Buildings were more elaborate and ornately decorated. These works of art created history and altered the progress of Western Civilization. Architecture such as the palace of Versailles, and artists like

This was the end-result of the search for new modes of expression. With the use of the Theory of Affections, the Baroque created some of the deepest expressions of emotion.

part of the 16th century and continued to be used well into the 18th century.

The scientific revolution is traditionally considered to be framed between 1543—the year of On the revolutions of the heavenly spheres by Nicolaus

Breaking away from the dynamism and grandiose of earlier Baroque art, and highlighting the small pleasures in life such as familial affection and

The Death of Socrates was painted by the French painter Jacques-Louis David during the Neo-classical era in 1787. The painting illustrates the execution the Philosopher Socrates as told by Plato in his Phaedo. In 399 B.C, the Athenian court had put Socrates on trial for talking about things in the sky and below the earth, corrupting the minds of the youth, and not believing in the gods, but in other spiritual things. Socrates was then sentenced to death by drinking a poisoned hemlock. In Plato’s Phaedo Death Scene and Apology, both works recount the trial and death scene of Socrates. David, later on, paint the death scene of Socrates inspired by the Phaedo Death Scene. Socrates gives his last lesson to his students while calmly facing

At this time last year, I would have considered all music before the 20th century to be classical. However, after taking a Dual Credit Music Appreciation course, I realized that “old” music cannot simply be grouped into a single category. There are so many differences that I had no idea existed. Throughout the years, music has changed and evolved, meeting the needs of listeners and performers. Different composers have been catalysts in this change as they have developed new styles and genres. Even though the classical period is directly subsequent of the baroque period, baroque and classical music have countless different qualities and characteristics.