Norton Simon Museum Research Paper

The main focus of the painting intended by Titian is a nude woman, Venus, looking straightforwardly at the audience. The young woman’s nipples are erect; with her left hand covers her pubic area, the sexuality of this painting is unquestionable. She is completely naked except for the ring on her little finger and the bracelet around her wrist. It is clear that the intention of this painting is to evoke sensual feelings in its audience.

The writer went to the Leepa-Rattner Museum at Tarpon Springs campus of St. Petersburg College. Before the visit, one went to the museum webpage and read about the museum and current exhibitions. It showed the " East meets West: New Japanese Traditions." Therefore, one was expected to see the Japanese style of art, like dragon and Japanese cherry blossom. At the beginning, one's feeling was perplexed, because the exhibitions were a mismatch with one's thought, but one could find the section for the Japanese art. In addition, this paper will cover about the museum, its artifacts, and relationship between humanities and art.

Berlin has charm – a picturesque landscape, unique architecture and local warmth is the Northern Germany of today. Discover its appeal as you take a coach ride visiting the Brandenburg Gate, Reichstag, the Soviet War Memorial and Charlottenburg Palace. Marvel at the city's iconic Brandenburg Gate, an 18th-century neoclassical monument. Then feel in awe of Reichstag (the House of Parliament), a magnificently photogenic piece of contemporary modern architecture that's full of history. Next, wonder at the beautifully ornate cluster of five museums (including the Pergamon Museum) known as Museum Island, built on Berlin's Spree River. Before lunch, enjoy a short stop at Gendarmenmarket Square which includes the Konzerthaus, (a concert hall), French

The art I found was made by a human by the name of Francois- Andre Vincent. He titled his art Arria and Paetus. I could not believe that humans looked so muscular and their women had sharp attachments in their hands. This woman looks at the man with her sharp attachment out and the other hand is pointing to her head. The man is sitting, what looks to be very uncomfortably, just staring at her sharp attachment. There are dark colors in this painting, and shading to show shadows. Thier clothing is folded giving a look of texture. I wonder what this man did wrong to anger the

With such popularity, the world’s eyes fall on this painting. Yet, this image they see does not portray women in the best light. The Women of Algiers features 4 abstract figures in various positions, spread evenly across the room to create balance. The lines that shape the figures are thick and black, and thus their outlines are filled with many cool colors such as blue and green, and complementary tones of red, orange, and yellow. On each figure, there is great emphasis on the breasts and buttocks— they are large, round, and protrude from the figure, over-accentuating the female

Rona Goffen and Mary Pardo both discuss the uses of and responses to Titian’s paintings of women. Goffen focuses on who these women were, their agency, and what can be gleaned for the details of such paintings to come to a conclusion. Pardo focuses on how Titian’s abilities to make paint tactile relate to the eroticism and sexuality of his art. Both authors bring up ideas of agency and gender in art and also the importance of understanding these paintings, and their sitters, in their time.

This essay is created to measure how well the writer master the material of week 1, Art History, AHIST 1401. Unit 1 is about understanding the meaning of art, the role of art in mankind. This is done by comparing two sculptures from different era and different culture. By completing this assignment, the writer is expected to have mastered what art is for and what its importance is.

Females have always been used as subjects in men’s art work, defining the women in the work as a sexualised object.” This was something that was broken down in the 1960’s movement by artists and supporters. Artists such as Hannah Wilke, with her self-portraits and Nan Goldin used themselves and other women in their work, stripped down the sexualised empty women that are shown in the early masculine-based work such as Titians painting, Venus of Urbino (1538) (figure 1), showing a woman looking out to the viewer in a suggestive manner, posed nude. The painting represented marriage, the eroticism of the wife and motherhood. It is a reminder from Titian of the woman’s obligations she had to her marriage and

The portrait is displayed horizontally with a gold trimmed frame. The subject is a female that looks to be in her early 20’s sitting upright on a large brown chair. If the viewer travels up the painting the first indication of the woman’s class is her satin, blue dress. The saturated blue shines and falls in the light like water. Paired with the dress are her exceptionally detailed endings to her sleeves. The lace is even painted as though it is translucent, allowing a little of the blue dress to show through the sleeve. Flowers throughout history have symbolized innocence of a woman and her virginity. The repeating theme of flowers, in the sleeve cuffs and ribbon) in the woman’s attired suggests her purity or innocent nature. Another very details section of the painting includes the corset/torso details. The sewing suggests texture in the torso with small beading in between. Towards the top of the chest in the center, the female seems to bear an extravagant, ribbon piece with a tear drop bead in the center. The light pink

