Notre Dame Of Chartres And The Temple Of Khonsu

Two buildings, the Hagia Sophia and the Great Mosque of Cordoba, can show us two separate peoples and their approach to constructing architecture that was devoted to their religions. However, while religion played a huge role, there are similarities as well between the two that show that the rulers who commissioned these buildings were interested in mimicking beauty and showing the world that their building was the most beautiful and perhaps the most elite of its time as well as proving their divinity as a ruler of a great nation.

Way back in the ancient cultures beliefs’ and faith played a major roll in their lifetime. It treasured the art that spoke to them and made them closer to god, since writing was not indicate back then. Some believed in only one god, some in many gods and some people believed in objects like animals, the sun, items and even the weather. After visiting the Kimbell Art Museum in Fort Worth and observing some of the ancient Egyptian art collection displayed, I have decided to pick the theme of God to inform about. After my research, I discovered new and different key points about the Egyptian beliefs in god and how it affects us in our world today. My first object is the Kneeling Statue of Senenmut, Chief Steward of Queen Hatshepsut, the second object is Red-Figure Cup Showing the Death of Pentheus (exterior) and a Maenad (interior) and the last object is the Head of a Ewe.

Since then I have returned many times, just to enjoy this exhibit. Walking through the Temple of Dendur is a unique experience since it sits on a marble platform surrounded by water. The temple is especially impressive at night when no light can shine through the windows. Only the temple and its sculptures are illuminated. A sense of mystery surrounds visitors, especially those of us who have been fortunate enough to visit the pyramids in our native land. In fact, viewing the sarcophagus, sculptures, and paintings gives me a sense of nostalgia and pride in the magnificent artwork created by my ancestors.

Hatshepsut’s building programs played a major role in her reign as is shown through the praise they still receive from the future generations. Hatshepsut main focus seemed to be her building programs as she constantly refers to them. Once she acquired the role of pharaoh she started repairing buildings that were neglected during the Hyksos occupation such as the temple of Hathor at Cusae, a temple for Min and the temple of Thoth at Hermopolis. Her building programs consisted of completing Thutmose II due to his short reign and constructing new buildings. Her new building programs consisted of her mortuary temple at Deir el-Bahri; the Red Chapel, obelisks and pylon at Karnak; the barque sanctuary at Luxor and the cliff temple dedicated to the lion goddess, Pakhet at Beni Hassan. Her building programs were important to further enhance her relationship with the Amun- Re cult. Through her buildings she reinforced her relationship with Amun, using it as propaganda to prove that she has the right to claim the throne.

When I visited the Orange County Museum of Art (OCMA), I was mesmerized by the beautiful sculptures, paintings, and many other works of art. This museum introduces many different exhibitions at different times and dates. The exhibition that I chose to visit is called the “Sandow Birk: American Qur’an”. The reason why I was very interested in this type of exhibition was because it displayed Middle Eastern artwork. Another reason was because I am Middle Eastern and that I can relate to it. Although I was so focused on this exhibition only, I did not realize the other works of art. However, as I walked deeper into the museum, another exhibition caught my attention. That exhibition is called the “Olga Lah: Amass and Swell”. If anyone decides to visit the Orange County Museum of Art (OCMA), I would recommend to look online about any appealing exhibitions that are being displayed as well as calling their office to plan a visit. Furthermore, in my opinion, there were some types of art that I did not fully analyze because they were not relatively fascinating as the rest. Moreover, the artworks that I examined displayed unique qualities and their messages were demonstrated in a significant, yet informative way.

Ever since man began building structures and settling land, art has manifested itself in our architectural creations. Whether it be to celebrate or worship a God or Gods, a grand sculpture to bury a powerful leader or remember them by, or to show a culture’s dedication to specific values, our architectural constructions have led to some of the finest art this Earth has ever seen. The Taj Mahal and Palace of Versailles are two great examples of such art. By examining each of these individually, and then comparing and contrasting them, it will become clear that no matter how different looking these buildings may be, they still serve the same purpose to the civilizations that erected them.

