Nobody Mean More To Me Analysis

Talking Black In America addresses how advanced, unique, and culturally important African American English is (Hutcheson and Cullinan, 2017).

From discussing his argument with a group of white people after they had attacked Samori to discussing his personal ideas of African-American education at his own high school, Coates uses personal experiences in order to make the reader empathize with him. He lacks, however, statistics, analogies, or many other forms of logos appeal in his argument. Furthermore, after his last reflection of the time when Samori was attacked, Coates expresses that he “came home shook” ( 23). While his use of modern slang may make him seem more relatable to teenagers, his intended audience consists mainly of parents who are far less likely to use slang themselves and who may see his use of it as seemingly unprofessional in comparison to his otherwise well-written letter, detracting from his ethos

I will get into the Linguistic Double Consciousness,” this article is about the mindset and ideologies and also it gets into code meshing. From my understand on this article its getting that a lot of African Americans have to switch up when they are speaking to a Caucasian person and they also have to mind how people are thinking of their behaviors, for example this article points how African Americans have to code mesh when it comes to school they are more likely have to do things that they may not be very use to. This would mean if an African American kid is thought different when they are at home it’s going to be harder for them to mesh in the classroom with other none blacks.

Zora Neal Hurston was criticized by other African American writers for her use of dialect and folk speech. Richard Wright was one of her harshest critics and likened Hurston’s technique “to that of a minstrel show designed to appease a white audience” (www.pbs.org).Given the time frame, the Harlem Renaissance, it is understandable that Zora Neale Hurston may be criticized. The Harlem Renaissance was a cultural movement which redefined how America, and the world, viewed African Americans, so her folk speech could be seen as perpetuating main stream society’s view of African Americans as ignorant and incapable of speaking in complete sentences. However, others, such as philosopher and critic Alain Locke, praised her. He considered Hurston’s “gift for poetic phrase and rare dialect, a welcome replacement for so much faulty local color fiction about Negroes” (www.pbs.org).

People who are different are consequently viewed differently. It is human nature to judge others by the stereotypes that have been ingrained into our minds for however long. Stereotypes, however, may not encompass the whole story. Sometimes, you are only getting the discriminatory side of the story--a single story. Amy Tan’s “Mother Tongue” focuses on the discrimination towards broken English compared to Standard English and the stereotypes that evolved from such discrimination. Similarly, Chimamanda Ngozi Adichie’s “The Danger of a Single Story” presents the idea that the “single story” is the reason for biased stereotypes that, more often than not, are untrue. Tan’s life in America was seemingly difficult due to the fact that her life and education were dependent on the language barrier between English and her “mother tongue”--the latter being seen as inferior and embarrassing. She initially felt that her mother’s fragmented English was something to be ashamed of since that was the “single story” that her peers have been spoonfed their whole lives. Adichie, however, denies these views by explaining that such stereotypes are incomplete and do not relay the person at hand’s true identity. In both “Mother Tongue” and “The Danger of a Single Story,” the speakers express how a person’s native language influences their identity through rhetorical devices such as ethos, diction, and metaphors.

With a background affected tremendously by the dark history of African Americans, language has become a significant problem to what the term Black English really means to different people. In If Black Language Isn’t a Language, Then Tell Me, What Is, James Baldwin attempts to analyze what a language really means and how Black English evolved to fulfill an important role for Americans. Black English sounds proper to blacks, but to whites it may not be a proper use of language. Throughout this essay, Baldwin uses a specific tone and relates to his audience by opening his mind to both emotion and logic while still upholding his credibility. Baldwin tries to persuade the audience to respect the language of Black English using his personal experience. The history of different languages mentioned in the essay is used to help convince the audience of thinking about the term language from a new perspective. Whites and Blacks both may speak the same language, but that does not mean that they understand each other because the language can be spoken in different matters. As Baldwin states, “The white man could not possibly understand, and that, indeed, he cannot understand, until today”. A white man or black man had to be careful about the words they used in front of each other because some words would be considered offensive for one another. Baldwin uses African American language and culture to reveal the impact that the English language Americans use has created.

