Nt1310 Unit 3 Self Assignment

Before writing and doing the requirement of this assignment, I thought this assignment would be easy because I can simply follow the instruction of each section and then write. However, I find that it is actually not easy to complete this assignment. Because when you were doing the each self-exam, you want to use this assignment as an opportunity to learn your body and be responsible for it. Therefore, I treat each self-exam very serious and I do not want to miss any potential risk of my body.

Over the past fifty years, the British Music Publishing industry has undergone dramatic changes. It has evolved as an entity with innovations in technology, changes and creations of laws and new mediums to promote and exploit songs to a wider audience. Therefore, the way in which the music publishing industry operates and exploits its assets has completely transformed, and continues to do so at a rapid pace. This paper will attempt to explore the ways in which publishers exploit song copyrights and the way in which this has changed over the past 60 years. It is important to define what is meant by copyright and its role within the industry. The Performing Right Society website states: “Copyright

The performance rights organization (PROs) has been a reliable group for a lot of publishers and record label in the music industry. Currently, PROs have made deals with songwriters, publishers and, labels for years, but recently a few of these companies feel the PROs

Step by step of becoming a music producer involves being dedicated and desire to understand of the art of music producing. First I have to learn the instrument making sure that I know how to use it. Then i’ll have to master the technology knowing everything

In order for the reader to fully understand the terminology appeared in this research paper, the following definitions are given. Apparently, a lot of these terms will be familiar to any readers who have experiences in the field of music publishing and music licensing.

The music industry is a diverse and ever-changing industry that has come a long way since its emergence in the mid 1600’s. (Morton) It now resides in a world that is almost entirely digital. According to Jerry Flattum, “The history of music publishing is really the history of the songs that made publishing possible. Every publisher’s success and reputation was based on it’s catalog, and mostly, how many hit songs were in that catalog.” (Flattum)

recording industry. Thus the term ‘the music industry’ is often used in ways that lead

What value does Hit Song Science create? If you were Mike McCready, CEO of Polyphonic, which target market – unsigned artists, producers, or record companies would you pursue?

“Since you are all songwriters for the band, a music publishing deal with Sony/ATV Music Publishing would be crucial,” stated Sonya, “we make sure that you, the songwriter/copyright holder, receives the money that you deserve. Now I know that you have a lot of music on the internet, but I just want to double-check that it is all properly copyrighted.” “Yes, we email ourselves every file and we are planning on going to the Copyright Office soon.” “That’s great to hear! Now let’s talk about your choices for deals. The first deal is a Songwriting Deal, this is intended for songwriter’s who are just starting out. You must record and/or release a certain number of songs in your term. You will also get an advance of royalties or a weekly stipend. The ownership will go to the publisher for all of the compositions that are delivered throughout your term because we will give you creative advice and also team you up with some of our expert songwriters. There will also be a 50/50 split on your royalties for the lifetime of the song,” Sonya announced, “The next deal gives you a little bit more freedom as a songwriter. It is known as the Co-Publishing Deal. This also includes a term, delivery requirement and advances against royalties. The main difference between this deal and the previous one is the fact that the ownership is split. Since the songwriter would own the copyright, they will take some of the publisher’s share. So instead of the split being 50/50, it would be

Publishers, or the act of publishing, entails an organisations acquirement of the copyrights to an artist’s material. We can look at the role of a publisher for both a songwriter, a performer, and an artist who both writes their music and goes out to perform. Publishers will dedicate time, money, energy and passion into an artist’s career and help them to develop their songs into the industry.

The following three chapters present the findings of this practice-based investigation, by interrogating the production of fourteen music documentaries I created for commercial radio between 2008 and 2013. These findings provide a narrative of discovery, which build on the first four chapters by capturing the multitude of processes involved in shaping my work as a freelance radio documentary producer. By isolating and identifying key responsibilities and technical considerations, I provide insight into contemporary freelance documentary production for commercial radio, enabling me to explore the central questions that underpin this study. I have structured my findings into three chapters, following a chronological timeline, which capture

The sound and music industry is large and complex and always changing, and it would be impossible to cover all parts to it in one article. So this piece is going to focus on four of the key areas of the industry – live performance, record companies, music publishing and artist management – to see how they have developed and how they now operate, and to analyse how they are facing current challenges and what their future is likely to be.

There are several varying positions in the music industry that can seek besides a music producer. According to CareersInMusic.com, which lists both careers in the industry, the list of jobs includes, but is not limited to, audio engineers,

A brief introduction into the world of the music publisher will help the understanding of the benefits and pitfalls that occur with the ongoing decline in the record industry, and how music publishing utilizes the advantages it possesses to insulate itself against the changing marketplace due to it’s diverse streams of revenue.

Producers are similar to A&R people but can also be engaged in many other different aspects of the production chain from editing the song to marketing the artist. Finally, the largest target customer segment is the unsigned artists, comprising tens of thousands of individuals desperately hoping to secure a recording contract with labels, while working on a tight budget.