Non Diegetic Sound Analysis

Along with background music, sound effects play more of a role on the way we feel than many moviegoers think, and "although the function of sound effects is primarily atmospheric, they can also be precise sources of meaning in film" (Giannetti, 225). When the

To start off, Quentin Tarantino gave much attention to detail in his diegetic sounds. By including crickets chirping, floorboards creaking, bullets ricocheting off multiple surfaces, and, of course, blood splatter, Tarantino truly brings his audience into the old American west. Another example of diegetic sounds in the film is when Dr. Schultz is waiting for Mr. Candie to sign the papers

Another aspect of sound in this film was how it affected the story. By using sound dramatically in certain parts and not using it at all in other parts, sound gave this story an entity of its own. For example, during long stretches of film with mostly dialogue, there was no music played in the background, only a phone ringing in the distance, or the men's voices during their deliberation. These long silences also took place during editing shots of the town and images that surrounded this German city. This dramatic difference in sound was a revelation of how mood can be made by images and sound put together to make an incredible component.

In the science fiction film, 2001: A Space Odyssey. The director, Stanley Kubrick, portray his masterpiece in an ambiguous understanding where he examines topics such as extraterrestrial life, the dealings with technology and the human evolution. Throughout the movie, Kubrick depicts the facade, monolith as an instrument in awakening intelligence. Moreover, the protagonists go through a drastic change of struggle to explore on the idea of technology and extraterrestrial life.

This is important to the scene as it adds a new dimension and depth to the action being made without the sound being present. An example in this clip is when Coach Boone walks in to acknowledge the team, you do not hear his footsteps or the sound of his whistle around his neck hitting against the fabric of his shirt. The director has done this to put more emphasis on his actions, not the sound his presence is making for example, if there was an excess of sound effects for every minute sound made would distract the audience who would not be able to focus in on his paltry movement which have considerable meaning to the scene, an example of this would be the way Coach Boone walks up to the team, his whistle is swinging from side to side making no sound, you can see he is in an angry state with no sound intensifying this fact. The lack of sound effects is not used often in the whole film itself, therefore making an effect when the technique is indeed used.

In 2001 space odyssey, as formentioned, he uses light classical music juxtaposed with the dark mysteries that surround the mission and the spaceship Discovery One. The music provides a sense of serenity as well as discombobulated feel like one might feel in space. As with all of his films there was great attention to detail and it was visually stunning as well as aesthetically pleasing. One specific shot of beauty is in the beginning of the movie titled “dawn of man” after the apes jump around the monolith, the sun is setting behind a flat topped hill and the moon is juxtaposed right above it with golden clouds all around. Also in this movie, the reoccurring theme of an unsavory character that we are manipulated into sympathizing with is HAL during the

One would have to say that one of the most notable features of the film would have to be its soundtrack, which incorporates no music but only diegetic sound, from the preliminary noise of the river flowing under the bridge through the even louder sounds of the forthcoming American tanks to the quaking clamors of the ending battle scenes. A prodigious example of sound transpires within the middle of the film. It is when the boys are woken from their cots and called into combat; the sequence features electronically distorted sounds that together equally insinuate the boys’ disorientation as well as the disorientation of the viewers.

The music interacts with dialogue in the film; the techno beat is, at times, accompanied by vocals, which correspond with not only what is happening in the scene, but also the internal diegetic dialogue—another important motif.

2001 originated from Clarke's short story, "The Sentinel." This, in no way, takes away from the originality of the film. An obvious benediction of the movie is Kubrick's use of music. The classical pieces intensify the sense of awe. From the ape man to the star child, the music detaches us from the events. We view them as we would events in a documentary. Kubrick deliberately adds, deletes and modifies. Hal never reads the lips of the astronauts in the book. This is a stroke of genius in the motion

He is able to use these parts to manipulate the audience’s emotions. The music playing from the car is an on-screen sound. As the man gets attacked, the volume increases. The sound helps intensify the scene that has been created by the film’s visual elements. The audience then subconsciously forms ideas, opinions, and feelings about what they are seeing. The viewers develop scared feelings as the scene intensifies to the happy upbeat tune. The increasing volume of the cheery song reflects the violence and the sinisterness of the scene. The song stops with the slamming of the car’s driver-side door as the man is abducted. There is a moment of silence and then a new song abruptly entered the silent scene. The music is non-diegetic and is an offscreen sound. The song is screechy, high pitched, and jagged sounding at first, continuing the anxious and scared mood. The song shifts into a sort of soulful hymn. The tone shifts along with the song. The audience begins to feel relieved and relaxes to the peaceful song.

“The Sound of a Voice” by David Henry Hwang is a one act play telling the story of two characters, Man and Woman. These characters both live alone and isolated. Woman is rumored to be a witch, and Man is a soldier without a purpose who comes in hope of killing Woman. They both have a fear of silence and love. These unusual fears result in their fatal downfall. This play explores deep emotions, such as the fear of silence that Man and Woman share which pushes Woman to commit suicide. A fear of intimacy, felt exceptionally strong by Man, results in unfortunate timing leading to Woman’s death. Loneliness displayed by both characters is the underlying cause of the outcome. These feelings play together to contribute to Man and Woman’s tragic love.

In Lord of the Rings: The Fellowship of the Ring when Gandalf arrives in the shire the action follows his horse drawn cart, camera angles are switched to follow the movement of the cart but the editing is done so that it is ‘silent’ and almost inconspicuous. The latter technique used to maintain temporal continuity is diegetic sound, a device referring to a sound that has been viewed within the story world. It can include off-screen sounds but it always takes place in the narrative domain. Whenever Legolas draws his bow and loosens an arrow we hear a zip for the sound of the arrow leaving the bow and a thump when it meets its target, this is an example of diegetic sound in Lord of the Rings: The Fellowship of the Ring.

Even though the film is essentially a visual experience, the use of sound has become extremely important in modern film. The modern viewer hears a complicated soundtrack that is as meaningful as the image on the screen. Three elements comprise the film's soundtrack: the dialogue, the sound effects, and the musical score. The proper balance and mix of these elements produced the essential emphasis required, which created the desired effects. As explained by Joseph Boggs and Dennis Petrie,

Many people have no idea that a song can be a wonderful poetry which is called lyrical poetry, but all songs are not poems. In this amazing poetry “the sound of silence”, both the authors Paul Frederic Simon and Arthur Ira Garfunkel ironically implied their frustration on the modern world and how it’s changing. In 60’s this lyrical poetry has left an indelible mark on pop culture. This poem’s lyrics has a disturbing picture of a society which work with materialism and self-absorption. The poem uses the imagery of light and darkness to show how people's ignorance and enthusiasm to destroys their ability to communicate even on simple levels. Day by day people are becoming more secretive about their life and forgetting being social on some level. Moreover, the narrators strongly felt these changes and transformation could lead us to a robotic life. The Sound of Silence" contains numerous poetic elements, including figurative language devices, rhyme scheme and tone. Throughout this poem, narrator is addressing the dark site of the society, people and how its leading them in to a false dilemma.

Another example of diegetic sound used to create a tense atmosphere is when Andy first arrives to prison. We hear the inmates’ voices, whistling, screaming and banging the gates. This makes them seem mean and the scene tense and makes the viewer think that Andy has arrived to a dangerous and horrible place and that he could be in danger there. These sounds make us feel anxious for him about his new home because the inmates seem intense and mean.