Not Our Stars, But The Most Well Known Epic Poems Of The Renaissance Era

Milton’s Paradise Lost has been praised as being the greatest English epic of all time, most stunningly in its author's depiction of the parents of humanity, Adam and Eve. How Milton chose to portray the original mother and father has been a focus of much criticism with contemporary readers. One of the main subjects of these comments is in reference to Eve, who, according to many, is a trivial character that is most definitely inferior to her mate. Nonetheless, many do not recognize that, after the fateful Fall, she becomes a much more evolved character. When Eve is introduced to the storyline of the epic, her character is shallow and extremely undeveloped, meant simply for display. She is quite firmly set as being inferior to her mate

Respected Puritan minister, Jonathan Edwards in his Sermon, “Sinners In The Hands of An Angry God (1781), Elaborates on the negatives of being a repentant sinner. Edward’s goal is to inform people that sinning can be dangerous. He adopts a serious tone in order to establish a constant fear within Sinners and Non Sinners reading. Using the heavy caution within his readers let him establish a successful Sermon with the help of examples.

The sixteenth century brought many to focus more abundantly on the internal trials rather than the outward appearances of individuals. This caused various writers and philosophers to begin evaluating the importance of every person. Because of this, the idea of renaissance humanism was inevitably created. In simple terms, humanism is the belief that every individual, putting aside his or her rank, is of equal importance. A better understanding of renaissance humanism can be reached after reviewing the shift in society, religious change, and moral belief of the sixteenth century. Many literary works, including Sir Thomas More’s Utopia and Edmund Spenser’s The Faerie Queene, helped to shape the ideals of renaissance humanism. These

    The seventeenth century poet, John Milton, takes the attitude common to the time period while portraying Eve in Paradise Lost.  This epic, telling of Adam and Eve's fall from Paradise and the story of creation, constantly describes Eve as a weak individual, while Adam is often compared with God.  The idea of women's inferiority has been fixed through time, making Milton's characterization of Eve not surprising, but rather expected and accepted.  However, Milton shows a suggestion of women's inner strength while describing the control Eve has over Adam.  Nevertheless, except for this instance, Eve is depicted as subordinate to Adam.  This is evident through Adam and Raphael's treatment

Whenever Paradise Lost is mentioned in Mary Shelly 's novel, Frankenstein, Eve is always left out. Eve is never mentioned. The absence of the "Eve" character is seen when the monster asks Victor for a female companion. The monster

The two works of art that I have chosen is the painting The Birth of Venus by Sandro Botticelli and the poem Stanze per la Giostra by Angelo Poliziano. The Birth of Venus was created between 1484 and 1486 by Sandro Botticelli. It was created in the early Renaissance period and is currently located in the Uffizi Gallery in Florence, Italy. Stanze per la Giostra was written between 1475 and 1478 by the Renaissance poet Angelo Poliziano. Its current location is the Metropolitan Museum of Art in New York, although it is currently not on display. The Birth of Venus and Stanze per la Giostra share many similarities as Stanze per la Giostra was Botticelli’s inspiration for creating The Birth of Venus. In The Birth of Venus, Botticelli has transformed Poliziano’s words into a beautiful work of art. These works of art share the theme of beauty. While Angelo Poliziano describes the beauty of the goddess Venus in his prose, Botticelli has captured her beauty with his delicate brush strokes. I will be comparing the theme of beauty between The Birth of Venus and Stanze per la Giostra as well as connecting it to contemporary standards of beauty.

Jonathan Edwards states, “nothing to lay hold of to save yourself, nothing to keep off the flames of wrath, nothing of your own, nothing that you ever have done, nothing that you can do, to induce God to spare you one moment..”(Edward 48). This quote examines that all human are originally sinned. In the early years of Americans, human nature is established upon religious beliefs which were puritanism and deism. Puritans believed in predestination which meant that god planned eternal damnation for some and eternal salvation for others. In the other hand, Deist believed in perfectibility of every individual through the use of reason and they always seeked to improve themselves therefore; they were not dependent on God. The major

When dwelling in sin the risk of losing eternal life is nevermore dire. Edward states, “The Devil stands ready to fall upon them, and seize them as his own” (432). This statement induces the expression that the demonic adversary anticipates the sinner's entrance to hell; he is lingering to clutch the sinner as his possession. This analysis brings to light, “Jonathan Edwards (1703-1758) relies heavily on the use of repetition to impress upon his audience the urgency of redemption

