Newton’S Law Of Thermodynamics In Arcadia . Not All Relationships

The short story “Sweat,” by Zora Neale Hurston, seems to exemplify the epitome of a bad marriage. Hurston uses foreshadowing and irony to demonstrate the disintegrated relationship between the abusive husband and the diligent wife. Throughout the story, it becomes obvious that the husband does not oblige by the motto, “Do unto others as you would have them do unto you.” Hurston’s use of irony and foreshadowing helps reveal the fact that “the good will prevail” and Sykes will finally get what he deserves.

A clear example of this sense of equilibrium is in the second chapter as is talks about the necessity of the presence of both extremes so that one can appreciate both, invariably proving that the only way to recognize things is to accept the opposite of it, be it a good or bad thing. It is a simple equation of comparison plus balance which equals to tranquil understanding but the real task is putting that into practice.

often cause contradictory emotions and actions. One prime example relates with the theme of family

The play written by Susan Glaspell in 1916 is based on the murder of John Wright where the prime suspect is his spouse; Minnie Foster. “Trifles” is fixated on the investigation of the social division realized by the strict gender roles that enable the two men and women to have contending points of view on practically every issue. This is found in the way the men view the kitchen as they consider it as not having anything of significant worth. From the earliest starting point, the two women and men possess distinctive positions. For instance, the women are unimportant guests to Minnie Foster's home while the men have desired authority obligation.

However, Susan Glaspell uses the kitchen in the plot as another theatrical metaphor for a domain of gender identification because it is a women’s domestic territory where women’s life is revealed through common kitchen items. Throughout the play, we can distinguish the roles given to women in that era. In this era, women’s roles were generally reproductive, so they have been relegated to the home with less interaction with the outside world. Because kitchens have often served as work spaces, women have found a sense of empowerment through domestic tasks such as cooking, food knowledge, and efficiency of the kitchen. These conditions reveal the state of mind of women in the play. Minnie Wright’s “gloomy kitchen” (Glaspell 443) is “left without having been put in order—unwashed pans under the sink, a loaf of bread outside the breadbox, a dish towel on the table—other signs of incompleted work” (Glaspell 443). She lost her motivation to do housework chores, which represents that her mind is battered and leads to Mr. Wright’s murder—he has distorted her life.

In the story “Popular Mechanics”, Raymond Carver writes in a minimalistic manner causing the text to have more meaning than it seems. Carver uses symbolism, repetition, and metaphors to characterize the woman as distraught and agitated towards the man. This displays that the relationship between the man and the woman is very dysfunctional. Throughout the story, the woman seems more affected by the situation than the man. Also, the story ends on a devastating note, depicting the deep meaning behind their relationship and leading to a universal theme.

“When you got to the table you couldn 't go right to eating, but you had to wait for the widow to tuck down her head and grumble a little over the victuals, though there warn 't really anything the matter with them, -- that is, nothing only everything was cooked by itself. In a barrel of odds and ends it is different; things get mixed up, and the juice kind of swaps around, and the things go better.” (Twain, 1)

In Popular Mechanics by Raymond Carver, a contemptuous couple are driven out of rage to harm their only child. The story’s tone is that of resentment, aggression, and irony, which are constructed by the author’s deliberate choice of a third-person, unnamed narrator. Opening starkly with another nameless character, a male packing his suitcase, his spouse looks on from the other side of the room and continually rants that she’s glad her partner is leaving. Immediately, the reader can sense the physical and emotional distance between the two characters (she is standing by the door while he is standing by the side of the bed). This distance between the characters is important because it sets the mood and tone for later in the story when a

Order is a condition in which each thing is in harmony and proper arrangement. Order is what keeps our world and us stable. Order is what keeps us in our necessary limits. However, order and stability are not always present in each and every scenario. Sometimes turbulence and havoc are existent also. In the novel, The Glass Castle, Jeannette is nearly killed in a fire, her father describes the exterior of the fire as “the boundary between turbulence and order,” claiming it is a “place where no rules apply, or at least we haven’t figured ‘em out yet”. This statement applies to numerous characters’ lives in the memoir. This statement concerns Jeannette, Rex (Jeannette’s father), and Rose Mary (Jeannette’s mother). These characters have several forces of