Every religion has its own approach to art and architecture. An assessment between different traditions can offer an illuminating insight into the varying religious outlooks and theologies. Architecture, as well as art, is influenced by a number of forces in society, in the environment, in the psychology of the people who produce it, and in different institutions. It is an expression of inner feelings and beliefs and so naturally is influenced by religion in many societies. Religious architecture is created to experience the sacred, to provide a place into which spiritual energies flow and reflect a sense of the divine. Some

In an effort to learn more about my Coptic origins, I set out on my own personal journey. When I went to Egypt this past summer, I found the stories of the Coptic people painted on the walls of the ancient churches. These walls had been scratched, shot at, burned, and defaced throughout years of Christian persecution, but they still stood tall. These murals have survived the test of time because they hold the stories of those whose strength transcended the body. Their stories, passed on from one generation to the next, are, in essence, written in

In “Introduction” the “ancient trees” are used to represent the forests of materialism. “The Holy Word” is portrayed as walking through this field of materialism, showing that when not in a form of exaggerated innocence, religious values and ways of life can become lost and confused within everyday life. The structure of “The Songs of

This essay starts with the use of Roman architecture to practice Christianity. Then I will write about how the image of the Roman emperors became the inspiration for the image of the Jesus. Finally I will discuss the way Romans used the same iconography and narrative they already had as a formula to image the bible.

In many places throughout the world many buildings, monuments and sculptures have been made. Some were made centuries ago, and some were made recently. Many works of arts are significant or a great part of history. Some of the many buildings that have been made throughout time could have also been dedicated to someone or something. For example, the Arch of Titus was dedicated to Titus. Another example would be the Arc de Triomphe which was dedicated to soldiers. Many buildings can have a very significant meaning behind them, in the following essay I will be speaking about the importance of both of these works of art, which are the Arch of Titus and the Arc de Triomphe.

The Cathedral of Notre-Dame in Reims, northeast of Paris near Champagne was the coronation church of the kings of France and was an educational and cultural center. Also built of limestone, the architecture of the Reims Cathedral features Gothic style. It symbolizes an Early Gothic, Radiant Gothic and Flamboyant Gothic. The Reims Cathedral depicts a classic harmonic facade containing four levels. Its interior is defined by its towering heights and narrow proportions, and elaborate sculptural works. Because of the high quality of workmanship and materials used, Reims Cathedral features some of the most beautiful gothic art in existence. Five different cathedrals have been on the site on which Reims cathedral now sits since 401 CE. The current cathedral was built in 1211, after the previous cathedral had burned down. The new building was almost entirely finished by the end of the thirteenth century. 88 gargoyles were counted on the Reims Cathedral and are mainly used to drain off rainwater and are exceptional pieces of work, but do show the slight difference between Gothic and Romanesque styles. The stained glass windows are a beautiful part of Reims despite being damaged or ruined several times in the 18th century; the cathedral still has many 13th century stained glass windows, in the upper parts of the nave, choir and transept. On the opposite side of the great western portal, the Great Rose Window, dating from the end of the 13th century, represents “the Crowning

     Examples of Romanesque sculpture are dated back to the last decade of the eleventh century and then first decades of the twelfth. “The primary source of artistic patronage was provided by the monastic institutions, for whom sculptors executed large relief carvings for the decoration of church portals and richly ornate capitals for cloisters” (Cleaver 156)

St. Peter Claver was a humble looking church, without the towering spires or detailed architecture that some churches possess in order to fill you with worshipful awe. In fact, it would have been almost unrecognizable as a church if it were not for the relatively small silver cross that hung above the door, not even raised above the line of the roof. Walking into the church did not change the sense of humility that the outside professed. Dark wood lined the walls and floor, and made up the pews. It felt almost like stepping into a cabin that had been built in the 1970’s. Along the walls there were small portrait sized depictions of the fourteen stations of the cross. Unlike St. Agnes’s eye catching and baroque decorations, St. Peter Claver’s artwork almost blended into the background, and was not immediately visible. It appeared that the artwork mirrored the nature of the building itself, almost as if the church wanted to dispense with frivolity and maintain its focus on the practice of its faith.

The Spanish sun beamed through the stained glass windows of the church, illuminating Pope Benedict XVI in a rainbow of colors giving him an angelic glow. It was a glorious spectacle; adorned in golden robes and emanating holiness, Pope Benedict XVI consecrated The Sagrada Familia. The story made national news, it was a monumental day for the Roman Catholic Church and The Sagrada Familia, and people all across the world reflected the importance. Those who stood inside the incredible Expiatory Temple of the Holy Family that day, or any other day, were struck by the knowledge that they are surrounded by one of the world’s greatest pieces of art. Everywhere visitors look there are geometric forms and artistic intricacies that represent the teachings of the Roman Catholic Church, even the exterior is garnished with sculptures and designs that have a biblical connotations. Standing in the heart of Barcelona, the basilica has been under construction for more that 140 years its completion isn’t projected for at least ten more years. Even in an unfinished state it is widely appreciated and universally deemed valuable. The Sagrada Familia elicits value through the man who designed it, the incredible labor of its construction, its striking beauty, and its religious affiliations. Through the incredible worth of the grand basilica it inspires; those who value the church subsequently find their own values reflecting the