Notre Dame de Paris

3794 Words Oct 11th, 2010 16 Pages

Notre-Dame of Paris is one of the most prominent cathedrals in the land of Paris and portrays many diversified Gothic characteristics. This research essay will explore the cathedral in detail while emphasizing on the influence of Gothic architecture on the cathedral. Notre-Dame of Paris bears all the structural features of a Gothic cathedral including the famous rose window. By far, the Gothic style has influenced the entire design of Notre-Dame of Pairs. If there were other influences, it would be too minor to be taken noticed of. The construction began in year 1163. Being a significant building to the locals, she bore important responsibilities. Eugene Viollet-le-Duc played an important role in the cathedral’s restoration.
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This majestic cathedral decorated the land of Paris, dominating both the history of architecture as well as religion history. The cathedral still stands proudly after enduring an eventful history over many centuries. Truly a fascinating historic building to behold, ‘Our Lady of Paris’, another term for Notre-Dame of Paris, portrays many diversified characteristics which will help identify a structure as Gothic. One may lay eyes upon this building and refer it to one of Gothic’s grand structure. For many, their first concept of Gothic architecture derives from some reference to this majestic construction. In this research, I shall consider the following questions as an approach to appreciate and comprehend Notre Dame de Paris’s architectural aesthetic and value better:
1. What are the obvious influences of the Gothic style to the cathedral?
2. Has the Gothic style influenced the building completely or only part of it? If it was only partially influenced, what may be the other influence that affected the design of the structure?
3. How and when the cathedral was build?
4. What is the importance of this cathedral and how did the local people accepted the cathedral? As a brief introduction to Gothic, the label ‘Gothic’ was coined in Italy. It was during Renaissance, “as a derogatory reference to the art and architecture of these earlier centuries” (Introduction:
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