Notes On Theodor Rombouts Made Lute Player

While visiting the Dallas Museum of art I saw many pieces of art and many different names of the artist. Some of the artist I recognized and even more that I didn’t. One artwork that I found very extraordinary was The Guitarist by Pablo Picasso 1965. It’s a unique oil on canvas painting that has dimensions overall of 76 x 38 3/16 in. (1 m 93.04 cm x 96.98 cm). The Guitarist is located under European Art - 20th Century on the 2nd level. It is apart of “The Karl and Esther Hoblitzelle Collection and was gifted by the Hoblitzelle Foundation.” This fine art has many remarkable qualities to be discussed, more than just it being created by Picasso. Such as him almost always making artwork with an intent for the viewers to interpret the deeper meaning. He I able to do this by incorporating elements of art and principles of art in order for us to decipher the message. In this formal essay, we will discuss how he used those elements and principle in The Guitarist, along with biographical and contextual evidence for further understanding.

One of the famous painters of the 17th century, the Dutch painter Judith Leyster, and the first female artist admitted to the Guild of St. Luke of Haarlem. This electromagnetic picture shows what is beneath the top coating of paint. The portrait on the easel was originally a self-portrait of Leyster. However, she transformed her observance and painted the violin player over it because her most fruitful and gainful paintings were scenes of merrymakers, a type of picture very popular with customers. She must have decided that this painting could advertise several messages at once: I am a successful woman, I am sought-after painter, I can draw great portraits, and I am skill at painting lively scenes of people.

Harnett uses a variety of techniques to create this trompe l’oeil painting of a smoke backstage. The lines and implied lines from the tobacco pipe, tobacco package, newspaper, and matches overlap at perpendicular angles, creating an illusion of depth and space. These lines also create mass for the geometric, inorganic shapes presented in the foreground of this painting, especially the tobacco package. This establishes harmony and a central balance by placing

3. The mask appears to be done in a mosaic of various geometric stone shapes, such as triangular, square, rectangular, oval and biomorphic shapes. The beads are circular and oval in shape most closed, others are cylindrical in shape, and rectangular. There are lines that you can appreciate that separate each mosaic. Overall you can appreciate all the jade in the mask with an espectacular green color. You can also see a neutral color; white, which is most likely the shell and pearl. The symmetrically shaped stones create a striking balance to the mask. The eyes and the ears have also geometric shapes, which

Marc Chagall used a variety of colors. The artist used a high contrast of white in the background. The background of “The Green Violinist” is dull and full of nude colors such as shades of brown and white. Marc Chagall wanted the violinist to stand out . The violinist was painted by the use of cool colors and secondary colors such as purple, green and a splash of orange. His face is green, in my opinion, I think that gives off his emotions. Maybe, he is sick or lonely and that is why his face is green. The violinist’s outfit is purple and his violin is orange. The shapes Marc Chagall used to create The Fiddler are

To recover from the storm, I select “The Banjo” by Louis Gottschalk as my next piece. In contrast to the fierce thunderstorm in Moonlight’s third movement, Banjo is full of cheerful and light-hearted melodies. As if a sunshower, the music refreshes our mind and energizes our spirit.

In the set design, we first see the use of layering, with a large cyclorama that has been painted onto a piece of scrim to allow for a visual effect at the end of the play. The painting depicts a beautiful scene of “sheep in a meadow in the fog”, with a wall to

His hand is positioned on the bottom left of the frame with the fingers and palm situated towards the middle left side. The shoulders positioned in the top third cut through representing a horizon. The direction of the fingers makes your eye travel around the painting, the tie the slices through the middle of the shirt, the cuff of the shirt cuts across to stop your eye falling out of the frame, the lightness balancing all the darkness. The mouth dominates the image and drags you eye back to the

The work itself is constructed entirely from rowan leaves of different colours that move down in a gradient of dark to light before coming to focus on an entirely black hole. The leaves are in rich, warm tones ranging from a dark, blood red colour to a lighter medium yellow colour. The eye is immediately drawn to the hole in the middle of the piece and then to the leaves that

As I walked to The Art museum to observe a few of the art work. There were many canvases, but one particular canvas that caught my attention was an oil painting. The oil painted canvas is of a realistic mysterious woman and a phonograph, by the artist named Robert Bean. The woman shown in this painting has short dark brown hair with a long black beautiful one shoulder dress; her skin color is very light that gives that beautiful glow. Her long black dress has a mixture of dark blue and white. She is standing with her arms semi-crossed with one hand holding a small white fan. The small fan has a design of brown flowers. She is standing sideways on the right of the canvas with a piece of light green fabric around her arms; the light green material has a tent of light blue and

Additionally, the turquoise is darker in some areas, such as at the tips of her wings and at the sides of her headdress. The design itself incorporates both curved and straight lines. Four sets of two dark repetitive lines decorate the platform upon which she is kneeling. Her arms are stretched out to the side and separate from the rest of her body, attached to the wings directly above them. Her wings are intricately designed, and heavily detailed. The wings themselves can be divided into three distinctive parts. At the top of the wings, closest to her arms, there are several repetitive rows of wavy lines; these lines form a small pattern of circles. From there, the wings are split into two more sections below, however they follow a similar pattern. The line work begins close together on the sides near her body, then move further apart as the wings stretch farther from her. Small, slightly raised triangles protrude to connect the lines and form the individual feathers of the wings. The largest of the feathers are found on the outermost section of the wings, furthest from her body; the feathers in the middle section near the areas made up are wavy lines are smaller in comparison. There is also attention to detail concerning both her hair and face. She is clearly wearing heavy eye makeup, which would have been reminiscent of the kohl ancient Egyptians

One thing you may notice in the painting is that the musician may not look rich or he may look homeless. One way of making him look homeless is that the clothes that he could be wearing. He wears sweat pants and even an old shirt. He also wears an old style hat. You could also tell by the way he looks, he is laid back and chilled. He uses music to express all his feelings and even more. The performer does this not for a job or for money, but he uses it as a passion. I was once told that, “if you love what you do, you’ll never work a day in your life.” That quotation is powerful in a way because this guy plays because it’s his dream and passion. So this picture can tell you to follow your dream too.

The piece only has a few distinctive colors, the most prominent including black, white, and brown. White pebbles are used almost entirely for the two men’s bodies, the dog, and part of the stag. Brown pebbles give character to the hair of the two men, body of the stag, and smaller elements like the eyes and lips of the figures. Finally, black pebbles create most of the background of the mosaic, marking a distinct contrast between the background and the white figures.

In 1889, soon after her divorce from Diego Rivera, Frida Kahlo produced the self-portrait The Two Fridas. This emotionally disturbing, surreal painting features two symmetrically composed women seated on a sickly green bench. The holding of hands between the women emphasizes their unison. A stormy sky of distressed grey clouds ominously consumes the background of the portrait. Cool tones of color fill the frame to mimic the cold gazes of the women.

The popular Fast and the Furious star cum hip-hop artist Ludacris has recently entered the limelight after the launch of his new music video titled as ‘Vitamin D’. For those who have seen the music video can clearly notice the huge muscles and abs Ludacris has developed which according to some are fake and CGI effects.