Nicolas Winding Refn's Pusher II: With Blood On My Words

Should we as a society set a monetary value on life, or let it exist on an emotional level? Are the accomplishments we achieve and the money we make throughout our lifetime the only things that determine what our life is worth after death; or should it be based on the value that the individual put upon their own experiences. In contemporary American Society, this question remains to be asked when someone loses their life. In the excerpt from Chris Jones’ “Roger Ebert: The Essential Man” The struggles which Ebert Endures, and the high value he remained to keep on his own life was revealed, which displayed his own personal value of life and how it is precious throughout the conflict. I agree with this mentality completely, because one’s circumstances may outweigh another’s, meaning that there is

Steven Avery, a family man, a victim of injustice and an accused murderer. One may have reasoned that his murder conviction was a crime of passion, due to the injustice Steven suffered from his 1985 false conviction of rape and assault, but that may have been before his story caught national attention. A documentary, “Making a Murderer”, directed by Laura Ricciardi and Moira Demos, arose from his story’s infamy. With this documentary came numerous questions as to Avery’s possible innocence, but above all else answers that shed light on a possibly corrupt justice system that appears intent on framing Steven Avery for Teresa Halbach’s murder. “Making a Murderer” effectively portrays a message of the injustice of Steven Avery’s murder conviction and possible corruption within the Manitowoc’s justice system through the use of footage and accounts from people who were involved with his conviction.

One of the many things that has been highly controversial and still is to this very day is how to properly punish and treat criminals. Here in America we now have the Eighth Amendment to protect us from cruel and unusual punishment. This was based off of a Parliament Act of 1689 that created England’s Bill of Rights. Before England had come up with the idea that humans should have guaranteed basic rights, it wasn’t a matter of whether or not a criminal would die, as much as it was a matter of how they would die. Torture devices such as the guillotine, the stake, the brazen bull, and the rack were used to spread the idea of fear and punishment that was ineffectually used by leaders to try and control their people throughout the history of Europe.

The book Extremely Loud and Incredibly Close contains many aspects of the real-life hardships of 9/11 and the Holocaust, as well as the mystery of the Sixth Borough of New York. These events help create a better understanding of life under the influence of conflict and the choices characters are forced to make as a result of the conflict. Jonathan Safran Foer 's novel focuses on a boy named Oskar who loses his father in the destruction of the Twin Towers, his mute grandfather 's grief, and the stories of the Sixth Borough his father told him. The history told in this novel comes from multiple generations, which helps create a greater range of understanding grief. The novel interprets

Exodus is the second book of the Bible. Exodus follows after Jacob and his family arrived in Egypt and after Joseph died. After Joseph died the new Egyptian pharaoh began to realize that the Israelite population was on the rise and oppressed them by making them slaves. The story of Exodus follows the oppression of the Israelites, Rise of Moses, The Exodus, and Mount Sinai.

What is mise-en-scene? Mise-en-scene is the arrangement of scenery and properties to represent the place where a movie is enacted. It is most commonly used to show the setting of the movie. But if used correctly can be used to portray the feelings of the characters and to help tell the story. Orson Welles made sure to use the props, actors, and even the camera to use mise-en-scene to tell the story of Charles Foster Kane to its fullest. Character positions, camera angles and music, and framing used to tell the story in Citizen Kane. It’s use of mise-en-scene made it not only ahead of its time, but it made it a masterpiece.

An interview is a form of nonfiction-a text that tells the “truth.” Do you think Jones is being truthful in his observations of Roger Ebert? Do you Ebert is being truthful in his statements about himself? Are you more likely to believe when someone else says about a person or what the person says about himself or herself? Explain your reasoning.

In the movie Wit, English literary scholar Vivian Bearing has spent years translating and interpreting the poetry of John Donne. Unfortunately, she is a person who has cultivated her intellect at the expense of her heart. Both colleagues and students view Bearing as a chilly and unfriendly person lost in her private world of words and mysterious thoughts.

