Nurse Ratched Character Analysis

wo of the most prominent conflicts in the story are issues arising from person vs. person (Randle McMurphy vs. Nurse Ratched) and person vs. self (Dale Harding and Billy Bibbit.) Of the two topics, the arising issues between patient McMurphy and Mrs. Ratched seems to prompt for the largest problem. From the moment that McMurphy was admitted to the psychiatric ward, there was tension between him and Nurse Ratched. Upon his arrival, McMurphy established that he wanted to know who the “bull goose looney” (most influential man among the patients) was so that he could overpower him and gain power. Nurse Ratched seemed to disapprove of his thirst for power from the beginning, fearing that he may disrupt the flow of her ward. The tension between the

The oppressor, or antagonist, of the story is Nurse Ratched, or the Big Nurse. Her methods of oppression, including attempts to emasculating the men in the medical ward, is the foundation of the work. The nurse uses her power to manipulate the patients as well as members of the staff in the hospital. Since she is in charge of the entire ward, she runs it with an iron fist while concealing her feminism and humanity behind a patronizing façade. As the story progresses, Nurse Ratched loses some power over the patients with the introduction of a new patient on the ward, Randle McMurphy. As McMurphy continues to fight her oppression, her façade breaks down and falls apart as she loses control.

Everything seen as unfathomable ideals at the time are used in the book to help point out how ridiculous they are. For example one of the many crucial roles in One who Flew Over the Cuckoo’s Nest is the evil Nurse Ratched who obliterates all of the standards of women during this time. She is an authoritative figure who has complete control over the male patients in the ward. She can play with them as if they are her puppets she makes even the biggest man on the Ward Chief, a 6’7 foot Indian feel tiny in comparison. In fact Chief explains to Mcmurphy “No. I’m way too little . I used to be big, but not no more.You twice my size. ” ( Kesey #219) This proves how Nurse Ratched as such control over her patients that a 6’7 man thinks he is smaller than the height of the average man like Mcmurphy. She uses any opportunity she can to get into the head of her patients by forcing the patients to repetitively speak about their flaws and insecurities and writes every bit of information down to use against them later. These tortuous meeting usually cause the patients to go into a fit the most notable patient is Billy Bibit, a man known for his stuttering problems exclaimed “ 'I c-c-couldn't take it. Wh-wh-wh-whenever the officer in charge of class would call roll, call Bibit, I couldn't answer.” then he says “You were supposed to say, “Here sir,” and I never c-c-could get it out.”(Kesey #56) This viscous routine of her silencing the patients by making them confess what they lack in order to fit into society continued until McMurphy Showed

Mrs.Bibbit, Billy’s mother, and friends with Nurse Ratched, is another authoritative figure in the novel. Mrs. Bibbit gains her power by preventing Billy, from becoming an adult. At first Mrs. Bibbit does realize that Billy is an adult and is able to function in society, When his mother tells him he has plenty of time to accomplish things such as going to college, and Billy reminds his mother that he is thirty-one years old, she replies, "'Sweetheart, do I look like the mother of a middle-aged man?'" (Kesey 247). This shows that Billy’s mom does not seem to understand that Billy is an adult that is able to live in the outside world. This Results in him feeling Insecure and he chooses to remain in the ward. “Sure! It’s Billy, turned from the screen... If I had the guts.” (168). This takes place after McMurphy realizes that the men are there voluntary, Billy explains to McMurphy that he could leave at any time if he wanted to but he believes he doesn’t have the guts to go out in society. Unfortunately in the end it is just the fear of his own mother, and Nurse Ratched’s manipulative ways that causes him to take his own life. Another family member who manipulates her "loved one" is Vera Harding, whose control over her husband is similar to that of Billy and his mother.

