Normality In Frankenstein

The novel Frankenstein is wonderful in various ways, from the provoking portrayal of human emotion throughout the story; to the elements of fantasy that stimulate the imagination. However, as one (anonymous) critic put it, “[T]he work seems to have been written… …on a very crude and ill-digested plan; and the detail is, in consequence, frequently filled with the most gross and obvious inconsistencies.” (The Literary Panorama). While the critic attempts to expose some inconsistencies in the story, the acerbity in his review of the novel is unfair based on the support he provides. The irony of this review is that although he tries to expose the plot’s inconsistencies, he uses a non-issue as backing, and yet misses the most glaring oversight in the novel.

The idea of what a monster is and how it pertains to modern day society has fascinated readers and writers for decades. Before taking this class, I was aware of what a monster is and the function it served in today’s society. Furthermore, after taking this class, I am now aware of what a monster truly is, and what really separates a monster from a regular person. The piece of text that I mainly chose to focus on and elaborate closely to demonstrate the aspects of a monster is appropriately named, Monster, by Walter Dean Myers. The reason I chose this piece of literature is because, Monster thoroughly elaborates what a monster is in todays society and how it functions in the modern day world. In this essay I will elaborate on

In the article “Monsters and the Moral Imagination,” Stephen Asma, a professor of Philosophy and Distinguished Scholar at Columbia College Chicago, argues that the existence of monsters have a purpose in our lives. It is not only to reveal our deepest fears, but to question our moral instincts. Being attacked by fictional monsters seems impractical, however, chaos and disasters do happen and exist in the real world. The creation of monsters is due to our reaction of our fears and the inability to control the world we live in.

Mary Shelley’s Frankenstein has undoubtedly withstood the test of time. Frankenstein’s direct association with fundamental Gothic literature is extremely renowned. However, the novel’s originality is derived from the foundational thematic values found within the relationship (or lack there of) between Victor Frankenstein and the monster he had created, in combination with a fascinatingly captivating plot. Understandably, Frankenstein can often be associated with a multitude of concepts; however, in this particular instance, the circumstances in the book seemed remarkably coherent with Shelley’s Romantic beliefs in preserving the natural world, and one’s natural existence. These values present themselves as metaphorical symbols that

Ambition and the thirst for knowledge leads Victor to fabricate the Creature. By doing so, he defies nature, fate, and destiny. Victor goes against the natural realm and creates life, rebelling against nature. As Victor tediously worked on his creation, he lost sight of nature, “Winter, spring, and summer passed away during my labours; but I did not watch the blossom or the expanding leaves- sights which before always

In Shelley’s Frankenstein, the monster is portrayed as a grotesque abomination. However, as Hopkins states in Contending Forces, the cultural and geographical situations, or lack thereof, in which one matures in play a crucial role in the proper development of one’s mind and brain. The monster is simply a product of circumstance. The lack of social interactions alongside geographical isolation propelled the daemon to be alienated from society, ultimately resulting in a lack of morals and an underdeveloped psyche. By being a culmination of his surroundings and experiences it is revealed that the true monstrous entities are the factors that leave the daemon predisposed to fail in a modern society. Arguably, Victor created a being, while the circumstances that said being was placed in “created” a monster. Shelley purposefully terrorizes the monster with such intensity to provoke and justify the overarching theme in this novel which states that people should not be judged on their physical appearance.

What differentiates Mary Shelly’s novel, Frankenstein from the majority of horror novels are the very real and timeless themes it explores.  The overriding theme of the novel - scientific investigation without consideration of morality and responsibility is still an important topic in today’s world.  “Perhaps the reality of cloning and genetic engineering makes this theme more relevant today than when Frankenstein was first published”(Patterson). This theme, along with the more subtle themes of revenge, the inability to accept those who are different, and the inability to control one's destiny are all themes which separate Frankenstein from other novels in the genre.

