Nicolas Rolin was born of a bourgeois family in 1376 (Harbison 2012). He became the chancellor to Philip the Good (Duke of Burgundy). He became a very important figure in the politics because of his various roles for the duke. Although he was very wealthy he was not very noble. The people in the society had a negative image of him as he placed power and wealth before all and would not let anyone take his place. (Bord 1898). Although not very noble, he still displayed some acts of charity, for instance the Hotel-Dieu in Beaune. Even his charitable acts are believed to be acts of Rolin exercising his materially rich and ostentatious taste (Bord 1898). He funded the church Notre-Dame du Chatel where he was baptized and restored it. He later became the official patron of this church. He also bought a house next to the church in order to be closer to it (Placido 2008). On the southern side of the chapel, Rolin created a family oratory dedicated to St Sebastian (Soulard 2006). In this room he had other pieces of art that he commissioned from other artists. There are many arguments about the reasons why Rolin chose to have this painting made. The main argument is to determine whether Rolin was really feeling guilty and seeking piety from the church by making donations or was this his way of exhibiting his wealth and power (Harbison 2012)? It is believed that this painting was commissioned for both reasons. According to Gaston Bord, this painting was commissioned for two main
During the first essay in Chapter 3, Francis F. Guest a Catholic priest discusses explanations of the increasing mortality rate among Indians was dealt by the Franciscan missionaries. For example, Francis F. Guest states, “The Franciscan missionaries of Hispanic California 1769-1848, saw death and the death rate at the missions with different eyes than those of the late twentieth-century Americans.” Although, some might think the high death rate was scary, the Franciscan priests were really familiar with death since their childhood. I believe this is true because Francis F. Guest explains, “Death, in the eighteenth century, came often to Spanish cities and towns and stayed long.” Father Francis F. Guest also states, “The people of Spain were
When looking closer, the women near the saint are angelic in form and function, as they dissipate in the background no define forms can be distinguished. None of the figures touch the monk, but one offers a glass of amber liquid. This work of art could be depicting the status of Octave Tassaert’s life5 where he was known to be living in poverty, seen in as the monk, and loved women which exceeds more than half of the surface. The painting “Temptation of Saint Hilarion” reflects romanticism which reflects the emotion displayed on the canvas. Baudelaire mentions “that Romanticism is precisely situated neither in choice of subject in exact truth, but in feeling.” ( Honour, p 14)6 At the moment the painting was being produced, The Crimean War between Russia and France battled on about the Russian Orthodox versus the Roman Catholic over privileges of churches in holy places in Palestine 7(Britannica.com). During this period the Second Empire of Napoleon was in reign and education was being fought over between the state and
St. Ignatius of Antioch understood the Christian faith to be objective and sensible, stating that Christianity is fundamentally a religion based in historic, tangible realties . He was adamant to the fact that Jesus Christ was a real human with real flesh; he encountered real suffering and died a truly human death. Ignatius saw Christian faith and the person of Jesus Christ in such a way that it put him at odds with the Gnostics, who held to a Docetic Christology that was circulating widely among the Church. For Ignatius, this was a serious issue that needed to be addressed due to the purity of the faith and the truth it held. At stake was the validity of the incarnation, suffering, death, and resurrection of the person of Jesus Christ. If this is not real or true, Ignatius believed that man
In the Yummy: The Last Days of a Southside Shorty by G. Neri and illustrated by Randy DuBurke
There were many early expeditions from Europe to North America, most in search of a
Louis Riel was one of the most controversial figures in Canadian history, and even to this day – more than a century after his execution – he continues to be remembered. Many believed him to be a villain; others saw him as a hero. So who was he really? Born in St. Boniface at the Red River Settlement of Canada (present-day Winnipeg, Manitoba) on October 22, 1844, Louis Riel hoped one day to follow his father’s footsteps and become a great Métis leader just like him. Eventually, Riel was seen as a hero to the French-speaking Métis. In the Canadian West, however, most people regarded him as a villain due to his execution in 1885. Nevertheless, Louis Riel was not really a villain by heart; only a flawed man who made many mistakes in his life.
