“Nobody Can Ever Hide Behind A Camera. Accept The Fact

Although a memory may deteriorate over the span of years or even decades, a photograph will last a lifetime. Images are more than an object to have for safe keeping. In his article, “We Are A Camera,” Nick Paumgarten discusses the uprising of the popular recording device known as the GoPro. This device is used to record events and experiences from different perspectives, whether that is from underwater or zip lining through a forest in a first-person view. Moreover, videos and photography allow people to capture images to reminisce about past experiences, to share these moments with others, and even remember those whom you have lost.

Another significant reason that has played a vital role in photojournalism of recent times is the emergence of imaging technologies. Imaging technologies has undoubtedly played a major part in the works of a photojournalist today. Based on earlier accounts on how photography itself is an inherent manipulation, the question is no longer directed on ‘how has imaging technologies manipulate photojournalism' but ‘how much more has imaging

A reoccurring topic of the essays, concerning photography, discussed during the course is the future of professional photographers/photojournalists. Some believe that the easily accessible spread of amateur photography can and has put a strain on the works of professionals. However, with magazines such as National Geographic still in print after over a century, it raises some questions. Though the spread of information, and thus photography, has increased the platforms and need for professional photographers and photojournalists still exists.

In “Why We Take Pictures,” Susan Sontag discusses the increase use of technology and its ability to impact the daily lives of mankind. Taking pictures is a form of self-evolution that slowly begins to shape past and present experiences into reality. Sontag argues how the use of photography is capable of surpassing our reality by helping us understand the concept of emotion, diversity, and by alleviating anxiety and becoming empowered. Moreover, according to her argument, people are able to construct a bond between the positive or negative moments in life to cognitively release stress through reminiscing. Therefore, Sontag claims that photography itself can help with reshaping individual’s perspectives of reality by being able to empathize with the emotions portrayed through an image. Thus, giving

Before starting this project, I knew very little about photography, photographers, or exactly how much impact photographical images have had on our society. I have never taken a photography class, or researched too in depth about specific pictures or photographers. This project has allowed me to delve deeper into the world of photography in order to understand just how much influence pictures can have over society’s beliefs, emotions, and understandings’. I have have chosen two highly influential photographers, Diane Arbus and Dorothea Lange, who I have found to both resonate with me and perfectly capture human emotions in way that moves others.

Photography is a word derived from the Greek words photos light and to draw. A scientist called Sir John F.W. Herschel, which was in 1839, first used the word. It was a method which was all about recording images by using light or radiation on a sensitive material. The first known camera was created by Alhazen also known as who lived around 100AD he invented the first pinhole camera this camera was used to capture the movement of the sun. Photography was explained to be the science and art of documenting photographs by capturing light on a light sensitive material which included film or an electronic sensor. Light could be reflected from objects which could expose a chemical or electronic material during a timed exposure which is typically used through a camera which can store the information chemically or electronically. The first photograph was take in 1827 taken by Joseph Nicephore Niepce who made the first photograph

Furthermore, the “selfie” or digital image seeks to represent a moment of time or fun that does not prove to be an authentic representation of one self. Moreover, it can be eluded from the text that self portraits are the art and the selfie or “digital” image is the human need. The text elaborates this ideology, stating “…digital photography has

The contrasts may be few next to the comparisons, but each one makes the book its own. In the book The

The author Andrew Leonard has said "We've offered up every detail of our lives to advertiser manipulation, voluntarily embraced a panopticonic existence of constant surveillance, and supinely allowed a bunch of techno-utopian Silicon Valley companies to guide and shape our behavior."(Leonard). In this review the author agrees with Silverman about being under constant surveillance, he also agrees with Silverman that we should constantly be alert about the data that we put on social media as in this statement "Silverman is correct: It is critical that we monitor and understand the consequences of "the data-ization of the digital self." "(Leonard). Andrew does not agree with Silverman on the point "Photos become less about memorializing a moment than communicating the reality of that moment to others,"(Silverman, 55). Andres says that “Before social media, you could argue that the modern world specialized in tearing us apart, in atomizing the relationships that once bound societies together. Now we've got something that helps lace the grand tapestry back together. This is not a bad thing” (Leonard). In a way Andrew finds something good in Social

In addition, photography does it pivotal role by showing people the realities of life. One relevant example to this is photojournalism. Through photographic presentation, people are informed of the real situations of the stories about the real situations around the globe, may it be good or bad news. It is very easy to understand news or stories with photos attached to them. Therefore, photography is a powerful communication tool that embeds social happenings to the human awakening, with no other form of media can

It is considered that photography only became widely available to the public when the Kodak Eastman Company introduced the box shaped Brownie Camera in 1900. (Baker, n.p.) Its features became more refined since its original placing on the market; one of the reasons why it has become considered the birth of public photography is because of the processing. Using a similar image capture system, the brownie exposed the light to a 120mm roll of film, which could be wound round, meaning six photographs could be taken before the slides needed removing. The first Brownie used a six-exposure cartridge that Kodak processed for the photographer. (Kodak.com, n.d.) Realistically, the armature photographers did not need to understand darkroom processes,

Shooting with digital cameras tends to be easier as filmmakers can shoot more scenes in less time. Often, multiple digital cameras can be used on the same shot but in different angles which assists in reducing the number of retakes. Digital shooting allows filmmakers to shoot multiple takes and in different angles at fewer costs (Murray, 2012). With new steady camera equipment, the footage shot is more precise and intimate. This enhances the audience experience as the camera view is authentic. Also, the cameras save time wasted on reshooting the same scene.

This extreme contrast is important because it

While the original Daguerreotype started a massive surge on photography, two later inventions turned photography social phenomenon that became ingrained in our lives today. The first of these inventions is called the “calotype” process. invented in 1839 by William Henry Fox Talbot this method of photography involved exposing chemically treated paper, producing a “negative” that could be redeveloped. This allow for multiple copies of the same image to be printed, and is the predecessor to modern film photography. The next major breakthrough in the art of photography was the portable camera. Before its inception, most photos were taken using a large, cumbersome device that worked as a camera and darkroom for developing glass plates coated with a sticky collodion solution. (film photography was

However as the authors stressed, probably more significant than the change in how images are produced, distributed and used, are the ideas to which the changes are giving rise and how digital imaging is challenging and changing traditional ways of seeing and thinking. It seems that our traditional belief that ‘the camera never lies’ has been brought into question. It also appears important to consider who