No Daughter By Sandra Cisneros

Calvin and Hobbes embodied the voice of the Lonely Child is an article written by Libby Hill. In this article, Hill digs deep into the famous comic strips of the 80’s and 90’s, and uses her now adult mind to examine the deeper meanings of the comics and how they shaped her childhood. Hill’s main focus is on the theme of loneliness, and how Calvin is able to find ways to cope with the loneliness that often plagues children in the modern world. As a child, she related to Calvin, because Calvin’s character, despite being complex in nature, was portrayed in such a way so that children could relate to him. As the article progresses, she begins to draw comparisons to reading the strips as a child and then rereading them as an adult, and she explains

Stephanie Coontz is a teacher, historian, author and a scholar activist. She has also very indulged in the world of public debate on families, this mostly due possible because of her extensive skills to study modern families as well as historical patterns. In her book The Way We Never Were, Coontz presents a historical look at the family and how it has changed over time. Her interest in the subject comes for her need to understand how families functioned in the past and present, and what lead to notion and definition of family nowadays.

Technology has changed people’s communication greatly. Technology hurts human communication because it separates bonds, and people don’t know how to do face to face talking anymore.

The most important lesson for Rachel that comes out of this situation is that after wearing the disgusted sweater she has become even older, and it was tied to the experience instead of the birthday itself. She understands that it is the challenge she needs to grow up faster as she will receive additional benefits of behaving the way she wants and resisting to the outside irritators. As for the literature techniques, the author applies language, diction and symbolism to reveal the issues of experience, aging, knowledge, power, authority and freedom. The discovering is gaining age are conveyed with the help of the memories of eleven-year-old girl on her birthday. Rachel resists her humiliation from Mrs. Pierce, and that is the exact moment when her “smart eleven” comes as well[2].

Discuss how your investigation of the generic conventions of poetry has influenced your understanding of at least one poem that you have studied in this unit.

I am Spencer, champion-son of William and Ramona. I hail the Park of Orland, where I bore the burden of high school, emerging as the conqueror of subjects. When faced with the ACT-beast, I properly have slain that monster. Presently, I continue to unlock lost volumes of knowledge through my college studies at STLCOP to reach my goal of becoming a pharmacist. As with every situation, struggles will arise along the career path, suggesting a link between the drama in each person’s life alongside the eternal pace and rhythm of conflict and conquest. During this journey of making a mark upon this world, various challenges will arise, which I expect to experience and overcome. As seen in Bonnie Smith-Yackel’s narrative “My Mother Never Worked,” a mother’s conflicts turn into learning experiences. In the same way, I will find solutions to obstacles by learning the pharmacy curriculum, developing internal perseverance, and to a larger extent, by having the courage to overcome a flawed world that discourages me from being myself.

The poem “Mothers and Daughters” is written by Pat Mora. Pat Mora is a contemporary award winning writer, who writes for children, youngsters and adults. She was born in El Paso, TX in the year 1942. She attains a title of a Hispanic writer; however, the most of her poems are in English. In her literary work, one can observe the different aspects of the immigrants’ lives such as language issues, family relationships, immigrants’ experiences and cultural differences (1187).

The play “No Child”, written by Nilaja Sun showcases a teacher, Ms. Sun as a teaching artist who is under a grant to facilitate the production of a play, teaching and encouraging live theoretical performances in a dysfunctional environment.No Child is a reflection of Nilaja Sun’s experiences as a teaching artist in the public school system in New York. In the play Ms. Sun brings a senses of hope and inspiration not only to the students but to the teachers as well in one of the toughest classrooms of Malcolm X High School, in Bronx, New York. The narrator of the play is a observant Janitor of the Malcolm X High School. Since he has been performing his job related duties as a janitor he witnessed the struggles and obstacle faced by the school and students. No Child accurately illustrates students, teachers and communities imprisoned by a corrupted public school system.

Through my understanding of the book, Homeward Bound by Elaine Tyler May explores two traditional depictions of the 1950s, namely suburban domesticity and anticommunism. She intertwines both historical events into a captivating argument. Throughout the book, May aims to discover why “Post-war Americans accepted parenting as well as marriage with so much zeal” unlike their own parents and children. Her findings are that the “cold war ideology and domestic revival” were somewhat linked together. She saw “domestic containment” as an outgrowth of frights and desires that bloomed after the war. However, psychotherapeutic services were as much a boom then as now, and helped offer “private and personal solutions to social problems.” May reflects her views on the origin of domestic containment, and how it affected the lives of people who tried to live by it.