The priest of a Puritan church in 1744, Jonathan Edwards, in his sermon, Sinners in the Hands of an Angry God, motivates his congregation to fully convert to Puritanism through the use of fear. Edwards’s purpose is to persuade his audience to change their ways and to commit to the Puritan way of life in order to achieve salvation. He adopts an accusatory tone in order to forewarn his congregation of the wrath of God they will face for their sins if they do not repent. Edwards begins by establishing that “natural men,” or those who have not been reborn religiously, are no better in the eyes of God than those already in Hell, and have the same fate awaiting them (Edwards, 46).

Obviously primary to the narrative of, Paradise Lost, as may be said, borrowing again from Shannon Miller, the Genesis accounts of Adam and Eve’s creation establishes that clear gender roles were a result of the Fall: husbands shall rule over their wives while men

The portrayal of women in Milton’s Paradise Lost is very different from the other works. While women are often seen as being deceitful, devious, and smart, the depiction of Eve is different as she is seen as being dumber and more inferior to Adam in all areas besides beauty. This portrayal of Eve assisted in the progression of Paradise Lost as Eve ate the forbidden apple after being persuaded by Satan to eat the apple. While the incident caused Adam to also disobey God, it created a bond between Adam and Eve that was greater than before the incident when they were considered pure. The bond between Adam and Eve that is improved through the learning of new emotions, trying new things, and the

Religion in the Sixteenth Century was a major point of contention, especially for Elizabethans. In the midst of the Reformation, England was home to supporters of two major religious doctrines, including the Catholics and the Puritans. Three dominant themes that came out of this debate were sin, death and damnation. Important elements of Christian religions, these themes were often explored in the form of the seven deadly sins and the consequential damnation. The elements of sin pervasive in Thomas Nashe’s The Unfortunate Traveller, Christopher Marlowe’s Doctor Faustus, William Shakespeare’s Othello, and Edmund Spenser’s Faerie Queen allow for

Now I will talk about how milton portrayed eve in his writing. Milton sees Eve as Narcissus. For many hundreds of years, the female has been seen as the weaker sex the gentle sex, the docile sex, even the less intelligent sex. And this is because, for many hundreds of years, the societies that humanity lived in were based mainly on survival. Necessity of women remained in the home in order to further the mere survival of the species, while men were in charge of providing for this family unit. Through this situation, men developed an egocentric view of life, seeing themselves as the centers of their own microcosms. Humans always look for someone else on whom to place the blame any man would be pleased if he were able to place all of the evil of humanity on to a poor decision made by a woman. This view of Eve makes her a flat and undeveloped character. She is vain, falls in love with herself at first sight in the glimmering pool, and can barely stand to tear herself away from the water to be with Adam. As usual, this episode of her self-absorbed conceit only contributes to the already growing compassion for Adam,

Composing an opera seems like a daunting task, now imagine trying to take an Epic Poem and make it into an opera, it seems almost like an ultimate challenge; a challenge only few would take on. One of the most famous composers who took on this challenge was Claudio Giovanni Antonio Monteverdi famously known only as Monteverdi, was one of the greatest composers of his time and he was able to bring classical Greek Epic Poems to life. Even though Monteverdi was one of the greatest composers of his times it must have been very daunting challenge to take a story that had been only really heard and written down almost from interpretation from the Greeks and turn it into an Italian Opera. Another challenge he may have faced was condensing the long Epic Poem so that the audience could sit through the opera and still get the most important points of the Epic Poem.

As Book VIII of John Milton’s Paradise Lost begins, the “new-waked” human Adam ponders the nature of the universe and the motion of the stars (ll. 4-38). When Adam has finished his speech, Milton takes the opportunity to describe Eve, who is listening nearby. We find Eve reclining in the Garden, but with grace, not laziness: “she sat retired in sight,/With lowliness majestic from her seat” (41-42). This “lowliness majestic” is the central phrase to understanding Eve’s character—she is both humble and glorious. Everything that beholds her is captivated by her “grace that won who saw to wish her stay” (43). Even in this paradise, every other beautiful creation is drawn to Eve. She walks