Other patients on the ward begin to stand up to Nurse Ratchet and her rules. For instance, Cheswick hollers “ Rules? Piss on your fucking rules, Miss Ratched!” (Forman One Flew Over The Cuckoo’s Nest Film). A momentary outburst from Cheswick is an indicator that McMurphy has been able to model a sense of indignance at all of their treatment, and this is now being emulated by other patients through their behaviour towards Nurse Ratched. Another instance of patients talking down to Ratchet is when Sefelt states “Maybe he'll just show Nurse Ratched his big thing and she'll open the door for him.” (Forman One Flew Over The Cuckoo’s Nest Film). In this statement the use of sexual language is about empowerment. This makes reference to the possibility that McMurphy holds the key to their liberation from Nurse Ratchet’s control through his capacity to dominate her both sexually and otherwise. His ability to stand up to her and challenge her has captured Sefelt’s

Nurse Ratched, the ward supervisor, personifies the forces that seek to control the individual by subduing their right to think and act for themselves. She acts as a dictator who is constantly manipulating her patients to gain an advantage over them. Because Nurse Ratched supervises a mental hospital, she is expected to tell her patients what to do, but “the novel suggests that Nurse Ratched goes beyond mere supervision and instead seeks to rule all elements of the patients lives” (“Oppression in One Flew Over the Cuckoo's Nest”). Nurse Ratched and her staff dehumanize the patients, and this eventually causes the patients to become broken inside.

The nurse, Miss Ratched is undoubtedly a villain from most reader’s perspective, but there is much more to being a villain that simply being a “ball-cutter” on the surface. In fiction, typically a villain is someone who follows a certain set of motives in order to gain what they are trying to achieve. Whether this is money, power, or something they just do for the sake of the act, all villains possess a motive. Though the reasons behind her actions are not explicitly clear in the novel, it is obvious that one of Nurse Ratched’s main motives is the implied fact that she wants to break down the men in her ward. The reason behind this is that she wants to degrade and force them into the mould of not only society’s, but her own twisted imagery of the way a person should look and act as well. The nurse is an established authoritarian figure in the novel, and presents herself in such a way that her patients not only fear what she may do to them on any given day, but merely her presence as well. She keeps the men sedated with drugs they may not ask about, abuses them and manipulates them with her words and the power of suggestion, and makes self-admitted patients feel as though they are too “sick” to sign themselves out. Out of all the heinous acts she commits in the novel, one of the most villainous is probably the group “therapy” sessions she holds. The men

As a man who pretends to be deaf and mute, Bromden is considered to be a relatively unbiased character, yet he even displays strong feelings of hatred towards Nurse Ratched, proving just how evil she is. As Nurse Ratched enters the novel for the first time, she brings with her a noticeably ominous atmospheric change with, “A gust of cold,” (4) that represents her complete control over every aspect of the mental ward, even the weather. At the pinnacle of Kesey’s totalitarian society, Nurse Ratched represents the tendencies of an oppressive government or what Bromden calls, The Combine. For example, she suppresses the patients’ free will because regardless of the patients actual sanity, she is undeniably in control of their fates at the hospital. Besides McMurphy, the majority of the patients could leave on their own, but Nurse Ratched has been able to brainwash them into thinking that they are not suited to assimilate with others outside of the ward. Billy Bibbit says to McMurphy when he asks why they do not leave, “You think I wuh-wuh-wuh-want to stay in here? You think I wouldn’t like a con-convertible and a guh-guh-girl friend? But did you ever have people l-l-laughing at you? No, because you’re so b-big and so tough!” (162-163). Just like an oppressive government, Nurse Ratched convinces its people that they are worthless so they never feel powerful enough to retaliate. Like an alcoholic, Nurse Ratched needs her fix of power that makes her drunk and

about his dealings with Candy. In doing so, the nurse is able to get Billy to turn on the other

Regarding Miss Ratched, she seems to show signs of passive-aggressive behavior throughout the book. This behavior adds to her manipulative ways and contributed to the decrease of the patients’ progress (mental/physical state). Passive-aggressive behavior is used to maintain control and power because it’s a way for her to not display any signs of weakness. Miss Ratched, also known as the Big Nurse to the patients, fights hard to remain as the top authority figure in the Ward due to her thirst for power. To maintain the control over the men, she emasculates them, stripping them of their masculinity, in various ways to prevent the chance of an uproar against her. For instance, after a group meeting regarding Harding’s problem with his wife’s breasts, the patients attack Harding. In response, McMurphy provides an analogy of a pecking party to the current

