No Exit By Jean Paul Sartre

In Larry Lankton’s text, “Beyond the Boundaries” we gradually enter an unknown world that is frightening yet filled with immense beauty for miles. Due to the copper mining industry, a gradual increase of working class men and their families start to migrate to the unknown world with unsteady emotion, yet hope for a prosperous new life. In “Beyond the Boundaries”, Lankton takes us on a journey on how the “world below” transformed the upper peninsula into a functional and accepted new part of the world.

“In “No Exit”, a great play by Sartre, there existed a mixture of both authentic and inauthentic characters. The play begins by Garcin entering an exceptionally secretive room joined by the room-valet. Minutes after the fact, the room-valet goes with Inez and after that Estelle into the same room. They have all been conveyed to the hereafter room for their damnation. They begin examining what” happened to “bring every one here or at the end of the day how did each of them kick the bucket. Every takes swing to talk their contemplations; however the returns are not completely clear at first. Estelle declines to feel that she is broken and believes that she could have been conveyed here by slip-up and tries to persuade everybody in the room

Within the past few decades, there has been much controversy and scrutiny surrounding those with great levels of faith in their religions. This has only been escalating in severity as more and more instances of terrorism are associated with radical religious groups. As a result, many tend to share many of the same feelings as those expressed by author Salman Rushdie in his article "Imagine There 's No Heaven." In his article, Rushdie explains to his readers the faults with religion and explains to them how religion itself is holding humankind back from achieving much greater. Authors like Akinfenwa Oluwaseun also share supporting views and provide important evidence that support Rushdie 's argument. In Oluwaseun 's article, "The Role of Religion in Modern Society: Masses Opium or Tool for Development," Oluwaseun examines several case studies involving religion and the development of society in certain areas, including many in Nigeria and its surrounding area. Upon examination, Oluwaseun concludes that Religion is actually harmful to society, and she explains further why. Other authors, like Peter J. Wilkinson and Samuel R. Weber, have different views on the subject. In Weber 's article, "Psychological Distress Among Religion Nonbelievers: A Systematic Review," he explains his findings involving several previously done studies upon the relationship of psychological health and religious belief, and concludes in his analysis of the studies that nonbelievers seem to undergo more

In the short story "The Guest" by Albert Camus, Daru's predicament goes hand in hand with France's difficulties and Camus' self-appreciation. In the short story “The Guest” we are introduced to see Daru’s concern to attend the political situation in the French North

How does Ernest Hemingway develop the theme of self-governance in the short story A Way You’ll Never Be?

One rarely hears of identity being a topic of question. Humanity does not get involved with identity unless it concerns them directly. Upon recent interviews with my peers, I surveyed many people with identity confrontations. Identity confrontation meaning, conflict with trying to figure themselves out with still having to fit in with what society will except. These certain people not knowing, but desperately trying to figure out who they are. One of my interviewee’s happened to be homosexual, and she expressed her struggles with her identity daily. She always felt as if she had an attraction to females, but never understood why. During our interview, she explained how she was always so bothered about the acceptance

No Exit by Jean Sartre is a play based on the concept of hell. In No Exit, hell is a room where prisoners are placed for eternity with other people. This type of hell proved to be a very effective form of torture. Estelle a prisoner of hell, believes she was mistakenly placed in the wrong room. Estelle is portrayed as a narcissistic woman. Although Estelle seems harmless, her presence affects Credeau and Inez torturously. By portraying Estelle’s homophobic behavior and low self esteem, Sartre establishes her role in the play as the tormentor of everyone in the room including herself.

In “Tyranny of Choice,” Barry Schwartz brings to the table the topic of choice. The common believe is the more choices, equals more freedom. Under that assumption we are living in the best times then. Everything in the world has multiple options to choose from. The choices range from what type of gum you want, to the best life insurance policy for your family. Schwartz uses the modern university for his example, he likens it to an intellectual shopping mall: “Individual customers are free to ‘purchase’ whatever bundles of knowledge they want”. Some universities let incoming freshmen sit in on classes briefly to test them out, the way one would try on clothes at a store. On the surfaces this seems amazing, how could someone not be happy having the freedom to choose what fits them best. Schwartz argues that more choices in life limits our freedom. This happens by the choices taking up more of our time, in turn causing more stress and decreased happiness.

