No Revolutionary Paradox By Nien Cheng

The setting is in Muji, China during the Cultural Revolution in the 1960s. The leader of the communist party at the time is Chairman Mao and ruled based on a Marxist model by the story mentioning the concrete statue of him in the center of the square. The author states that “the Cultural Revolution was over already, and recently the Party has been propagating the idea that all citizens were

Once the novel comes to an end, we notice clearly the way Wang Lung changed. In the beginning of the novel we learned many ancient Chinese traditions by observing Wang Lung as a simple peasant, but as he becomes a wealthy landowner his life collapses. This rapid change of social class makes it difficult for anyone who intends to keep their traditional values until their death. This fantastic novel by Pearl S. Buck reminds us that we can never forget our traditional values, because if that happens your life will collapse just the way Wang Lung unfortunately

The Memoir Spider Eaters by Rae Yang is her personal account of her life during the Maoist revolution. In addition, she reminisces about her trials and tribulations during her active participation in the culture revolution and the great North Wilderness. Her family also had various misfortunes due to these changing ideological beliefs spread by the revolution. This memoir illustrates in great detail what Yang experienced under communist rule. Spider Eaters opened up a door to a young girl and her families struggle to be good Samaritans under communist rule and their final disillusionment of the revolution they whole heartedly believed in. Yang and her family struggled with the vast ideological changes during the Maoist Revolution, in turn,

The Cultural Revolution was a time of much confusion in china. The memoir Red Scarf Girl by Ji-li Jiang illustrates the chaos of that time. Ji-li’s experiences during this time period led to her point of view changing. Ji-li starts the Cultural Revolution full of progressive thoughts, but this quickly turns to confusion, and leads to an important choice, something that impacts the rest of her life.

Seeing something that is different can be interpreted in many various ways. In a world full of judgement and curiosity, making conjectures from something that is strange can lead to conflict. In the story “The Tall Woman and Her Short Husband” by Feng Ji-cai, an odd couple: Mrs. Tall and Mr. Short are separated by the height of 17cm capturing the interest of passerby’s. The couple was often made a laughing stock by neighbors. The Tailor’s wife a know-it-all was especially intrigued by the incongruous couple. During the Cultural Revolution, China’s government and politics were at debate in this time. The lives of many people were changed by this event. Feng Ji-cai uses the literary elements such as symbolism and theme of love, judgement, and uniqueness to show how the Cultural Revolution and others affected the lives of Mrs. Tall and Mr. Short.

According to the Online Dictionary, the “Chinese Cultural Revolution” is defined as “a movement in China, beginning in the year 1966 and led by Mao Zedong, to restore the vitality of communism in China.” To begin, the Chinese Cultural Revolution performed a significant role in establishing the setting and conflicts in the novel of “Red Scarf Girl”. The setting of the story took place in the city of Shanghai, specifically throughout the course of two and a half years from the year 1966 to 1969. The protagonist and narrator of the story, Ji Li Jiang, was a 12-year-old Chinese girl who lived as a wealthy resident in the brownstone apartments of Shanghai. As the story progressed, Ji Li developed alterations in her relationships with her peers at school, the perception of her goals and responsibilities in life, and knowledge of her family history in relation to her class-status in the community. Therefore, throughout the course of the story, it was evident that significant changes and development of the relationships, perceptions, and knowledge of Ji Li Jiang occurred as a result of the events that she experienced.

When Jan Wong first arrived in China, she was filled with the complete belief that China’s totalitarianism way of government was the best way of governing, and that no other way would do. While natives smiled behind false expressions, she failed to realize the true extent of the miserable lives under the Maoist regime until she herself experienced the injustices faced by the Chinese citizens. In Red China Blues, author Jan Wong writes of her experiences during her life in China and after, and how her whole journey led to the realization of the harsh reality that Maoism really was. As Wong learned more and more about the truth behind the totalitarian government, her own experiences helped her to transform

