No Exit Character Analysis

His boss tells him that he is causing his parents unnecessary worry, but his parents are not worried at all or they would have busted into his room to see if he was okay. Whilst in the middle of all of this Gregor is starting to get scared of what the change is bringing into his life and causing unnecessary worry. In chapter 2, Grete brings in food for Gregor and for a change he is being treated somewhat correct and they notice he has became a full time crawler. This causes the family to question what he is doing is not human and they are starting to fear his new abilities as a “bug”. As an example, his mother and Grete take out the furniture to give him more room to crawl. Losing all faith in Gregor they take the furniture out because the fear is too great they may never get their son back and they have to accept the fact Gregor is a nasty vermin.

     Throughout the story there is a metamorphosis that is taking place in his home. He has traded places with the family and is now living the life they had previously embelished in. His father begins to work along with his sister and his mother must now work and do the cooking and cleaning. Gregor on the other hand does nothing but daydream, crawl, and nap through his days. One ironic statement from his sister “He must go, if this were Gregor he would have realized long ago human beings can’t live with such a creature, he’d have gone away one his own accord. This creature persecutes us, drives away our lodgers, obviously wants the whole apartment to himself, and would have us all sleep in the gutter.” How selfish of her, had he not taken care of them and he was not the only one working

When looking at the poem ‘Prufrock’ we must first notice that the full title is ‘The Love Song of J.Alfred Prufrock.’ This title seems almost ironic as, after reading the poem, we realise that the poem

Gregor was betrayed by society turning its back on him due to the transformation from human to a human-sized bug. After the metamorphosis, Gregor was pondering the idea of what people would think of him in his new form. He had high hopes that society would still accept him. "A man might find for a moment that he was unable to work, but that's exactly the right time to remember his past accomplishments and to consider that later on, when the obstacle has been removed, he's

In the beginning of the novella, Gregor undergoes a transformation. Many readers view his transformation as he turns into a bug because of the way Kafka describes Gregor. Kafka may have been undergoing a transformation of his own. Kafka dealt with many issues growing up such as self doubt, issues with his father, and eventually, health issues. Like Kafka, Gregor deals with issues with his father and within himself and begins to feel less and less like himself as the novella continues. He awakes from his sleep to ask himself, “What’s happened to me (Kafka, 3)?” With the conflicts Gregor has with his family, especially his father, he begins to feel unwanted and unappreciated. Gregor also feels that he is becoming less sensitive when that used to be one of his main traits as a human (Kafka, 24). Seeing that Gregor is losing his sensitivity, that shows that he is truly losing himself since he is losing one of his main traits. Feeling less like himself, Gregor becomes more distant with his close

The deterioration of Gregor's life was in part due to the ostracism associated with his being turned into a bug. Once his family found out what happened, they banished him to his room, and his parents could not even bear to look at him. Prior to his metamorphosis, Gregor was an integral part of the family. He provided the money by which the family survived. Yet as soon as he changed, he was labeled an outcast, who was useless to the family, and therefore not paid any attention. He felt this ostracism, and it made him not want to continue on in life, he gave up because he felt unloved.

Detail 2: As can be deduced from the poem, Prufrock spends all of his time pondering how to behave, and to act in society, as he wants to become a man of action. Prufrock imagines himself achieving great things for himself and having everything he desires. Nonetheless, he cannot find a way to realize his wishes. Prufrock is well aware of his tragedy, and he makes sure the audience understands that he is a flawed man full of fears, whims and self-fancies. Again, just as we find in Hamlet’s character, Prufrock’s personality makes him cautious of acting towards any goal he might have, and his over-analytic persona makes him incapable of taking control of any situation. Prufrock explains his problems through a simple example from one of his failures. He recounts that he was incapable of asking a girl to date him, and despite his loving for her, he did nothing to make his love count.

