New York City : Art Essay

Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.

New York City’s old slum neighbourhood, the Five Points, was notoriously known for its vice and crimes. The first organized crime group in New York City was the Forty Thieves which was led by Edward Coleman, started in 1825, in the back of a grocery store. The Dead Rabbits were an Irish gang in the Five Points area, and are most known for the riot they caused in 1857. The Eastman Gang were a Jewish group in the Five Points area, which began in the late nineteenth century, and were the rival of the Five Points Gang. The Five Points Gang was another group, started by Paul Kelly and included future famous mobsters. In Five Points, where most of New York City’s crime started, it also started some of history’s most notorious gangs, and mobsters.

Lorraine O’Gradys’ unintentionally historic performances, seemingly elevate everyday life to the status of art. In her ‘exhibit’ at the Studio Museum, her work is represented through photographs, in ‘Art is…’. Thirty years ago, O’Grady presented ‘Art is’ in the form of a float in the African American Day Parade right here in Harlem. Performers pranced with empty frames, metaphorically capturing fleeting pictures of the people and places that surrounded the route of the parade. By doing so, the trappings of high art were brought out of the museum, into the street, which promotes a new way people might begin to recognize this new art form in the celebrations of every day life. The

1985 (Figure 2) first appeared in 1985 plastered on billboards around New York City. The piece is illustrated in monochrome colours so to not distract viewers from the meaning of the poster. The harsh contrast in colours between the black writing and white background make the piece stand out and draw the attention of bypassers. Written on the artwork is a list of well-known museums in New York City and beside them is a score of how many women artists have had one-person exhibits there in the past year. The results showed that the Guggenheim, Metropolitan and Whitney museums each had zero, whilst the Modern museum had one. These results are supposed to shock the audience and make gallery curators feel a sense of guilt, that it’s clear the art world don’t appreciate women artists like they do men. Whist they are confronting the public with that truth they are also providing another critical message with this piece. The Guerrilla Girls identified these museums by first name, not out of convenience, but to make a statement, that the only museums to allow women artist some form of respect like male artist do was the ‘modern’ museum. Emphasising the fact that gender discrimination and bias nature in the art world should be in the past, and the only museum that realises and recognises this is the modern one. The poster’s main message challenges the patriarchal world of art and confronts art galleries

Positioned alongside Central Park in the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museum, especially one as influential as the Met, inherently predisposes its visitors to a certain set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within the museum. Brent Plate in Religion, Art, and Visual Culture argues that “objects obtain different meanings in different locations and historical settings.”An object placed on display behind a glass case inside a museum would hold a vastly different meaning if it was put on sale by a street vendor, like the ones who set up their tables in close proximity to the Met. The different meanings that objects are able to obtain is attributed to the relationships that are established between the object itself and the environment that surrounds it. These relationships often involve the kind of audience that a museum attracts, where the work is exhibited, and how the exhibits within a museum is planned out. Museums subsequently have the ability to control how these relationships are established which influences the way a viewer is able to construct meaning. When a visitor observes an object on display at the Met, they instinctively construct a certain set of

The entire interview was intended to a specific audience – artists. Thus, ethos was a vital technique to establish the speakers’ credibility in their commentary about the art industry. Both Wiley and M.I.A are recognized artists in their particular fields. At the onset, their credibility as artists and thus, critics of the industry are well established throughout the interview. By narrating a wealth of experience in working with different artists from different countries, their thesis about the death of art in New York is strengthened. By reputation, both artists are multi-awarded. Wiley is a Yale educated portrait painter whose work has been cited for its unique fusion-style rendering of African-American men in heroic poses. He is recipient of the Artist of the Year Award from

of the way they were placed to be seen. (2) Both museums are situated in ‘wealthy’ areas of New York City and thus indicate that there may be an association between the grandeur of museums and wealth or sophistication.

Art education initially began in the United States around the nineteenth century to prepare future workers to be able to “design competitive industrial goods” (Chira, 1993). Susan Chira explains in her article “As Schools Trim Budgets, The Arts Lose Their Place.” that in 1989 a nationwide survey conducted by the University of Illinois at Champaign-Urbana reports that since 1962 the amount of time devoted to teaching art in school had declined as well as the amount of full time art teachers. Throughout the sixties until the early eighties the nation was dealing with a major economic crisis. Most notably was the Great Inflation of the 1970's along with New York's 1970 Fiscal Crisis which greatly affected the art scene in New York that was at the time the place to be if you were an artist.

Living in America is a fantasy for a lot of people, but living in New York City is something even better, and more magical than any fantasy.

The purpose of this paper is to visit The Metropolitan Museum of Art and write a reaction paper about art works at the museum based on my impressions about them. To begin, I will start by giving you a little of background information about this interesting museum.

New York City is made up of five boroughs, which include the Bronx, Brooklyn, Manhattan, Queens, and Staten Island. Within these boroughs, there are high and low-income neighborhoods that contain either high or low status organizational structures or facilities. Each division has their own characteristics and top attractions, such as the Empire State building, Central Park, or Times Square. As New York City may be known for great food and fun attractions, New York faces infrastructure problems within each borough. New York City’s infrastructure funding is limited in lower income neighborhoods, where money needed to upkeep the city goes toward prime tourist’s areas or residents living in high status neighborhoods, such as The Upper East Side of Manhattan, Cobble Hill, Brooklyn, and Lenox Hill, Manhattan. Moreover, abandoned buildings, poor sewage conditions, and rocky roads and streets are examples of low-income area infrastructure problems that may hinder neighborhood growth both structurally and economically. Harlem, East Brooklyn, and South Bronx are low-income parts of New York that lack new and refined facilities, roads, plumbing, and fundamental structures, which contribute to high crime and arrests.

Every time I hear this song it makes me long to leave all of my responsibilities and head off to the city of dreams. A trip to New York has been a dream of mine since I was a little girl. I have always wanted to visit the place of tall buildings, history, and where culture is intertwined with its people. I have wanted to live the fast pace life of a New Yorker, where I could stand outside and see, smell, and taste all of the experiences that this city has to offer. I have been building and building this ideal image in my mind for so long. If I ever get to New York, will I be disappointed by the city that never sleeps? The city that is a part of almost every movie I watch. Can New York live up to the expectations I have

Jan van Eyck was active since 1422 and died in 1441. He was the most celebrated painter of the fifteen-century in Europe. One of his famous works is “The Last Judgment”. At first sight this work immediately attracted my attention. The painting’s stunning colors and the fact that it reminded me of a previous similar work I have seen, triggered in my mind. The material that is used is oil on canvas, transferred from wood. The size of this work is 22 1/4 *7 2/3 in. (56.5 * 19.7cm).

Positioned alongside Central Park within the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museums, especially one as influential as the Met, inherently predisposes its visitors to a set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within a museum. By analyzing two separate works on exhibit at the Met, I will pose the argument that museums offer a unique expression of a world view that is dictated through every element of its construction.

As someone walks over the grates in the sidewalk, they can feel the wind rush up from the subway cars flying through the tunnels. While they continue walking down the street and looking at all the different people that they pass, they can smell the hotdogs being cooked in the food truck. In the distance, they hear a siren weaving through the congested narrow streets of this busy city. New York City is a one of a kind type of place. It is the only place in the world where so many different cultures and backgrounds are all in one place. Along with the multitudes of different types of people and cultures, New York City truly is the city that never sleeps. The city that never sleeps, New York City, is full sights, sounds, tastes, smells, and feels.