Notes From A Native Daughter And Ernesto Galarza 's Piece Barrio Boy

Through the use of pathos, schemes, and tropes, Rodriquez offers his conflicting feelings about California and Mexico. By contrasting Mexico and California with these styles of writing, he sets up

I think what I like the most the murals that he painted I liked how he

Where I Was From by Joan Didion is a book written about Didion’s perspective of the history of California. Throughout the novel Didion shares her families past experiences and adventures of moving west. Didion not only shows the readers how California has changed but also how it changed her as a person as well. Particularly in “Part One”, the opening paragraph contains an abridgement history of the eventful westward journey of Didion’s pioneer family unit, focusing particularly on the women in the family and tracing vertebral column six generations the blood of her famous hemicranias. Didion makes a very unpersuasive argument in “Part one” by her ineffective use of organization but effective use of grounds and claims.

  The novels The House on Mango Street (Cisneros 1984) and Woman Hollering Creek (Cisneros 1992) relate the new American through the eyes of Cisneros. The women in both novels are caught in the middle of their ethnic identity and their American identity, thus creating the "New American." Cisneros moved between Mexico and the United States often while growing up, thus making her feel "homeless and displaced" (Jones and Jorgenson 109).

The Lady of Guadalupe is a huge part of the Mexican tradition, and how many people look up to her in a very godly way. She is important, because she reminds people of their appreciation for their own cultures, along with the other cultures that are all over the world. The Lady of Guadalupe is someone that is the exact replica of the Virgin Mary. But, the only difference is, is that the Virgin Mary is a saint that is represented in the European culture, and the Lady of Guadalupe in the Aztec and Native culture of Mexico. The lady of Guadalupe is a positive influence on different religions, especially Christianity.

In the film “Mi Familia,” we follow the story of the Mexican-American Sánchez family who settled in East Los Angeles, California after immigrating to the United States. Gregory Nava and Anna Thomas introduce the story of this family in several contexts that are developed along generations. These generations hold significant historical periods that form the identity of each individual member of the family. We start off by exploring the immigrant experience as the family patriarch heads north to Los Angeles, later we see how national events like the great depression directly impact Maria as she gets deported, although she was a US citizen. The events that follow further oppress this family and begins separate identity formations. These

In 1959, the Vietnam War severed to prove that not only had the Mexican American generation had failed to accomplish equality for Mexicans, but also failed to get the Anglos to view the actions in 1836 as an injustice as they began to parallel the expansion in their takeover of the Vietnamese. As a result of this failure, a new generation of Mexican activists, Chicanos, decided to take a new approach towards striving for equality; one that was based on achieving political justice for their own unique culture hoping Anglos would be forced to recognize their equal citizenship and that of other minorities. Yet despite these noble implications, many insisted that the fight for racial equality took precedence over that of gender. Thus, feeling

Norma Elia Cantu’s novel “Canícula: Imágenes de una Niñez Fronteriza” (“Canícula: Snapshots of a Girlhood en la Frontera”), which chronicles of the forthcoming of age of a chicana on the U.S.- Mexico border in the town of Laredo and Nuevo Laredo in the 1940s-60s. Norma Elia Cantú brings together narrative and the images from the family album to tell the story of her family. It blends authentic snapshots with recreated memoirs from 1880 to 1950 in the town between Monterrey, Mexico, and San Antonio, Texas. Narratives present ethnographic information concerning the nationally distributed mass media in the border region. Also they study controversial discourse that challenges the manner in which the border and its populations have been

Louise Pubols, Fathers of the Pueblo: Patriarchy and Power in Mexican California, 1800-1880, article concentrated on the de la Guerra family from Santa Barbara, California. Pubols expresses to her audience that she wants to depict Mexicans from California Mexico in a different style from the usual. Pubols starts off by giving the reader a simple description of the way the California Mexican is usually presented. Typically, Californian Mexicans have little to no agency; they lose all their land and belongings and are lost to history. Pubols uses the de la Guerra family to show that California Mexicans not only had agency but also played a large part in society. Pubols second argument was that patriarchal language was being used to describe the de la Guerra’s family governance within their community.

While today Los Angeles is prided on being one of the most diverse cities in the United States, there was (and still is) a tremendous amount of resistance that had to be overcome. Society’s inclination to maintain homogeneity along with the testing of loyalties and allegiance through pressures of war have proven great obstacles in the evolution of what is now a majority-minority city. Nina Revoyr’s Southland gives a historic fictional recount of Los Angeles’ most tested times from perspectives looking in to the past, present, and future. The discovery of unpleasant truths through grave social injustices provide a painful reminder of Los Angeles’ history and consequently a warning for future setbacks. Southland is an emotional testament to the inescapability of discrimination within stratified cities and the unspoken necessity of assimilation that occurs as a result.

Throughout the story, Lost in the City by Edwards P. Jones there are many different ways the city influences the different characters. Lost in the City takes the reader through some difficult times of many African Americans in Washington. The different characters form bond that cannot be broken in order to handle what life throws at them. In the stories "The Girl Who Raised Pigeons" and "The First Day" the city influences the different main characters in different ways, to help them come of age.

“Aguantando” means holding on. In the very first paragraph we see how important it is for the narrator, Yunior, to hold on to his father’s memory. Yunior lives with his mother (Mami), grandfather (Abuelo) and brother (Rafa). They live in a house where anything of value, including furniture, food, clothing and even Mami’s Bible is stained from a leaky roof. As a Hispanic male, believe me when I tell you there is nothing more sacred than Mami’s Bible in that home. Yet it is clear how important Papi’s pictures are because they’re always in a plastic sandwich bag to keep them dry. It’s also clear that Papi leaving was the

On Sundays after Mass- every single Sunday, Latinos gathered on parks to play soccer and have carne asada something that is very traditional in Mexican families my family could be an example of that. These parks were built with the money taken from the Japanese which speaking of now a day’s use these complexes too and this is where the two cultures met.

Both Ernesto Galarza’s “Barrio Boy” and Joan Didion’s “Notes From a Native Daughter” write about Sacramento’s past. Both authors talk about Sacramento during two different time periods. Joan Didion talks about the mid-century and Ernesto Galarza talks about the early 20th century. Although both author’s perspective of Sacramento differs from era to era, there are differences in certain characteristics described by both authors. Galarza’s essay focuses on an immigrant point of view arriving into Sacramento versus Didion’s experiences as a native decedent of Sacramento. Joan Didion’s Sacramento is a very different place compared to Ernesto Galarza’s , for him it’s an

With the increase of Mexican immigrants present around Topanga Canyon, the residents of the suburban gated community, Arroyo Blanco, begin to feel as though their suburban space and spatial identities are being threatened. In an effort to combat that threat, the residents of Arroyo Blanco redefine their space and build a wall around their community. Through Arroyo Blanco's residents' Delaney and Kyra Mossbacher's experiences with Cándido Rincón, José Navidad, and the coyotes surrounding the Arroyo Blanco community of Topanga Canyon, Boyle conveys the futility of erecting walls as a way to preserve suburban space and suburban spatial identities in a post-suburban environment like Los Angeles.