In HTRLLAP by Thomas C. Foster he talks about how many authors include biblical allusions in their stories. The transformation of turning into an insect could actually symbolize his desire not to have to return to a job he hates. In part one it says, “Gregor goes back to bemoaning his life as a traveling salesmen.” The transformation into a bug can be seen as a freedom from the from what he thought to be a boring life.

His family shuns him and will not look at him. In time, his family abuses him and keeps him in filth and debris, which is not only in his room, but clinging to his carapace. They also forget to feed him, or just kick scraps into his room. By showing how much Gregor's identity is affected by his treatment from family and others' treatment of him, the story shows how identity is socially constructed, rather than being an inborn trait. The devolution of Gregor's room from a human bedroom to a storage closet reflects how his connection to human society deteriorates as the story progresses.

In Franz Kafka's Metamorphosis, Gregor’s life dramatically changes with the event of his transformation to a bug. His family is not in full acceptance of what has become of him and Gregor begins to lose himself. He had once been the provider for his family and now it is as if his family reproaches him for his inability to take care of them. Gregor wants to again have a role in his family yet recognizes that his family would be better off without him and dies. There are several situations that Gregor experiences that makes him lose all hope. From Maslow’s hierarchy of needs it can be be seen that Gregor loses his humanity including the essential needs to humans such as his safety, his desire to be successful, and his desire for affection from others. The desire to feel love from his family and their rejection is the final event that leads to his depression and at the end to his death.

Throughout the novella, Gregor’s deeply rooted sense of guilt transitions from having the power to drive his actions to merely plaguing his thoughts. Immediately after his transformation, Gregor reveals that he has to “deal with the problems of traveling, the worries about train connections, irregular bad food, temporary and constantly changing human relationships…” (Kafka 4), in his daily work. Although he appears to hate his job, Gregor does not quit, as he has both intrinsic motivation to provide and extrinsic pressure from his family to keep them afloat. Rather than reflecting on his feelings and emotional baggage attached to his job, Gregor focuses on grievances set in reality, and allows this to occupy his conscious mind. After Gregor’s transformation, his

J. Alfred Prufrock constantly lived in fear, in fear of life and death. T. S. Eliot divided his classic poem into three equally important sections. Each division provided the reader with insight into the mental structure of J. Alfred Prufrock. In actuality, Prufrock maintained a good heart and a worthy instinct, but he never seemed to truly exist. A false shadow hung over his existence. Prufrock never allowed himself to actually live. He had no ambitions that would drive him to succeed. The poem is a silent cry for help from Prufrock. In each section, T. S. Eliot provided his audience with vague attempts to understand J. Alfred Prufrock. Each individual reader can only interpret these

“I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me.” (Stanzas 123-125)

Gregor’s transformation to a Vermin created a new life of separation and isolation for him. Before Gregor’s transformation he already felt isolated and stressed out because he was the only one working and he didn’t have that good of a relationship within his family. Kafka states “Constantly seeing new faces, no relationships that last or get more intimate.” Gregor is a traveling salesman who sees new people

Engelberg exclaims, “the common alienation of two urban men, both suffering all the deleterious consequences of subsequent isolation, dehumanization, death” (Engelberg). Gregor’s isolation after turning into a cockroach continually provides evidence that he is no longer a part of the family; thus, he also loses his own instincts as a man. Kafka uses this isolation to exhibit what he experienced throughout his life, especially for being a Jew during World War I. Goldfarb explains, “For one thing, Gregor's repulsive appearance means he has to remain in his room, a prisoner, completely isolated. His existence was always a fairly lonely one, but this is worse: as far as friendship and intimacy are concerned, Gregor's transformation is not an escape from his past loneliness but an intensification of it” (“Goldfarb”). Gregor is isolated from his family because he looks different and he is rejected with any hope of reconnecting with them. Kafka utilises Gregor to show how being different from others leads to being isolated and eventual suffering. The dehumanization of people is caused by the isolation from others; thus, they often lose their will to live.