Nicolo Paganini Research Paper

On 10/06/2017 at about 2300 hours I was dispatched to 3124 Extravagant Ave in reference to a Burglary.

World Renowned Sculptor Manuel Neri is one of the most brilliant artists of the 20th century. His works includes Mujer Pegada Series, paintings, drawings, and prints, though his primary medium is sculpture, his artistic talents has positions him in many facets of the art world. Born in 1930 in Sanger, California he spent most of his childhood in the San Joaquin and San Fernando valleys, where his parents worked as laborers. Neri attended San Francisco City College from 1949-50 with the intention of becoming an electrical engineer. A single class in ceramics turned him to art and a move to California College of Arts and Crafts and subsequent studies at California School of Fine Arts 1956–1958 (now the San Francisco Art Institute).

In the 17th century Venice was the capital of art and music, tourists from all over Europe came to enjoy the arts and music. There were four schools of music in Venice, beginning as “orphanages” or Ospedali. The Ospedali was for orphaned, unwanted or illegitimate children-many were from children of noblemen and their mistresses;

Vincent A. Conti, D.D.S. is a dental practice that is located in Mineola, New York. Vincent A. Conti, D.D.S. specializes in dental hygiene, implants, cosmetic dentistry, endodontics or root canal therapy, restorative dentistry, pediatric dentistry, plus more. This dental practice is also an expert in periodontic dentistry, oral surgery, and orthodontic dentistry. Vincent A. Conti, D.D.S. provides the dental implants and mini implants. The cosmetic dentistry services they offer include veneers, Lumineers, whitening, Snap-On Smile, bonding and white fillings, inlays and onlays, and VIP amenities. Vincent A. Conti, D.D.S. is always up to date with the latest technology. Their technology includes the intraoral camera, oral cancer screenings, and

The 1920s was a very eventful time period for the US crime scene. With the emergences of major crime bosses like Al Capone, Meyer Lansky, Charles Luciano, and others there was much to be done in the crime world. Charles “Lucky” Luciano (born as Salvatore Lucania) would become a key player in the reshaping and modernization of the mafia and the crime world. Young Luciano would show signs of pursuing a criminal career. His parents and family however disapproved of their son’s action and career path and essentially exiled him, respecting his family’s wishes he would later change his name from Salvatore Lucania to Charles Luciano. He also by the age of 10 he involved extortion, and thievery. Upon his arrest for the distribution of drugs in 1915, the police would offered to release him if he would tell them what he knew about the mob, Luciano however refused to talk due to the Sicilian code of silence, this action would vastly considered pivotal in fast tracking his career in

Steve Martin, comedian, actor, musician and playwright. In his play Picasso at the Lapin Agile, some famous personalities converge for a chance meeting. The meeting takes place between Pablo Picasso, Albert Einstein and another celebrity. It is only after reading 90% of this play that the world of this play truly reveals itself.

The Roaring twenties was a time of growth and prosperity. A time of groups making music inspiring and amazing people all over the nation. It was also a prosperous time for mobs and gangsters. The year was 1918, and everyone thought the dangers of having unlimited access to liquor and Alcohol were over but no one knew that this would be a time of great rise of mobsters and gangs all around the darkest corners of cities in the United States.

This article discusses the world’s need for classical music and why it will always be relevant. The author explores what makes certain things “art” and why certain other things are simply entertainment. He claims that classical music can never die because it is fundamentally different from many other types of popular music. It defines what makes art different from entertainment and answers the age old question of who gets to judge between them. In an age that dooms classical music to inevitable failure, this article offers a refreshing different perspective in a much more hopeful light.

It is during one of the residences he had in Milan when “he played at Verona, Padua—where the "prison" stories seem to have originated” [Paganini, rumored to have spent eighty years in a dungeon for a murder] (Stratton). He composed fifteen Quartets for Violin, Viola, Cello, and Guitar during this period (Lloja). Ironically, it wasn’t until 1825 that Paganini felt he had developed his skills to put them on display throughout Europe (Lloja). Paganini’s reputation would, at times, proceed him on these travels. When he visited Naples for the first time in 1819, he found the local musicians had composed a tricky and incredibly difficult piece for him to perform sight unseen (Stratton). Nicolo played it flawlessly the first time through, even after it became apparent that the other musicals had practiced the piece earlier (Stratton). His reputation continued to growing outside of Italy, Paganini decided to leave for fame and wealth

Antonio Vivaldi was born on March 4, 1678 in the town of Venice, Italy. His father was quite the musician and helped his son master the violin and also helped him get find lessons from some the best composers in Italy. Sadly, do to his symptoms that were similar to asthma often causing him to have severe shortness of breath he was unable to master several instruments. At one point in his early life he even became a priest but this was short lived do to his continuing health issues therefore he had to give up his priesthood. “At the age of 25, Antonio Vivaldi was named master of violin at the Ospedale della Pietà (Devout Hospital of Mercy) in Venice” (). This is where he spent in upwards of thirty years teaching his students and only having

An obese 50-year-old male is brought to the emergency department by ambulance with the complaint of acute chest pain. The pain had an initial onset an hour ago while he was walking outside around his neighborhood. It came on suddenly and was so severe that it made the patient collapse to the floor . The pain has a “pressure-like feeling” and the patient holds a fist over his sternum when showing the physicians where the pain is found and how it feels. The severity is described as an 8/10. The pain is not getting better and there is nothing he has found that either makes it either worse or relieves it. The pain does radiate to his right arm. The pain makes the patient feel short of breath. He denies any other associated symptoms. He

Andrea Amati was born in Circa in 1505, and resided in Cremona, Italy for several years. Some scholars dispute the claim of him being the first violin creator because he was trained by lute makers. A. Amati’s first violins composed of only three strings on them, resembling the characteristics of the rebec. This possibly could be another explanation as to why scholars discredit his claim of the first violin maker. Regardless of that there is proof that he did create a four string violin and it was made in 1555, and the eldest serving one is dated 1560. There is even proof of violins being sold to Charles IX of France in the form of documents (Bartruff, William).

In the United States and developed countries around the world, it is generally accepted that schools play a tremendous role in the lives of children, youth, and families in urban, rural, and suburban communities with populations of widely varying socioeconomic resources. However; in some communities there seems to be a clear need to provide more program support for organizations, and to provide programs and services for hours outside the parameters of the school day. In these communities, “at-risk” child and youth populations and their families require more from the agencies and organizations that strive to serve the needs of the public in education, health, and

Giovanni Gabrieli was an Italian composer born in 1554 and wrote many works in the ‘in between’ stage of Renaissance and Baroque. He was a composer and

My first impression was that I was listening to a rock star. I had a notable physical reaction to the music; I felt a rush of adrenaline and my heart rate increased. The music was fast-paced and intense—undoubtedly physically and mentally demanding on Garrett. I am a pianist myself, and I felt a sense of empathy. I was exhausted on his behalf by simply hearing his talented performance. The music would slow down in some parts, only to pick back up with even more intensity and speed. The music aroused a familiar sense of pressure, such as the pressure to complete a difficult yet important task in a short period of time. The pressure and difficulty build to near unbearable proportions until the work is finally finished, and dissipates into the euphoria of accomplishment. If that scenario had a theme song, it could be Paganini’s “Caprice No. 24”. The music was passionate, chaotic, and ultimately satisfying. I felt that I had witnessed true mastery of the art of the violin in both Paganini’s written work and Garrett’s performance.