Nick's Use Of Symbolism In The Road Hemingway

Cormac McCarthy’s The Road, is an enticing, but soul-wrenching novel that perfectly conveys the precise conditions of a cold, desolate world, in which one feels utterly isolated. McCarthy does not hesitate to go into detail about powerful or foul events within the plot. He says exactly what he means, and can effectively incorporate forceful interactions between the characters and each other, as well as characters and their given environment. By using the literary devices of symbolism, imagery, and theme, McCarthy handcrafts a novel with such eloquence and grace that such a bleak and miserable world is perhaps a seemingly beautiful one.

The opening lines of the book, give the audience an idea of how we are going to understand Nick’s descriptions of everything that happens throughout the novel. Nick presents himself as a wise, and intelligent young man. Over the course of the novel, we learn that Nick is not always the smart and “wise young man” he wants to be portrayed as. Nick sometimes comes across as snobby to the audience, and may have begun his narration with a childhood lesson, from his father, so that the audience would think that he is a nice, young gentleman, who loves his family.

n the book In Our Time, by Ernest Hemingway, rather than him describing the setting and characters, Hemingway uses vivid stories to give a series of impressions and memories that may at first confuse the reader, but eventually adds a deeper understanding of what Hemingway is trying to convey through the repetition of birth and death . The author uses repetition of the cycle of life [beginning and end] to convey masculinity as it relates to empathy and hope through Nick’s character development throughout the book. Nick’s father often demonstrates masculinity and empathy which is unlike the other male characters. As Nick matures throughout the book, he witnesses traditional male roles being challenged by his father which ultimately provides a deeper understanding of human nature.

Throughout the story, Nick’s rants are a loss of control that “he [can feel] coming on” (410) however the rants bring him a certain clarity. Without those opportunities, Nick is just a shell-shocked man with shrapnel fragments in his skull (407). That shell-shock is most prominently shown when Nick is leaving the dugout because his memories of his time there are swamping his mind and weakening his control on the outbursts. Nick is retrieving his bicycle, which is a symbol for youth and the way that he was as well as another symbol for his loss of identity. While he is getting his bicycle, he has another flashback. That flashback however is disjointed, making it seem as though he is between realities. Again, this links back to Nick’s struggle for control over his mind and identity even though in this case he’s not succeeding. Therefore one might be left with this message: One must either govern or be governed, both mentally and physically, in the fight for

How can an author effectively convey a universal message to the broadest audience possible? Simple. The author must simply create a completely impartial narrator, devoid of sex, status, or age. The Road Not Taken is a poem told by an impartial narrator who has come to a crossroads in his/her life. The crossroads is represented by a forked path that leads through a forest. The setting is also impartial; the forest is anytime and anywhere the reader desires it to be. The narrator is forced to make a life-decision, thus changing the course of his/her life forever. Symbolism and imagery are used effectively to reinforce the main theme of the poem.

As Nick sets off on his journey, he comes to a river in which he observes in a way that relates to his own advancing expedition:

In Robert Frost’s “The Road Not Taken”, Frost shows the everyday human struggle to make a choice that could change the course of one’s life. In his poem, a person has the choice to take one road or the other. One road is worn out from many people taking it, and the other is barely touched, for fewer have taken that road. Throughout the poem, the speaker learns that just because so many other people have done one thing, or walked one way, does not mean everyone has to. Sometimes you just have to go your own way.

There are more significant symbols in the novel such as The Boy. The Man and Boy fight to survive many hardships, but through the darkness there is light, The Boy. He is very mature and cares for every stray person they pass. One person he cares for is a man named Ely, an old man with nothing but the clothes on his back, until he meets The Boy and his father." 'You should thank him you know, I wouldn’t have given you anything' "(McCarthy 173). The Boy wants everyone to survive and is willing to share his supplies even if it means he won`t have all the things he needs to live.

Survival, both its temporary means and its ultimate permanence, is certainly a theme throughout this story, and the river is the most obvious metaphorical representation. Among the undulant hillsides, the river remains steady

'What 's that? ' she asked a waiter and pointed to the long backbone of the great fish that was just now garbage waiting to go out with the tide. 'Tiburon, ' the waiter said, 'Shark. ' He was meaning to explain what dare grapple happened. 'I didn 't know sharks had such handsome tails. ' 'I didn 't either, ' her male companion said." (page 109) these two tourists who speak are hardly differentiated from the group to which they belong. They are all metaphors for individuals who are spectators of the human scene rather than participants in its activity. They see, but they see without fully comprehending. They are only faintly curious, only passingly interested, only superficially observing, they have not been initiated into the mysteries that Santiago understands. These tourists live their lives as tourists, skimming the surface of life, without resolution or clarity. Their life reflects that of all people who live their lives ashore, who dare not grapple with the mysteries of the ocean, or of life. This is the type of life that Hemingway always tried to avoid, to the point of his taking his own life. Hemingway uses metaphors to reflect his opinions of life and the people that he has met in life. The metaphor of the sea symbolizes all of life and the roles that people must choose to have in life. The lions are a metaphor for the

Hemingway was explaining that Nick was using this to help himself cope with things in life as an example of what Nick’s wants in life or self-realization. Hemingway writes later in the story when Nick sees the big trout in the river and decides not to go after it. Perhaps Nick sees it as the swamp is the misery in his life and the trout is the feeling way down deep that he does not want to obtain until he is ready. It seems that memories are the only hindrance that would keep him from getting closer to being fulfilled.

The river was there.” (pg 177) This shows that Nick has at least a little bit of hope left in him, after the world around him has essentially been burned down into nothing but ash and

     In Hemingway’s collection of short stories, In Our Time, we follow a character by the name of Nick Adams. We are introduced to Nick in “Indian Camp” as a young boy, and follow him to adulthood in both Parts I and II of “Big Two-Hearted River”. Through this we see Nick develop and learn about some major facts of life. Nick is a character who changes through the effects of war on many different levels. Although Hemingway hardly mentions the war, he uses the stories to express different effects and emotions caused by the war.

Symbolism, may be defined as a non-superficial representation of an idea or belief that goes beyond what is "seen."  Earnest Hemingway's "A Clean Well-Lighted Place" uses symbolism to help convey the theme of Nihilism, the philosophy that there is nothing heavenly to believe in.  It discusses that there is no supernatural reason or explanation of how the world is today.  Three symbols: the soldier, the café, and the shadows of the leaves, found in Hemingway's short story clearly displays this Nihilistic theme.

Ernest Hemingway wrote many largely autobiographical stories about a fictional character, Nick Adams. In each of the Nick Adams stories, Hemingway looks back on and displays his relationships throughout his life. By telling stories about key points in his life, Hemingway draws a strong picture of Nick Adams relationship with his mother, first girlfriend and most predominantly his father. Now, as a father, Nick makes connections between the past and present … the father and self. He also fears connection because he doesn’t know if his image of his father, and the part of the father which lives within him, should be embraced or killed.