This masterpiece was done in 1851-53, it was the last society portrait for Ingres and the most beautiful and important one for him. The portrait was commissioned by the princess Joséphine husband, Albert de Broglie. It was Oil on canvas with dimension: 47 3/4 x 35 3/4 in. (121.3 x 90.8 cm). Jean-Auguste-Dominique Ingres was known to be the master in anatomy in his time, but in this work he gather all the liberty to establish the ideal totally beautiful body, soft white skin without any musculature or any sense of bone in it. He consider the most substantial characteristics in the Romantic art (ideal, individualized, and passion). The princess gaze is an amazing one also, she look with a poetic concentration toward the viewer, it is an aristocratic look but with some romantic feeling with it. Not only the body or the look, but also, Ingres was able to deliver the satin texture brilliantly to the point that we could feel the sense of it, as if we could hear the cloth twist movement. Moreover, the use of the blue color and gold is suggesting the heavenly powers as in European symbolism. With a vivid colors and a perfect soft surface that does not show the brushwork, Ingres show the most solitary, passion, romantic women rule in the Romanticism

For my Romantic Era art SEA-I essay I chose to do The Entombment of Atala by French Romantic novelist Anne-Louis Girodet de Roussy-Trioson which was painted in 1808. This painting shows that the French aims for a very complex response from its observers, the painting evokes emotion but not to the extent many romanticism artworks do. Although the Entombment of Atala depicts how the French may have seen Native American tribal life of primitivism. When looking at the painting my senses picked up on the attention to detail such as the folds in the fabrics and the details of Chactas hair, also the colors are quite phenomenal when thinking about the time period in which these painting were done. This painting does hold a lot of Romanticism with Atala being

neighborhood. Outside the museum there was a cool statue of a horse with two discs on each side. The statue symbolizes travel and passing from one place to another, which is exactly what I have been doing for the last month. The Museum of London gave a rich history of London from the foundations to the modern day. In the industrial era section I noticed a glass case and inside were souvenirs of the Boer-War, including a fan, some pictures, a ribbon, and pins. There were lots of extravagant dresses and items in the museum demonstrating the wealth of England. In the afternoon we went to the Spitalfields market and had free time to shop. I bought a dress for the theater and a scarf. I also had some fabulous margarita pizza and freshly squeezed

Female nudes are a favorite reoccurring subject matter through art history that offers symbolic significance from simplistic anatomy of the female body. Venus of Urbino by Titian and Olympia by Edouard Manet are great representation that illustrates the difference in the portrayer of female nude. Hence, both artworks are intriguing as it reflects the importance of cultural reformation between both periods.

From ancient times to the present, many artists begin their art journey by depicting women. Although women have been excluded from art history for a few centuries, a closer look at what inspired great male artists shows they were still very much involved. For some of history’s most famous artists, the lives of women were not simple ones, they were more than muses or wives; they were partners in love, passion and creativity. As Marie-Therese Walter to Picasso, Frida Kahlo to Diego Rivera. Before the modern art era, portraying a female nude in paintings were forbidden. However, this forbidden rule did not restrain artists’s passion for portraying women. Figures from Greek mythology rivalled saints and biblical characters in arts, providing endless opportunities for erotic portrayals. Of these, Venus was the most popular. According to myth, Kronos cut off Uranus’s genital and cast them into the sea, the foam of which symbolizes his semen. Aphrodite, or Venus, was born fully grown from that foam. Venus represents the goodness of love, sex, beauty, and fertility. Botticelli’s Birth of Venus (c. 1484; Florence, Uffizi), Titian’s Venus of Urbino (c. 1538; Florence, Uffizi) and Francois Boucher’s The Toilette of Venus(c.1751, French, Paris) can all in their different ways be recognized as personifications of sexual beauty and also reflects the role of women in society.

Jacques-Louis David came in the climax of Neoclassicism and his paintings were so revolutionary that they can be used to pictorially define Neoclassicism as all the features of Neoclassicism that I mentioned above can be observed and studied through his paintings. In The Oath of the Horatii David tells the heroic story of the Horatii brothers (the three men on the left in the painting) who challenged the Curiatii from the neighboring town of Alba. In this painting, while receiving their weapons from their father, the brothers are swearing to defend their land or die. One of the three women on the right in the painting is Camilla who is engaged to one of the Curiatii brothers posed to fight while the woman resting her head on Camilla is one of the Curiatii sisters, Sabina, who is