Not Waving but Drowning

Tim Winton’s short story, ‘The Water Was Dark and it Went Forever Down’, depicts a nameless, adolescent girl who is battling the voices inside her head along with the powerful punishments at the hands of her inebriated mother. The key concerns of life and death are portrayed through the girl’s viewpoint as she compares her life with her sad, depressed mother. Anonymous as she is, the girl constantly makes an attempt to escape the outbursts, that come as a result to her mother’s drinking, by submerging herself into the water. An extended metaphor is used when expressing the girl as a machine and her will to continue surviving in her sombre life.

For this essay, I am going to be discussing the short story “Swimming” found on the New Yorker, and written by T. Cooper. I have chosen this story for many reasons, and among those reasons is the personal sadness I felt when I first read the story, almost as if the universe was placing a certain theme in my life, that only the main character could possibly understand. I am talking about running, the god given instinct felt by all men, inherent in the nature of fear, and brought out in all who feel sadness in its full intensity. Though in my short life I can not compare the sadness I have felt with that of losing a child at my own hand, but if I had been placed in that situation, if fate had tempted my soul with such a sequence of events, I would like to think I could find the strength to endure and the courage to not abandon all I had previously known. Yet I am able to reconcile the themes of grief, the mode of recovery, and the longing to escape such a terrible tale. I think in this piece, as I will discuss in later parts, the author was able to put into words a transformation we rarely get to observe in closeness, the kind of transformation that turns a kind man into a “just man” the kind of death that turns this world from a beautiful and happy place into a world that is closing in on our main character, that is forcing him to surface temporarily and gasp for air, much like he does when he finds peace in the water, wading breath after air, after sea. I firmly believe that

Evocative and visceral, Irving Layton’s “The Swimmer” follows the impassioned swim of a man as a metaphor for man’s relation to nature. The poem begins with the titular swimmer breaking away from his vessel and into the sea. Layton elaborates upon the swimmer’s journey underwater, as a mystical intercourse between man and Earth. In the final stanza, the man is expelled by the sea and returned to land. In “The Swimmer”, through the description of an incestuous relationship communicated through erotic imagery, Layton expounds on the theme of the connected, yet ultimately detached, relationship between man and nature.

The son next tells his father how wild and grave men also struggled with death. Wild men spent their lives frivolously, wishing time on its way. They learn when it is too late that they hurried time too fast and now they cannot recapture what they so wantonly spent. Their lives were foolishly wasted. The son also mentions grave or serious men who review their lives with a swift lucidity when death is upon them. These solemn, sober men now realize life could have been more joyous had they been a little more "blind." If life is taken a little less seriously, one "could blaze like meteors and be gay."

Burroughs talks about how the sea is contradictory on its own, in its immensity. It mocks its victims “with the most horrible thirst”, and it smites everything like a hammer, while sometimes caressing like the hand of a lady. The breaking of its waves is violent, yet as it reaches the sands it reminds us of the rustle of a child's

The second most important image is the “surf-tormented shore”(line 13) as the speaker himself is standing next to one, and is unable to control the waves, thus becoming a metaphor again for time and life. The unpredictable quality of life and the chaos within his life demonstrate how little he can do to manipulate it as a very inactive verb “standing” is used. In the following lines as he loses the “golden sand” (line 15), the “pitiless waves”(line 22) represent life again as he’s asking God why he can’t do anything to stop these “pitiless waves”(line 22) that he knows are pitiless because they will not stop for him. This extended metaphor conveys the deeper meaning of life that passes by really fast and is just an illusion. These metaphors lead back to the main argument of life being nothing more than a dream, meaning the outer dream, which is what we see is life, and the inner dream, which is what we seem is our memories, and are all just dreams and illusions that we are unable to manipulate.