Kill Bill: Vol 1. (2003) is a film directed by, the famous, Quentin Tarantino. From start to finish, it is packed with action and excitement. This movie has a plethora of interesting elements. Yet the cinematography of Kill Boll: Vol 1. is one that makes history. Not only does it have camera angles unlike any others shown in a normal film, but it keeps the audiences’ attention. The unique choice of music adds originality to the film. For a movie with such a serious storyline, the music involved is quite quirky. Some would even say childish. Anyone who has seen a movie directed by Quentin Tarantino before will understand that adjustments like this are a reflection of his style. All of his work reveals that.

In Wes Anderson's The Grand Budapest Hotel, I believe the movie's design has a unified feel. By understanding Anderson's approach to cinematography, we can tell that the costume and visual designs ensemble a true Wes Anderson's film. In fact, he is indulged with patterns and lively colors. His plot mainly reflects an old- fashioned, nostalgic feel and he is a bit playful with camerawork. On the other hand, the Grand Budapest really feel like a lively, happy hotel. The use of colors and contrasting hues made the setting almost looks like a painting. For example, the frame narrative where the Grand Budapest Hotel became the setting, the mise-en-scène and the lighting of the film become almost too symmetrical and mannered, especially during the

‘The Grand Budapest Hotel’ (Wes Anderson, 2014) combines a perfect mix of nostalgia and history. The film explores the themes of war as it recreates history through mise-en-scene. Anderson also incorporates other themes such as racism and elitism during pre-war Europe. The film widely explores Europe from many viewpoints, one of which is of Mr Moustafa. His nostalgia is seen through flashbacks of when he was a lobby boy that went by the name of Zero. As an audience the depth of his nostalgia is seen through mise-en-scene. With the help of cinematography and props we see can see the time and place that Moustafa acknowledges. Anderson shows how history is reimagined through ones nostalgia. Mr Moustafa recalls events, which he was not present in yet he explains them as if he were there. This also shows how one reimagines history from another due to emotions and personal attachment. Despite the outcome being the same there are many viewpoints it can be seen from.

Before watching the movie the “The Hammer” I didn’t know what to expect. I had never seen a deaf movie before and I wasn’t sure if I was going to be able to understand the movie completely. Watching the movie wasn’t as hard as I expected it to be, and I enjoyed it. The best part about it was that it’s based on the true story about Matthew “The Hammer” Hamill.

In the Film The Pianist directed by Roman Polanski. We witness a scene where Szpilman is injured, filthy and starving he rummages around looking for anything to sustain himself. He finds a can of gherkins which he struggles to open he finds some fire stoking equipment and begins opening the can however due to the state of Szpilman he drops the can and the contents falls and drains at the soldier 's feet. In the Hosenfeld scene Points which will be covered are the visual aspects, the aural elements, the mise en scene aspects and post production elements and how all these elements relate to the “big Idea” of having something or someone to hold onto can make you stay focussed and not give up.

Working out conflicts face to face can and cannot make a difference in resolving the problem.“These face-to-face interactions build trust, understanding, and a real sense of a shared mission, and this has made all the difference in the world.” This direct quote from Forbes.com explains how this specific way can improve how the world communicates to each other. Many people will disagree with the previous statement, but it is just one of the basic elements of the social system. Admittedly, not everyone believes in face to face interaction. People can choose whichever side they want to, but people can solve their problems by talking to somebody.

The story To Shoot Hard Labor 2 is the continuation of the first book To Shoot Hard Labor which recounts the life and times of Samuel "Papa Sammy" Smith, a hard working Antiguan man who lived from 1877-1982. The book was written by Keithlyn and Fernando Smith continuing with their journey portraying the story of life in the plantation in Antigua not long after slavery. The story tells how the ex-slaves defended themselves with pride and their symbol of freedom. How the planters finally accomplished in erasing, nearly without a trace, the symbol of the free people, and how they were forced to go back to the plantation. The new To Shoot Hard Labour 2 gives more detail of lives of black people in western world and Caribbean as a whole. This new book likewise brings a clearer understanding of the everyday life of our people as they endeavor to defeat colonialism, slavery and other contemporary issues. The book also expresses about the sort of society that established, and the