In the novel, The Stranger by Albert Camus, Meursault the protagonist, becomes drawn into a “senseless” murder that has to face the absurdity of life and because of his actions, Meursault is presented as a danger due to his lack of “morality” to society. Meursault who is not able to take control of his life but respond to what life offers him believes in the simplicity of life. He tries to understand the living through logic and objectivity, which ultimately turns futile, as he himself cannot maintain proper control over his thoughts and emotions. From the interactions between Marie, to the murder of the Arab, and the meeting with the Chaplain, Meursault overcomes his indifferent views to form an opinion about what life really means. The central theme presented by Camus is how the threat of mortality becomes a catalyst for understanding the significance of life.

Throughout his novel Everything Flows, Vasily Grossman provides numerous occasions for defining freedom. In the midst of attempting to give meaning to freedom, Grossman greatly invests in wrestling with the issue of why freedom is still absent within Russia although the country has seen success in many different ways. Through the idea and image of the Revolution stems Capitalism, Leninism, and Stalinism. Grossman contends that freedom is an inexorable occurrence and that “to live means to be free”, that it is simply the nature of human kind to be free (200-204). The lack of freedom expresses a lack of humanity in Russia, and though freedom never dies, if freedom does not exist in the first place, then it has no chance to be kept alive. Through Grossman’s employment of the Revolution and the ideas that stem from it, he illustrates why freedom is still absent from Russian society, but more importantly why the emergence of freedom is inevitable.

Far in the distance, the faint chewing sound of people taking their first bites into their carne asada tacos, the loud, sharp clinks of tequila glasses, and the hoarse bangs of a piñata being beaten all come hand in hand, representing a Mexican celebration in La-La Land or also known as the city of Los Angeles. The city has been nicknamed “La-La Land” due to its recognition of being a place full of fun and out of touch with reality. For the past several decades, the city of Los Angeles has increasingly become a Latino city as they hosted countless festivals to celebrate the Mexican cultural holidays such as Cinco de Mayo, El Dia de Los Muertos and etc. In the book, The Labyrinth of Solitude, Octavio Paz discusses the generalization of Mexicans and emphasizes the idea of them preferring to be placed in solitude due to their fear of intimacy. The book even discusses the roles of a Mexican fiesta and cultural aspects of the Latino culture. By having Mexican holidays celebrated in Los Angeles, the city has become more invested into the Latino culture with the adoption of its cultural belief of death and celebrations techniques, which include excessively drinking, usage of guitars, letting off fireworks and celebratory gunshots.

No Exit, a play written by Jean-Paul Sartre that debuted in 1944, has many similar themes to the movie The Breakfast Club, written and directed by John Hughes. The play No Exit is perceived as taking place in literal Hell and describes the interactions between those who have died and have been placed in a room together. In The Breakfast Club, students have been put in a metaphorical “hell,” detention, and spend a full day together in the school’s library. For characters in No Exit, trying to deal with other creates a living hell and ends with each of the characters hating one another because they do not help each other; while in The Breakfast Club the characters end up accepting each other after going through the same “hell” because they learn and accept each other.

In his play, No Exit, Jean-Paul Sartre examines basic themes of existentialism through three characters. The first subject, Garcin, embraces existentialist ideas somewhat. The second character, Inez, seems to fully understand ideas deemed existential. Estelle is the third person, and does not seem to understand these ideas well, nor does she accept them when they are first presented to her. One similarity amongst the three is that they all at some point seem to accept that they are in Hell for a reason.

     Set in Hell, the vision of the underworld is nothing the characters imagined as they are escorted to a Second Empire styled hotel. This is all ironic, in the fact that Sartre never believed in perdition. He uses this fictitious place to persuade his audience. Hell is used as a

Jean Sartre uses elements of existentialism in No exit to function as a metaphor for the hellish impact of war. Sartre employs imagery, allusion, and imprisonment in order to express the tragedies and complexities of living under Nazi occupation.