Luxury played an immense role in medieval Catholicism by taking the focus from God and placing it on the acquisition of riches and glory, which is shown by these sources: The Apology by Bernard of Clairvaux, The Book of Suger by The Abbot Suger and Guilty Pleasures: Luxury in the Middle Ages. These sources demonstrate the exorbitant manner that the churches and monasteries were being built in during that time. This not only drew attention away from the real reason for these buildings, but also was a form of idolatry for these monks, despite the honest intentions of some of them, including the Abbot Suger. Each source lends different insight into the corruption of the church during this medieval period.
Joan of Arc was a powerful military leader and a skilled warrior. Now St Joan of Arc is considered a saint and a martyr. The influence left by Joan’s life was an inspiration to all. France was forever changed by the empowering presence of Joan.
For Joan of Arc, 1428 was the start of a new life and journey. In the May of that year, Joan makes her first trip to Vacouleurs to meet with Robert de Baudricourt asking him to send her to the king. He had initially rejected her but her strong willingness to pursue what she wanted led to her attracting a small group of followers who believedthat she truly was destined to save France according to a prophecy. Baudricort finally gave in to her and she set out to Chinon, the site of the prince’s fortress. With the help of Charles, she led an army to Orleans in March of 1429 wearing white armor on her white horse. Joan had led several French attacks and drove the Anglo-Burgundians from their fortess and forced them to leave and cross the Loire River.
The art and beauty in this painting is exemplified through the eyes of Boucher. It starts with a beautiful couple taking a rest after picking up some followers. Their clothing looks very elegant and colorful which shows that they are aristocrats. The man’s eyes are gazing at a shepherdess who gathered her own flowers. Their eyes are locked despite the man having his own woman right in front of him. The light brushstrokes of the dresses, flowers, and trees
Filial Piety is the main focus of the painting. In the painting, several different scenes are showed. One scene shows Filial Piety relationships in a “levels of a contemporary society”(Maxwell, 40). It shows a son saying goodybe to his parents. Another
Most of my family comes from Mexico and only recently, about 25 years ago, have they decided to come to America. The migration to a different country has changed the religious views of many of my family members in various ways. My family members never expected that this move would change their religious views.
On October 23, 1844, in Red River Manitoba, Louis Riel Sr and Julie Lagimodiere, devout Christians, brought a young Métis boy into the world. Little did they know, Louis Riel Jr. would grow up to become known to many as “the founder of Manitoba.” His life was filled with excitement, both political and personal. The question is, were his actions against the government acts of honor and truth, or deception and lies?
Hugues Merle (1823-1881) was a talented French painter during the middle of the nineteenth-century who fit into the impressionist category as he painted “sweet and tender genre themes” (Schiller & Bodo). He was born in Saint-Marcellin and eventually moved to Paris. While in Paris, he became a student of Léon Cogniet at the Ecole-des-Beaux-Arts and began to exhibit his work at the Salon in 1847. By 1859, his reputation as a painter of portraits and biblical themes made him popular among American collectors. In 1861 and 1863, he was awarded second-class medals and in 1866, he was made Chevalier of the Legion of Honor. Merle painted a range of subjects, including historical anecdotes, allegories, and rural genre scenes such as those of mothers and children. His works were compared to Bouguereau since he painted childhood innocence and maternal affection so well (Schiller &
Peter Tchaikovsky was a famous Composer from the 19th Century. He is known as the most famous Russian composer in history (“Pyotr Ilyich Tchaikovsky Biography”). Some historians think that he was Russia’s first truly professional composer ("Tchaikovsky Music's – Famous”). His music was performed during the late 1800s. He created many musical works throughout this time as a composer and many of these works are still listened to today.