No Thank You John

The first two stanzas in the poem offer an insight into the narrator’s past, showing the loss of her innocence the impact of the actions of the ‘great lord’ and an inner anger at her past actions, in the third and fourth stanzas the anger is directed at Kate for stealing the lord and sending her to her ruin, however in the fifth paragraph the direction of her anger is changed again and this time is directed at the lord himself. However the last stanza shows the narrator’s anger to be resolved for although she may have suffered an immense loss of reputation she can be happy now as she’s expressed her anger and knows within her heart that she has something neither the lord and lady Kate have: real love. This suggests that Rossetti doesn’t agree with confinement of the labels given by society, Kate is seen as ‘lovely and pure’ and she as ‘outcast’ but by presenting her as the one who is ultimately happy and proud it’s expressing that society values the wrong virtues, and has

And when «she knows it's happening: that thing, that connection» between them, when she dances for him and «making him fall in love with her» she says to him: «We've got all we need. We don't need love. Don't diminish yourself – don't reveal yourself as a sentimental sap. You're dying to do it, but don't. Let's not lose this.» (p. 231). She knows she's driving him nuts, she knows that her rejection of his feelings makes him want to attach to her sentimentaly even more. She dances for him and teaches him what life really is. She – a 34-year-old illiterate janitor, teaches him – colledge proffessor, ex-dean, a member of highest rank of society class, what life is all about.

· In the first line of the poem, the speaker expresses her feelings towards men by using the word “Anger”(1). From just the

Here she expresses, as she often does in her latter poetry, how lonely life is, especially a life of poetry. Giovanni says that writing poetry "is a lonely profession" (Reid 47). In the last poem of this vast selection, "But Since You Finally Asked," Giovanni provides a closure, clearly addressing her audience when saying,

What is unusual about Pastan?s poem is the way she effectively conveys these sentiments by the

Rossetti’s childhood was an easy time where she was able to grow and learn skills that would help her as she got older. Her father, Gabriele Rossetti, was an Italian poet and a

Through my studies of this poem, I was unable to find any documentation of the poet, Jim Stevens; therefore I was unable to assess his life and his reasoning behind writing this poem. Because of this I have had to make my own assumption that Jim Stevens might be writing this poem about himself. His lack of publication leaves a

mind. It suggest the poet see it as love or nothing and that he was

She conveys her desperate need for the male domination in her life !!, and this sets her aside form the

The narrator also begins to view her husband as someone who is not looking out for her and lying to her. “He asked me all sorts of questions, too, and pretended to be very loving and kind. As if I couldn’t see through him!” She did not see him as this loving husband wanting the best for her anymore. She thought he was against

There is also poetic action depicted in the poem, in which the writer establishes her longing to perform an act of heroism or extraordinary achievement. I think my biggest surprise was her casual use of sexual language, using a vibrating cock as a metaphor, and later using the knife reference again saying she was stabbed in her inner sex. Sharon Olds speaks so fiercely about the woman 's body, that you feel she 's almost competing against the constant objectivity against the woman 's body. You can tell she speaks from experience, she 's watched the boys play and all she wants is to show them that she has suffered as a woman and is better for it. She 's stronger, prouder, and for that reason has a right to brag and redefine heroism.

Artemisia Gentileschi is believed to have been born around 1593 and died around 1652.  Both dates are disputed to the current day.  She was one of five children and was born into the life of an artist.  Her father, who was an artist as well, loved her greatly.  Her mother died when she was twelve.  Artemisia was always a skilled painter, but her father wanted even more for her daughter.  While her works were already amazing for her age, she needed artistic guidance in order to further her skills.  One man who was hired as a tutor was named Agostino Tossi.  Tossi almost immediately was an annoying presence in the house frustrating Artemisia.  However, in 1610,

Artemisia Gentileschi was born in Rome in 1593. Her father was Orazio Gentileschi, a very well-known artist in Rome at that time. At this time, men ruled the art world. This was the post-renaissance era, and women were only involved in portrait painting. She was known for painting religious and historical scenes, paving the way for other female artists. She received training from her father in her early years as an artist. Gentileschi, tragically, was raped by an artist who was friends with her father. He was exiled from Rome when put to trial. She also lost her mother when she was 12. Her childhood and young adult years were not easy. Through her struggles, she managed to overcome all odds and make her work known in an art world run by men.

Even in her state of anger she cannot help but once again be the restrained and subdued one in their relationship. Despite all of the happiness she has found with Rochester she still cannot bring herself to stay in a relationship in which she sacrifices part of herself, because she doesn’t know how to reconcile her need feel like she belongs and is taken care of while at the same time remaining uncorrupted.

We will also see questioning come up many times throughout the poem. By questioning himself so much, the reader may infer that he is very indecisive and doubtful. Thirdly, another line that the author will repeat throughout this poem is "In the room, women come and go/Talking of Michelangelo.” This can perhaps tell the reader that the author is living in a society in which the talk of popular artists is something common.