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The television shows from 1950 to the present are connected in many ways. The characters showed in the 1950s television show called Leave It To Beaver all have white coloured skin and portrayed as a happy, perfect family. As the decades increased, the nuclear families turned into blended families, and the television shows started to have coloured characters. The families started to have problems and social situations. The viewer sees the conflicts inside the family begin as the years progress. For example, in the 2000's we examined a television show called Arrested Development. The show portrays the characters as if they are troubled and have problems. The children do not listen to their parents but instead have

Chris Lilley's Summer Heights High is a highly controversial mockumentary that showcases 3 different over exaggerated characters. One of them is Jonah Takalua, a stereotypical Tongan delinquent. Many have praised his work, saying that it is a clever use of satire to convey important criticisms of today's society. However after learning about satire myself throughout this unit I have determined that Summer Heights High is an unsuitable and highly ineffective show for teaching satire in secondary school due to the high levels of crude language and stereotypical humour shown in Jonah that conceals the satirical techniques used. Jonah has been represented extremely ineffectively through the poor use of the satirical techniques of exaggerated caricature and ridicule which certainly have the potential to influence students negatively. Lilley’s social criticism of the view that all Polynesian students are seen as trouble makers, is lost by his overemphasis on the very behaviours he is satirising.

Living by the restrictions that society places upon us, humanity is constrained to follow rules. Television writers were forced to write a certain way and were forced to leave out information that society would deem as improper, rude, and even racist. However, in 1971, a groundbreaking American television sitcom broke through societal boundaries and transformed the way that the American audience viewed television. Engulfed by the Vietnam War, Civil Rights Movement of the 1950s and 1960s, fight for women's right, and the Watergate scandal, Norman Lear persevered through stereotypes and entertainment norms with his show All in the Family. This show approached its audience in a very blunt and crude manner; it made conflict the center of its comedy. It dealt with contemporary cultural issues in a relatable way, which blue allowed blue-collar workers to learn about their current everyday issues and concerns. Through his show All in the Family, Norman Lear highlighted sensitive topics such as racism, bigotry, and sexual relations to prove that they are still alive in our country; thus, Norman Lear is an agent of change by bringing awareness to social issues.

Satirical writing allows the author to express his or her opinion about a problem in society. A writing must follow three rules in order for

In order to explore the representation of “Southern” culture in television, I am comparing and contrasting two popular television shows: Duck Dynasty and Tyler Perry’s House of Payne. Both shows attempt of portraying Southern families and their beliefs, traditions, pastimes and everyday obstacles. Although House of Payne is a sitcom and Duck Dynasty is a reality television show, the two television shows share many similarities in their representation of “Southern” culture. House of Payne may be scripted, but Tyler Perry bases his writing and the show’s plot on the very real lives of families living in Atlanta and also on his personal experiences.

Various television shows have pushed boundaries to create positive differences in social perception of minorities, but only few have had the power and influence to make a noteworthy impact on American culture. Television Comedy has been able to cleverly impact acceptance of American Culture boundaries for years on end. From the show “Good Times” all the way to “The Office”, comedy has been an effective way of creating positive perceptions and acceptance of all different kinds of views on our society. An easily countable number of academic texts give evidence to Black-watched, Black-targeted television narratives. (Marc, 1997). Racially directed comedy television shows have, in my opinion, have been one of the most prevalent types of television

Frances Gasparino of Rochester Institute of Technology suggests “the generative methodology offers the capability for the jokes and segments… to be analyzed against Burkean theory of comedic enlightenment. By looking to show that a means-end joke is an appropriate way in which to convey a message it would be seen that the message… would not be eclipsed by… the underlying message, to question the media and not take what is said for fact [got] across to the audience.” This tool of comedic critique can be dually entertaining as well as enlightening. The seemingly realistic script coupled with the serious expressions and tone of the actors creates the perfect milieu to reach the intellectual viewer as well as the average, blue-collar viewer; thus, increasing their total

Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the

Sitcoms have existed ever since television was introduced to the family home, and continue to evolve along with television and society itself. Traditionally, sitcoms were centred around men, usually having only one or two female characters, however over time, societal changes and movements have drastically changed the way sitcoms have been presented to the public. Happy Days was produced in the 1970s; portraying the traditional 50s white American family. The ‘50s were a time recognised for being post World War II, the beginning desegregation, the rise of Rock N Roll as well as a widespread sense of stability, contentment and consensus. The

Ever since 1997, South Park has revolutionized the cable TV scene as a profane and obscene program that isn’t afraid to mock religious, political, and cultural topics and not get away with at least offending somebody. Throughout its twelve seasons, some of the most prominent events in pop culture have suffered the wrath of ridicule from the show’s creators, Matt Stone and Trey Parker, and succeeded in making millions of Americans laugh until they cry. The creative genius behind these cultural and controversial statements has exalted the series to iconic status in our entertainment industry for its satirical voice in each episode. Throughout its ten years on air, South Park has broken multiple political,

This essay is going to discuss about racism in comedy and in addition to that it is also going to look at whether it is acceptable for comedians to use certain racial words for example when black comedians use the word “Nigger”. Also it is going to look at how different audience put up with this kind of material, but first of all it is going to look at the actual word itself and where in the blue marble that we call earth it originated from.

Family sitcoms have been the most popular and positively influenced television shows watched since the 1900s to today. Many of these shows have consisted of African American, Caucasian, and Hispanic families who all play a role that we as watchers look up to or perceive as the right way to run our household. Over time there has been an addition to biracial shows and family role changes throughout these sitcoms. For example, now observing single parent homes, homosexual guardians and even the changing of social interaction has both positively and negatively impacted real families who are watching.

Satire is a specific classification of writing that occasionally makes utilization of realistic and performing expressions with the aim of scorning society into self-change. With social criticism being its fundamental objective, it uses dark sarcasm as its primary device to get the point across. Satire impacts people to reconsider themselves so as to alter senseless thoughts and behaviors. Different techniques are utilized in delivering the satirical impact, those of which use wit as their primary weapon. These methodologies mix the acing of matching unimportant and authentic matters as one joke, demonstrating compliment yet meaning the contrary to show ambiguity, and asking rhetorical questions. Moreover, the creator may downplay an issue keeping in mind the end goal to move the group of audience towards the genuine significance of the theme, antagonistically; distortion is utilized to bring down the effect of an issue to its lesser quality. Aggregately, these procedures are practiced to draw out the human follies and vices in society. In Molière 's Tartuffe and Jonathan Swift 's article A Modest Proposal, both diagonally condemn and criticize human conduct and the discernment we have towards others. Through a comedian conveyance, these creators offer an understanding past the apparently self-evident, and expect to enhance this flawed custom of one sidedness as opposed to disposing of it.

The purpose of my essay is to examine the how “Community” manipulates genre, and whether or not this show can be defined as a Sitcom. My aim is to take a look at the television series through its construction and the way in which Community plays with different genres. I will also examine the way conventional genres are not considered in this show, by looking at the use of intertextuality, the identity of the characters and the narrative of the show.

In this paper i will be analysing and discussing the semiotics on an episode of The Simpson series.