So. Does anyone care to touch upon this subject further?” and McMurphy, holding his hand up, asks for permission to speak and says “Touch upon what?” and Nurse Ratched in a shocked way says “What? Touch-” and adds “ Touch upon the subject of Mr. Harding’s problem with his wife.” And McMurphy says “Oh. I thought you mean touch upon her - something else.”(44). Speaking of breasts, McMurphy usually asks Big Nurse’s breast size, “the actual inch-by-inch measurement”, and he collapses her authority when she feels it’s topmost: “ [...] then destroyed her whole effect by asking something like did she wear a B cup, or a C cup, or any ol’ cup at all?”(176-7). So, as we can understand, McMurphy’s insulting manners to get over her dominion includes men sexuality with his fifty to position cards, his pride in having had a voracious fifteen-year-old lover and his Moby-Dick boxer shorts, clashes with the sterile and sexless ward that Nurse Ratched tries to maintain.

The suppression that the male patients face traces back to the suppression of American society. McMurphy refuses to be another robot following orders aimlessly, he fights to maintain his individuality and to spread that individuality to the other patients. Just as the novel, society in America is very mechanical, citizens follow mundane orders like machines and when a unique individual breaks through and expresses themselves, they are eliminated. The power that Nurse Ratched feels against the male patients is similar to the power that Society holds on their people, order and control is essential. Both entities fear individuals whom have original thought, those people cause a threat since they can influence others to think the way they do--control is then lost.

At this time, the Nurse believes that she had won after defeating McMurphy and is now able to easily assert her dominance again. However, she is not aware of the true effects of McMurphy’s character on other patients. “McMurphy's commitment to human freedom is a seed that will be nurtured into a tree in his relations with the men in the cuckoo's nest and will eventually bear the fruit of their freedom before it expires from the effort” (Porter 3). M. Gilbert Porter suggests the fact that others, namely Chief Bromden, had taken the beliefs of McMurphy to heart. Porter asserts that McMurphy’s strength and influence had accomplished its goal of reaching out and controlling the patients of the ward. People such as Chief Bromden are now aware of his wishes even after McMurphy had received multiple electroshock therapy sessions and a lobotomy. Unfortunately for the Nurse, she has underestimated the extent to which McMurphy’s strength had reached. Bromden is able to use this strength to lift the panel to break a window to success, a feat even McMurphy couldn’t accomplish. “The glass splashed out in the moon, like a bright cold water baptizing the sleeping earth” (Kesey 324). By breaking the window to freedom, Bromden is able to break the boundaries that the Nurse had failed to strengthen after McMurphy’s loss. Ratched

By carrying out the Combine?s orders and imposing a matriarchal system, the Big Nurse has the ability to systematically dehumanize the patients and suppress their individuality. In Group Meetings, the men are forced to talk about personal experiences, a method Big Nurse claims is therapeutic but is actually very humiliating. Billy Bibbit talks about his first love who his mother disliked. Billy?s relationships with women seem to be the root of his problems. Nurse Ratched worsens the situation by ?grinding (his) nose in (his) mistakes? instead of helping him work through his problems (59). The patients let the nurse manipulate them in fear of the consequences of her wrath, and consequently are shamed, weak, and defenseless men. Even the Chief, the biggest man, has become a person so weakened by his society that he loses his ability to speak against the cruelty that surrounds him, ultimately leaving him powerless. The men are victims of their society and lose all their self confidence and individuality as a result of being pressured to conform.

This is a more direct example of her control, placing her right in the center of a machine, regulating everything. In fact, the Chief makes references to this machine throughout the book, a “smooth, accurate, precision-made machine” (Kesey 25). In reality, the Big Nurse influences the patients herself, treating them in a condescending matter. She also sets the patients against one another, through encouraging tattling with a log book in which patients record revealing statements about each other told in confidence, with some reward to the writer. As well, her therapy sessions are like ‘pecking parties’ in which “The flock gets sight of a spot of blood on some chicken and they all go to peckin’ at it, see, till they rip to chicken to shreds, blood and bones and feathers” (Kesey 51). Big Nurse uses the orderlies, the black boys, to subjugate and punish the patients, often with rape.