In the kitchen, the dishes are dirty, bread is sitting out on the counter, and everything is in disarray. The County Attorney is disturbed, because the kitchen is not clean. The men assume that Mrs. Wright must have not been a very tidy person. In this time era, men expected women to keep the house tidy and clean, cheerful, and decorated according to the County Attorney in Trifles; he states, “It’s not cheerful. I shouldn’t say she had the homemaking instinct” (1031). Men during this era think that women should only be in the house worrying about what the inside of a house should look. In the County Attorney’s mind, the house should have been warm, clean, organized, and presenting a happy feeling. This is a demonstration of how hard a woman’s life is when she is expected to be when a man’s views think of how a woman should be in the household, for example a slave to cooking, cleaning, and sewing. As shown in the beginning of the play, the men leave the women in the kitchen to gather some of Mrs. Wright’s items she requested as if this is where these women belong. The men go upstairs and out to the farmhouse to investigate for clues for a motive to prove that Mrs. Wright is guilty of the murder of her husband. The men never investigate the kitchen for any clues since they feel there is no significance in the kitchen. The kitchen is an area for women to do cooking and cleaning, which makes them feel there is nothing important in this area. Men

Order and chaos are two events that inhabit the world that surrounds us. Natural events, such as gravity, create order where our world has laws and principles. One the other hand, war, fighting, and disasters make up the chaotic aspect of our world. How both are found in this world we live in, the same two ideas of order and chaos, are found in Eamon Grennan’s “One Morning.”

In Susan Glaspell’s play Trifles, written in 1916, two female characters are left in the kitchen of a house where a murder has been committed, while the menfolk search around for clues. The men largely ignore the women and are mocking of them and their petty concerns on the occasions that they do speak to them. While the men are about looking for the “cold hard facts” of the murder, the women are in the kitchen bothering with “trifles” that display all of the details about the wife’s life and, most probably, her motivation for the murder. In this play, Susan Glaspell has written male characters that clearly display the “Ethics of Justice”, a sort of right is right and wrong is wrong view; while the women clearly embody the “Ethics of Care”, a view that takes relationships and feelings into account when judging the morality of actions.

The reactions in Trifles reveal to the reader how heavily defined gender roles were in the early twentieth century. The two genders quickly form separate bonds with one another in this play. The men of this time dominate every aspect of this story. They make sarcastic jokes at the women when they start to show concern about things that appeared out of the norm in Mrs. Wright’s house. The first thing they noticed is the broken can goods when the Sheriff says, “Well, you can beat the women! Held for murder and worryin’ about her preserves” (Glaspell 1245). This tone of voice reveals how the men did not take the women seriously. They laugh at the women’s idea of trifles but as Phyllis writes, it is “their attentiveness to the "trifles" in her life, the kitchen things considered insignificant by the men, the two women piece together, like patches in a quilt, the

Carver begins with the story?s conflict, a relationship between a man and woman that has already gone extremely wrong. He does not need to tell the reader why or how this relationship came to this point. Carver relies on the reader to know the usual reasons that cause people to split up. Therefore, this gives readers the opportunity to attach their own explanation. As the title, ?Popular Mechanics? implies, it is the common workings of relationships that can be applied throughout this story.

One of the main themes of War and Peace is the irrational nature of human behaviour. A clear example of this is the scandalous affair between Natasha Rostov and Anatole Kuragin. Natasha Rostov was happily engaged to Prince Andrey Bolkonsky, but suddenly ended the engagement because she fell in love with Anatole within a 3-day span and wished to elope and run away with him. Her cousin Sonya, upon learning of the affair directly from Natasha, commented “Natasha, I can’t believe you, you’re joking. In three days to forget everything, and like this…” (659). To this, Natasha responds “It seems to me as though I have loved him for a hundred years… You can’t understand that” (659). This relates to how irrational impulses are logical to an individual, but seldom to anyone else. To Natasha, following her heart means finding happiness, but her desires also blind her from reality and concrete truth.