Neutrality In Othellos

The peace officially lasted only five years, years that saw the gradual rise to eminence in Athenian politics of Pericles’ cousin, Alcibiades, a brilliant, ambitious, dissolute, and unstable youth, who initially succeeded Cleon as leader of the lower-class war party against the restrained and unglamorous Nicias. Athenian intrigues to support Argos against Sparta only ended in the defeat of Argos and the strengthening of Spartan prestige. By killing all the adult males of the island of Melos and enslaving the women and children as a punishment for Melo’s insistence on staying neutral in the war, Athens underlined its ruthlessness. By deciding, against Nicias’s advice, to send off a large naval expedition to Sicily to attack the

Without being either the ones who made this law or the first to apply it after it was laid down, we applied it as one in existence...and one that will endure for all time,” (Thuc., V, 105). The Athenians see no injustice in doing simply as their nature impels them to do. In fact, the Athenians see their offer of subjugation to the Melian people as more than reasonable, “What we will demonstrate is that we are here to help our empire and that there is salvation for your city in what we are now about to say, since we hope to rule over you without trouble and let both parties benefit as you are saved,” (Thuc., V, 91). Following their belief in doing what is necessary to strengthen themselves, even at the expense of others, is what brings Athens to Melos.

Inside each of us, there is a seed of good and evil since it is a constant struggle for us to

There are many questions asked in the world today. Arguably, one of the most commonly asked questions would probably be the reason for existence, or rather, in other words, the meaning of life. Ultimately, the answer to this question can be found in the ideological framework known as The Chain of Being. In the play, “Othello,” by William Shakespeare, The Chain of Being can be seen as one of the main themes or ideas throughout the story. The idea of The Chain of Being is evident not only in the play, but undeniably exists in the world as well. This is because of what it is, who it affects, and how it affects those who are affected.

A reading of Thucydides’, Pericles’ Funeral Oration and The Melian Dialogue uncovers both contrasting and comparable viewpoints on Athenian politics, power, aims of war, and empire. Thucydides presents two differing characteristics of Athens, one as the civilizer in Pericles’ funeral oration and the other as an tyrant in the Melian dialogue. In the funeral oration delivered by Pericles during the first year of the war, the Athenian leader emphasizes the idealized personal image of the Athenians in regard to their constitution and good character. Pericles goes on to praise the Athenian democratic institution of Athens that contributes to their cities greatness; in Pericles’s own words, “The Athenian administration favors the many instead of few… they afford equal justice to all of their differences” (112, 2.37). This quote emphasizes the good character of the Athens’ to coax and encourage the Athenians to preserve and better their great empire into the future. On the other hand, in the Melian dialogue, this notion of justice and equality is irrelevant; one, because Athens compared to Melos, is the stronger of the two and thus, is more powerful. Further, Athens, will continue to acquire absolute power and build its empire by conquering Melos and whomever else stands in its way. Through Pericles’ funeral oration and the Melian dialogue, the following conclusions/themes will demonstrate both the changing and somewhat stable nature of Athenian policy with regards to empire,

    In the Tragedy of Othello, by William Shakespeare, a great injustice is done to the main character, Othello the Moor. Othello is manipulated by the villain Iago to satiate Iago’s need for control and his desire for revenge. Othello the General has promoted another, Cassio, to hold the position that Iago feels he deserves. For the injustice that Iago feels has been committed against him, he brings about the destruction of Othello and his wife, Desdemona, using Cassio as his tool for doing so.

Three sources analyze the racial conflicts of white actors playing colored parts, and all agreed that it was not a trivial situation, for audiences, or actors. Racial tensions are very popular with the media. While there is some minor tension today, the movies and plays of Othello top the charts for most racial conflicts. First, The article, “Othello: the role that entices and engages actors of all skin colours,” by Andrew Dickson shows the history of the actors that played Othello, and when the actors were black, they were either not cast, due to segregationists, or were criticized in their performance for the same reason. Also, this article uses diction to convey the seriousness of white vs. minority crisis. Next, the video, “SHAKESPEARE UNCOVERED White Actors Playing Othello” by PBS, shows the performances of many Othello actors that were white. Additionally, the video shows one white actor who used makeup to make himself more than than black. The video uses hyperbole to describe the absurdity of Othello movies. For example, Laurence Olivier, the 1964 Othello was black-top showing how far film industries will go to cover-up racial tensions, and the narrator describes the makeup as ridiculous,and dramatic. Finally, the last article, “Aladdin: putting a white character in Disney’s live-action remake is offensive,” by Hannah Flint displays that film industries feel obligated to please a white audience, keeping the minorities second fiddle by adding characters white people