The story takes place in a post-apocalyptic setting. Therefore, there is hardly any food available to The Man and The boy throughout the story. The Man is constantly sacrificing his food for his son throughout the entire story. In addition they endure harsh weather conditions. For most of the story it is very cold and finding warmth is a task the man faces for his son and himself. These two problems are shown in one sentence of the story. “They ate a poor meal and lay down in the cold,” (McCarthy 12). Being able to cope with these circumstances really shows the determination of The Man. The Man is a fighter in tough times and does not give up. He is always concerned for his son. The Man is a truly loving and determined

Finally the poem has an emotional appeal. The poems tone is positive in a negative way it is sort of uplifting even though there is nothing encouraging about the situation. This is shown tough the use of words such as " I am the thousand winds that blow/ I am the diamond glints on the snow" these phrases have positive connotation saying that he will always be with us

In the next stanza, the line "Their frail deeds might have danced in a green bay", the poet is now using imagery with the waters, however it can also be a metaphorical representation of life due to

This is expressed by the multiple examples of old men whom regret certain aspects of their lives and defy death even when they know their time is up. The speaker is urging his father to fight against old age and death. The meaning and subject of the poem influence the tone and mood. The tone is one of frustration and insistence. Thomas is slightly angry and demanding. His words are not a request, they are an order. The mood of the poem is is serious and solemn due to the poem focusing mainly on the issue of death. This mood and tone is created by words such as “burn”(2), “Grieved”(11) and “rage”(3) along with phrases such as “crying how bright”(7), “forked no lightning”(5), “near death”(13) and “fierce tears”(17). The insistent feeling is also created by the repetition of the lines “Do not go gentle into that good night”(1), and “Rage, rage against the dying of the light”(3). The figurative language used also affect how the meaning, tone and mood are interpreted.

In the second stanza it is the semantic field of cold: ‘winter’, ‘ice’, ‘naked’, ‘snow’. All these lexical items give us a feeling of cold which evokes loneliness, unknown, fear.

Bessie Smith was born in Chattanooga, Tennessee on April 15, 1894, she was one of seven children, and her father died soon after her birth, leaving her mother to take care of her and her siblings. In 1906 her mother and two of her brothers passed away and Bessie and her other siblings were taken care of by their aunt. It was after this that Smith began

The Poem begins with a personification of death as "kindly" (3). By doing this, the speaker introduces a portrayal on death that might have conflictions. Most of the times, death has a negative connotation. Whether it is an inevitable or tragic view, it opposes to what is seen in the poem. The speaker accepts death as a friendly invitation when the time is right, rather than something that is bound to happen. The speaker then joins immortality, personified as a passenger in a carriage. Immortality simply cannot be a passenger as it is a non-living thing. The reasoning for this could be that immortality ties together the link between the speaker and death, ultimately introducing the voyage to come. The first stanza sets a precedent of a meter to follow throughout most of the poem. The first line contains eight

The speaker feels that faith has disappeared and has separated her or him from the "ebb and flow" of life. This lost faith is compared to a sea that is very similar to the sea described in the first stanza. Words of lightness and beauty are used once more. The shore "lays like the folds of a bright girdle furl'd." There is a sense of encompassing joy in this phrase. This bright and joyful image is then contrasted by the last five lines of the stanza. "The Sea of Faith" has now retreated, like a tide withdraws from the shore. It is interesting to note the similarities and differences between the words of these five lines and the words from the first stanza. The sweet "night-air"becomes "the night-wind," and the cliffs that were once "glimmering and vast" are still vast, but only dreary edges. The sea that was "round" and "full" has now left the world empty and exposed. Similarly, the speaker has lost his faith and feels alone and vulnerable.

In “Diving Into The Wreck”, Rich’s well crafted imagery and use of an extended metaphor helps to develop a powerful theme. In this poem, Rich suggests once people go through a traumatic experience they tend to hide behind a false memory they create in order to protect themselves. In order for people to completely heal themselves, they must be willing to go back into the memories they have suppressed. By taking this journey, they can reclaim what beauty was lost and put to rest the damage that was done, allowing for a rebirth of their soul.