Nick’s Psychological Development in Ernest Hemingway’s "In Our Time"

One of the most important themes, masculinity, is portrayed directly at the start of Hemingway's short story collection starting with "Indian Camp." In the first short story the reader sees the novels protagonist, Nick Adams', "response to violence and suffering inflicted on others will ultimately define his own sense of masculinity" (Frazier). Witnessing this dramatic event at such a young age will define Nick's life and change the way he views certain aspects of life just from watching a woman give birth. Nick's maturity and responsibility are also themes that are greatly exploited just as well as his masculinity.

"In Our Time' is a modernist impression compiled as a collection of short stories that are set thematically to be emblematic of the experiences had in the War.

The opening lines of the book, give the audience an idea of how we are going to understand Nick’s descriptions of everything that happens throughout the novel. Nick presents himself as a wise, and intelligent young man. Over the course of the novel, we learn that Nick is not always the smart and “wise young man” he wants to be portrayed as. Nick sometimes comes across as snobby to the audience, and may have begun his narration with a childhood lesson, from his father, so that the audience would think that he is a nice, young gentleman, who loves his family.

As a main character we may get a different impression of Nick since we are now analysing his personality and how he interacts with the other characters in the story. We read numerous pronouns in the first chapter, ‘I’, suggesting that he is self-indulgent and pompous. For instance, once at Gatsby’s party, Nick only kisses Jordan Baker because he ‘had no girl’, conveying he only kissed her because there was no one else there. This makes Nick seem selfish and arrogant as he is only thinking of himself. To the reader, we

Readers tend to look closely at the chapter structure and interpret them as individual pieces without stepping back to see them as a whole; yet, Hemingway notes that there is, in fact, a sense of unity between the chapters and vignettes. An obvious unifying thread is the presence of the Nick Adams stories. “Indian Camp” introduces the reader to a young, impressionable Nick. What follows are several interspersed stories that trace his coming of age in pieces such as “The Three Day Blow” and “The Battler.” The book concludes as the post-war Nick Adams provides an account of a fly-fishing adventure, bringing a sense closure to this central character. What complicates the book are the vignettes that are interspersed within the story sequence. This structure works to juxtapose thoughts and ideas, perhaps even disorient the reader, thus challenging the reader to find new interpretative strategies, much like a perspective one might need to look at modern art. Hemingway carefully chose this structure (just as he so mindfully chose his prose) as a way of framing Modernism through the written

Hemingway, to illustrate the theme of sovereignty, uses the character of Nick Adams. Nick is a character who has been injured in the war and, though his wound has healed over, Nick has yet to recover mentally from the attack. Hemingway’s portrayal of Nick is of a man who is trying to regain his identity. Hemingway depicts this through stream of consciousness and symbolism. The stream of

The author uses Nick Carraway as the narrator of the story to describe the thoughts and feeling of Nick about everything he experiences for the purpose of contrasting his actions to his ideals.This stand, however controversial it may seem, is in total coherence with the whole story. Even though Nick constantly judges the actions of those around him, he chooses to involve himself with those he so greatly despise. For some people he may appear to be greatly tolerant, however he crosses the line between

Hemingway's "Indian Camp" concerns Nick Adams' journey into the unknown to ultimately experience and witness the full cycle of birth and death. Although Nick's experience is a major theme in the story, cultural inequality also is an issue that adds to the the story's narrative range. Throughout this short story, there are many examples of racial domination between Nick's family and the Indians. Dr. Adams' and Uncle George's racist behavior toward the Native Americans are based on the history of competition between Caucasians and America's indigenous peoples.

Nick is still, however, an honest and good man. He is not extravagantly rich, but unlike Gatsby he earned all of his high social connections fairly. He is rather disgusted with the East and it’s empty values by the end of the book. But he is still intrigued by it all, as he demonstrates through his relationship with Jordan Baker. He holds an almost subconscious

As Nick sets off on his journey, he comes to a river in which he observes in a way that relates to his own advancing expedition:

Before one can learn, one must be confused. It’s no surprise that a coming of age character starts out naïve and inexperienced. When Nick first introduces himself, he appears very innocent. “In my younger and more vulnerable years my father gave me some advice,” he says. “Whenever you feel like criticizing anyone, just remember that all the people in this world haven’t had the advantages that you’ve had” (Fitzgerald 1). Nick naively claims that he is a man

The world of Ernest Hemingway’s “Big Two-Hearted River” exists through the mostly unemotional eyes of the character Nick. Stemming from his reactions and the suppression of some of his feelings, the reader gets a sense of how Nick is living in a temporary escape from society and his troubles in life. Despite the disaster that befell the town of Seney, this tale remains one of an optimistic ideal because of the various themes of survival and the continuation of life. Although Seney itself is a wasteland, the pine plain and the campsite could easily be seen as an Eden, lush with life and ripe with the survival of nature.

How old do you think Nick is and why? I think Nick is around the age of eight years old. Because the story Indian Camp was one of the many short stories Hemingway wrote by forming a fictitious character that represented his life timeline, which in that story he describes Nick’s life before adolescence.

The focus of this essay will be to analyze Nick's transition as he moves from mental isolation, to physical isolation, to maturation and self-discovery.

Ernest Hemingway wrote many largely autobiographical stories about a fictional character, Nick Adams. In each of the Nick Adams stories, Hemingway looks back on and displays his relationships throughout his life. By telling stories about key points in his life, Hemingway draws a strong picture of Nick Adams relationship with his mother, first girlfriend and most predominantly his father. Now, as a father, Nick makes connections between the past and present … the father and self. He also fears connection because he doesn’t know if his image of his father, and the part of the father which lives within him, should be embraced or killed.