The ideas of truth and perception are hard to differentiate in everyday life, making the real truth harder to seek. The main functions in Othello are perception and truth which is a person’s viewpoint or their interpretation of reality, and truth being what actually happens, and these facts can be easily manipulated. Othello, written by William Shakespeare, is a general who is constantly tormented between the false and real truth by Iago who skillfully manipulates him throughout the story. In Plato’s The Republic, he also talks about these themes, saying that the truth can be shaped by your view of reality and by stereotypes. In Othello, Shakespeare is saying that perception can easily alter the truth of others, making the truth harder to accept.

In Shakespeare's tragedy, Othello, Iago is uncharacteristically honest when he says "I am not what I am". However, he is not the only character whose appearance differs from the reality. Nonetheless, he is possibly the only person who intends this duplicity. Unfortunately everyone is under the impression that Iago is "honest and just". Once alone, Iago reveals "when devils will the blackest sins put on, they do suggest at first with heavenly shows as I do now". Iago is two-faced in his relationships, even in the language he uses. After referring to Othello as a "black ram", he then tells him "my lord, you know I love you". Iago has no shame in appealing to heaven and godly images in

Identity is a very key, important thematic issue in William Shakespeare's tragic drama, Othello. Identity, or what may be better explained as a character's public perception, is highly valued in the Elizabethan Age in which Othello is set. There is a varying range between the characters in the extent that how they are perceived in public is not how they behave in private or how they really are, thus creating more than one identity per character. A character's identity is the overall essence of that character, however, in plays such as Shakespeare's there must always be an element of tragic flaw to the play thus creating conflict. In Othello, conflict ultimately arises through the plotting and scheming of one central, manipulative

     Within both Titus Andronicus and Othello both by William Shakespeare the reader is introduced to the concept of a black man within a white society. Stigmas and stereotypes are attached to the black characters of Aaron and Othello. Although each black character has a similar stigma, the characters are very different from one another. Aaron is portrayed as evil, conniving and malevolent, while Othello has none of these traits. Othello's fault lies in the fact that he is very gullible and easily led.

The Melian Dialogue presents the negotiations between the Athenians and the Melians regarding the imminent invasion and conquer of the island of Melos for expansion purposes. The Athenians give the Melians two options: surrender or be destroyed. From the negotiation, the Melians reasonably expect war and understand that the “contrary case, slavery” is a conceivable possibility (CCW 56). The Melians recognize that the Athenians are much stronger, however, they refuse to submit as subrogation is the outcome. In this instance, the Melians adopted a liberal perspective as they focused on the wellbeing of their civilization. The Athenians argued that the Melians “would have the advantage of submitting before suffering the worst, and we

What makes one person to be considered evil, while another is considered righteous? The character Iago, in William Shakespeare’s Othello, could be considered evil because of his plot against Cassio and Othello. Othello, could be considered righteous, because he believes his wife has been unfaithful. The line between these two labels, evil or righteous, is thin. Ultimately, actions speak louder than words. Iago is evil in his actions towards Othello, but between the two, Othello is the most evil for reacting to lies in the most violent of ways.

Othello is treated in a positive way more than negative in Venice. He is probably treated with higher respect by other people of Venice because he is now a general of an entire army. He is even respected by a higher powers like the Duke. Othello is treated negatively so far by the characters that were introduced like by Iago, Roderigo, and Brabantio but they do have their reasons. Brabantio used to invite Othello to his house and listen to his stories about the life he had led. Brabantio recently started to hate on Othello because of him secretly marrying Desdemona behind his back which enraged him. Brabantio is now racist towards Othello because he believed that his daughter would never fall for someone like him. He thinks that he can’t be

“But we trust that the gods may grant us fortune as good as yours, since we are just men fighting against unjust, and that what we want in power will be made up by the alliance of the Lacedaemonians” (Thucydides 270). The Melians should have acted sensibly instead of being naïve and submit to the imperial power seeing that the odds were against them. The Athenians give them a choice, but they decided to act irrational and respond emotively. “They underestimated Athens’ military power, judging the issue by the clouded eye of volition rather than calculations based on security and followed the human tendency to back their desires with uncritical hope and use of sovereign reason only to reject what they find unpalatable” (Bosworth 36).