On the very first day of the class, Introduction to the Black Experience, we learned that people are defined by their culture and geography. We are also defined by the gaze of others and our own gaze. This realization led me to contemplate what the “black experience” means to me. As a first generation Haitian-American woman at Wellesley College, it has become clearer to me how important the language and culture of parents has been in shaping my identity. I have also begun to think more critically about how my identity as a woman of color separates me from black brothers as well as my white peers at Wellesley.

Speech is often associate with race because some individuals believe that if the person does not sound “educated” enough the person comes from a lower class and was brought up in the so called “ghettos” and this association is often made towards someone that forms part of a minority group. The author illustrates that race is tight up with speech

The memoir “How It Feels to Be Colored Me” by Zora Neale Hurston, was first published in 1928, and recounts the situation of racial discrimination and prejudice at the time in the United States. The author was born into an all-black community, but was later sent to a boarding school in Jacksonville, where she experienced “race” for the first time. Hurston not only informs the reader how she managed to stay true to herself and her race, but also inspires the reader to abandon any form of racism in their life. Especially by including Humor, Imagery, and Metaphors, the author makes her message very clear: Everyone is equal.

The Conference on College Composition and Communication discusses two very important and controversial questions within their article “Students’ Right to Their Own Language”: “What should the schools do about the language habits of students who come from a wide variety of social, economic, and cultural backgrounds?” (2), and “Should the schools try to uphold language variety, or to modify it, or to eradicate it?” (2). While for academic writing purposes students should be expected to use standard American dialect, it is important to respect the diversity and various heritages throughout the country by allowing students to use the dialect they choose when speaking.

Richard Wright uses language in his novel, Black Boy, as a source to convey his opinions and ideas. His novel both challenges and defends the claim that language can represent a person and become a peephole into their life and surroundings. Richard Wright uses several rhetorical techniques to convey his own ideas about the uses of language.

I have chosen “Mother Tongue” for the subject of my essay. I chose this essay because Amy Tan has a unique writing style which has tone that is clear and identifiable. Tan makes her arguments in a way that is easily understood. While her tone is sometimes humorous and captivating, it still clarifies some serious issues. These qualities among others leave Tan’s work to be desired by almost any reader because her tone and style are both genuine and upfront. This essay will talk about how Tan’s work in her essay “Mother Tongue” uses several different styles and tones to make her point of regarding the differences of her communications with her

“The Word “Nigga” Is Only for Slaves and Sambos” was written by Rob Nelson and first published in a university newspaper in North Carolina. Later on, the article was so meaningful that it was re-published in the academic journal, the Journal of Blacks in Higher Education. In the article “The Word “Nigga” is only for Slaves and Sambos”, Rob Nelson uses ethos, logos, and especially skillful pathos appeals based on the history of slavery and the illustration about the future of African American, to prove why he thinks the “N-word” is not acceptable. By using ethical argument and those clever appeals, Rob Nelson definitely persuades his young African American audience.

     Richard Wright's novel Black Boy is not only a story about one man's struggle to find freedom and intellectual happiness, it is a story about his discovery of language's inherent strengths and weaknesses. And the ways in which its power can separate one soul from another and one class from another. Throughout the novel, he moves from fear to respect, to abuse, to fear of language in a cycle of education which might be likened to a tumultuous love affair.

There are many problems facing the educational system, such as, the lack of teachers and parents that do not participate in school. The problem that I’m forcing on is the lack of performances in the minority students about learning in school. How can we help these kids from falling into the was side of the education systems? The idea of Black languages being taught in the system will help improve students’ attitude toward learning and going to school. Jesses comments that that “Teachers need to be specifically aware of the dialects and slangs Africa-America speaks. That allows them to teach without alienating their students or making them feel stupid,” Teachers should recognize and understand black language, (Ebonics), while teaching students in Standard English. Others would say that using Ebonics would only harm the students, whether than help them, because students would think that is acceptable to use broken language. I don’t see a problem with students learning Ebonics, as long as they know when to sue Standard English.