Growing up in today’s society can be traumatizing for any child. When it comes to growing up as a young girl, however, it can be downright devastating, but not only for the child but the parent as well. There are so many decisions to be made when choosing how to raise your child, assuring that you have instilled proper values to develop a healthy sense of self-worth and confidence.

The work of Cisneros exposes the societal pressures of females in everyday life and the inequitable treatment of those that have a better wealth situation than others. The story starts off with two young girls discussing the dolls they see in the store but knowing not to ask for one. The reason the girls know to not ask for one is because their family can't afford a brand new doll. Specifically one of the girls says, “We have to make do” with the barbies they have now (Cisneros 339). Due to the money issues, the girls feel like they have fewer opportunities in the cultural time period. When they finally can't afford the dolls they arrive at a farmers market where they see a set of dolls for cheap. The dolls were discovered to be damaged physically with a burning down of a warehouse where they were stored. This connects to the constant maltreatment of females in the society in that the ones that are

In Cinderella Ate My Daughter Peggy Orenstein examines the triumphs and pitfalls navigating raising a daughter, in today’s mixed message world. From peer pressure and the need to fit in today’s society, young females have commercialism forced at them at every turn and in very clever ways. Doll creators have been pushing the boundaries of good taste with each new season launch. When the more “mature” actresses at the age of 17 feel the need to do something drastic to remove them from the wholesome image created for by company executives, mothers and consumers feel betrayed, and yet then we need to have a dialog with our kids as to why just last month Miley Cyrus was wonderful but now she is not okay for the viewing household.

In the “Invisible Child” written by Andrea Elliot, a lifestyle of a homeless girl named Dasani and her family is shown. Elliot displays Dasani’s culture, and some of the struggles that she and her family face daily because they are homeless. Dasani is very dedicated to her school work. She wants to be better than anyone in her family ever was so she doesn’t have to worry about being homeless for the rest of her life. In some ways I can relate to Dasani, I am very passionate about my school work as well. I want to excel so I can be my very best in the future. However, our reasoning’s for wanting to be the best we can be are a little different. She wants to excel so she no longer has to worry about being homeless whereas I’ve never been homeless so I cannot say the exact same. I grew up being a very privileged kid. Both of my parents worked full time good paying jobs. I’ve never had to want for much of anything. My parents have always spoiled me with nice things, they have always made sure my siblings and I had nice clothes and a decent meal to eat. They are even paying for me to attain a college education. Dasani and her family however are a lot different from mine. In the “Invisible Child” Elliot tells us how Dasani’s parents do not have legit jobs, instead they have side “hustles” that only bring in a few dollars. Elliot states (2013) that a lot of mornings Dasani was starving at school because she had no breakfast. Dasani and her siblings also had to wear clothes that were

In “Invisible Child,” a New York Times article written by Andrea Elliot, we follow a day in the life of a young African American girl, Dasani, growing up in New York City. However, instead of living in an “Empire State of Mind,” Dasani lives in the slums, growing up homeless with her two drug addicted parents and seven siblings. Dasani often finds herself taking care of her siblings, making sure they have enough to eat, tying shoelaces, changing diapers, getting them to the bus stop in time, and the list goes on. An 11 year old girl, essentially taking care of a whole family, as well as taking care of herself by going to school, receiving an education, and partaking in extra-curricular activities. Elliot captures the life and struggles of a family well under the poverty line, giving us an unprecedented look into what Dasani must do each day not just to grow up in New York City, but to survive.

This is Radio National’s Open Learning programme. Today we start a new series “Soundscape” designed to investigate current social issues as portrayed in new books on the market. I am your host Yoshie Samosir, and we will commence out programme by examining Alice Pung’s autobiography Her Father’s Daughter which will feature the issues, representations and beliefs present which positions the audience to accept the dominant reading of the text. It is a moving story of an unspoken conversation between a Chinese father and her daughter, about growing up and growing old. Alice Pung has had a remarkable life, particularly her movement with the determination of discovering her cultural identity and confirmation of her attitudes and beliefs being a