Originally, Liang’s “parents were deeply involved in all the excitement of working to transform China into a great Socialist country” (4). Over a serious of unfortunate events, though, he became the child of a “Rightist’s cap” mother and a “Reactionary Capitalist stinking intellectuals” father (9, 51). Impacted by the shattering of his family and horrific bloodshed created by fighting, Liang Heng began to question the Cultural Revolution. He claimed that his “family had scarified so much… but it had given [them] nothing in return” (148). Liang Heng presents his shift in ideology to demonstrate that most Chinese were no longer in support of a Communist nation. His “troubles were common enough and anyone could see there was a discrepancy between the glorious words of the newspapers and [their] painful reality (232). Even Liang Heng’s father, after many years of devotion, found that he could no longer defend the Party’s policies after he experienced the ill-treatment of the peasants in the country

This memoir of Ma Bo’s sent shock waves throughout China when it was published and was even first banned by the Communist Government. This passionate story paints a clear picture for what the Great Chinese Cultural Revolution was really like. Many Chinese living today can attest to similar if not identical ordeals as expressed in Ma Bo’s story. The toils of being a young Red Guard in inner China were experienced by many if not millions. The horrors and atrocities were wide spread throughout the country, not just in Inner Mongolia. The experiences illustrated in Blood Red Sunset uniquely belong to Ma Bo’s entire generation of mislead Chinese. As expressed in the books dedication the Cultural Revolution

The book is a written as conversational memoir between two women, Ye Weili and Ma Xiaodong about their experience during the first three decades of Mao’s era. The two women had gone through almost similar position and situations in their life, faced equivalent hardships, their approach or attitude towards those experiences in a completely different manner. This book is meticulous in its historical detail, making it a standout among similar memoirs of twentieth-century China. It also tries to add another dimension of the general perspective of historic events. The events are described in a chronological sequence and with the right amount of proper relevant information so the reader can understand the conversation.

In Jan Wong’s entrancing expose Red China Blues, she details her plight to take part in a system of “harmony and perfection” (12) that was Maoist China. Wong discloses her trials and tribulations over a course of three decades that sees her searching for her roots and her transformation of ideologies that span over two distinctive forms of Communist governments. This tale is so enticing in due part to the events the author encountered that radically changed her very existence and more importantly, her personal quest for self-discovery.

“It was not easy to live in Shanghai” (Anyi 137). This line, echoed throughout Wang Anyi 's short piece “The Destination” is the glowing heartbeat of the story. A refrain filled with both longing and sadness, it hints at the many struggles faced by thousands upon thousands trying to get by in the city of Shanghai. One of these lost souls, the protagonist, Chen Xin, was one of the many youths taken from his family and sent to live the in the countryside during the Cultural Revolution. Ten years after the fact, Chen Xin views the repercussions of the Cultural Revolution internally and externally as he processes the changes that both he, and his hometown have over-gone in the past ten years. Devastatingly, he comes to the conclusion that there is no going back to the time of his childhood, and his fond memories of Shanghai exist solely in memory. This is in large part is due to the changes brought on by the Cultural Revolution. These effects of the Cultural Revolution are a central theme to the story; with repercussions seen on a cultural level, as well as a personal one.

In the memoir Snow Falling in Spring: Coming of Age in China During the Cultural Revolution by Moying Li, Moying tells her story of harsh struggles and remarkable resilience. With a background of China going through tough times and great change Moying manages to focus on her learning and reading. Dedication to academic success is the ultimate key to her survival and eventual triumph. While several factors contribute to her success, it is clear that there are three main aspects worth considering. First, she is naturally determined and ambitious; second, her father motivates her, and finally it is also clear that with the risks she takes she’s a bit lucky not to get caught.

Unlike many of her compatriots, Eileen Chang did not write with the intent of enacting social change. Instead, her writing features the lives of average, day-to-day people. However, that does not mean that she did not have opinions about the people and lifestyle of the Shanghainese citizens. Eileen Chang uses descriptions of people in “Sealed Off” to reflect what she perceives as the unthinking nature of the inhabitants of Shanghai.

The novel “To Live” by Yu Hua is considered “one of the last decade’s ten most influential books in China”. The film adaptation of “To Live” directed by Zhang Yimou came out two years later is still banned. Presentation of life during the rise and rule of communism in the film was almost positive in comparison to the novel. In the novel Yu uses a folk song collector’s ten-year-old memory of Fugui reflecting on his life to set the tone of the novel as a depiction of one individual’s life. The most significant difference between the novel and the film is Zhang’s decision to omit the frame story from the film which shifts Fugui’s character from a passive conformist to an active one and closes the emotional distance between the audience and the characters.