As one of the first gothic novels Frankenstein explores the darker side of human nature, ambitions, and the human mind.

A little girl screams in fear for her parents as she envisions a green, three-eyed monster lurking under her bed, waiting to get her until she finally closes her eyes. A little boy scares fellow trick-or-treaters as he’s dressed as a vampire for Halloween brandishing his pointy teeth with blood dripping out of his mouth. Both of these examples of monsters focus on the physicality of a creature and undermine the weight which the word ‘monster’ actually carries. In Shakespeare’s play, The Tempest, and in Mary Shelley’s novel, Frankenstein, there are characters that perfectly fit the description of a tangible monster. However, monsters are more than their somatic features. Monsters are created within based on circumstances, decisions that are

Frankenstein has become a symbol in contemporary society. Upon hearing the name, one might imagine a tall, muscular green man with short black hair, a flat head, and two bolts pierced on both sides of his neck. Although that is the Frankenstein present now, the modern Frankenstein is only an adaptation of Mary Shelley’s original creature. Shelley’s Frankenstein, 1818, is a gothic novel in which she tells the tale of a man creating life. This creation of Victor Frankenstein’s monster eventually hurt the people he held dear. Following the popularity of the book, James Whale directed Frankenstein, in 1931, which started the movement of Frankenstein’s contemporary image. While in comparison to the novel’s questionable identity of the monster,

In Mary Shelley´s Gothic novel, Frankenstein, the Monster once claimed, “The fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am alone.” Frankenstein, since the 1910 film adaptation, has known a series of several adaptations that changed drastically, not only the plot but one of the main characters, the Monster, from stealing its creator´s name to being portrayed as a cold villain. Though, in the original storyline, the biggest threat to society is the creator itself, the one pretending to play as God, Victor Frankenstein. This essay will discuss the nature of the main characters of the novel and conclude who is the “real monster” in the end.

     Romantic writer Mary Shelley’s gothic novel Frankenstein does indeed do a lot more than simply tell story, and in this case, horrify and frighten the reader. Through her careful and deliberate construction of characters as representations of certain dominant beliefs, Shelley supports a value system and way of life that challenges those that prevailed in the late eighteenth century during the ‘Age of Reason’. Thus the novel can be said to be challenging prevailant ideologies, of which the dominant society was constructed, and endorsing many of the alternative views and thoughts of the society. Shelley can be said to be influenced by her mothers early feminist views, her father’s

“ People fear what they do not understand. ” In the original 1888 edition of Mary Shelley’s Frankenstein, this saying is excessively shown throughout the journey of Frankenstein himself and his creation known as “ the creature.” Fear is spreaded in this famous, gothic novel because the epitome of society is lacked by both the creator and the creation, leading to much misunderstanding with who is the real monster. In this novel, the true monster is society because the ideals indirectly presented led Frankenstein to abhor and abandon the creature, the ultimate isolation of both, and the delirious vengeance developed by the two.

What makes us human? Is it a beating heart and living flesh? Is it encompassing advanced psychological and social qualities? The classic gothic novel, Frankenstein, written by Mary Shelley and the modern horror novel, Warm Bodies, written by Issac Marion have lead many readers to question the complexity of human nature. Both novels explore several principal themes that develop the reader’s understanding of what it means to be human. We are miraculous creatures who are capable of both good and evil; humans are intricate beings who depend on love for survival, some can be troubled by or lack remorse, and in some cases, our actions can be motivated by fear. Throughout both novels, the main characters struggle with these aspects of human nature.

Though the books were published almost seven decades apart the monsters in Frankenstein and Dr. Jekyll and Mr. Hyde share many similarities: They were both created in laboratories by European scientists for somewhat morally suspect purposes, both were outcasts of society, and murdered characters secondary to their creator. Even in their final days they followed a similar archetype by taking the lives of their creators before ending their own. One should ask the question why these stories have stood the test of time while countless others fall by the wayside.