Nwoye Mother

The beginning of the story involved a lot of characterizing on the youngest sister Maggie. Before her older sister Dee arrived at the house, her actions showed that she was scared to see her sister. “Maggie will be nervous until after her sister goes: she will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eying her sister with a mixture of envy and awe. She thinks her sister has held life always in the palm of one hand, that "no" is a word the world never learned to say to her” said the mother.

Because of the lack of acceptance from his family, especially his father, he is forced to make a choice between his new culture, or his loved ones. He chooses to leave, and when ask by his father’s friend, obierka, Nwoye says [quote about Okonkwo not being his father]. Okonkwo doesn’t take it well either stating to his children [the thing about them being dead to him or something]. This action shows Nwoye’s willingness to value his new faith in Christianity over his own blood. His troubling past with his father and sense of belonging makes it easy for him to change his life for the better by leaving. The missionaries offer Nwoye a better alternative to the oppressive life he is living, which gives him peace of mind as he leaves his family behind. In the wake of Nwoye growing up and struggling to find himself, he managed to go through a cultural shift and completely change his identity. As some Ibo people also choose to convert also, the missionaries gain more and more power over the village. Things begin to fall apart for the Ibo clan as they are divided because of the forces within themselves. The village of Umuofia is ultimately destroyed because of the split between the people living there. Although Nwoye never felt quite in the right place before, he finds peace of mind in his new sense of self, and easily forgets his past to start a new and better

Maggie and Dee are extremely different people, but they share some qualities like all sisters do. One similar trait is they are both from the same family and experienced some similar events in childhood. Both children had to experience the fire that burnt down their old house (49). Another example of their similarities is that they are both in a relationship with a man. Dee is with the person that may or may not be her husband Hakim-a-Barber and Maggie has the man she is courting, John Thomas. They both are going through the ups and downs of a relationship. Lastly, they both want the quilts that Mama has. Dee wants to take them back to

Now all of a sudden she has Black Muslim family and wants to impress them so she returns to grab things that are part of her family’s heritage. That are only interested in what they stand for and not for whom they stand for.  Then as soon as she pays a visit to her home, she picks up and walks out again.  It is obvious, to her heritage is for show not for living. The situational irony is present as well. Selfish Dee expects to be able to just walk into Mama’s house and take what she wants. Instead, Mama finally realizes that Maggie deserves the quilts because she understands her heritage. Mama actually understands what Dee is becoming and decides to give the quilts to Maggie.

Mama had been so excited for Dee’s visit because she hadn’t seen Dee in years, “You’ve no doubt seen those TV shows where the child who has “made it” is confronted, as a surprise, by her own mother and father, tottering in weakly from backstage,” Mama had dreamed of this day to come because she knew she had done something good for her child, something to be proud of. But upon Dee’s arrival both Mama and Maggie had noticed her change as if she was better then them and understood more of African culture because she had an education, “ I couldn’t bear it any longer, being named after the people who oppress me.” Dee had converted not only her name but her clothes and jewelry to make a statement of what “real” heritage is. This quilts led to a controversy between the meanings of their heritage. Ironically for Dee, Mama had offered her the quilts a long time ago but was too interested in appearance rather than the legacy left behind, “ I had offered Dee a quilt when she went away for college. Then she had told they were old- fashioned, out of style.” Then when she comes back, she wants to hang them as décor and doesn’t want Maggie to have them because she’ll ruin them, ““Maggie can’t appreciate these quilts!” she said. “ She’d probably be backward enough to put them to everyday use.”

Maggie is the younger sister of the two. Parallel to Mama, Maggie also suffer from insecurities. Dee is lighter than Maggie with nicer hair and a fuller figure. Maggie was burned in the house fire and she shuffles when she walks. She is described as being shy, unable to make eye contact, and does not like to be seen when other people are around. The story tells how “she stand hopelessly in the corners, homely and ashamed of the burn scars down her arm and legs, eyeing her sister with a mixture of envy and awe” (p.315). Maggie’s thought of her sister is that she has always held life in the palm of one hand, that’s “no” is a word the world never learned to

I would describe Nwoye as a very curious and sensitive character. Not everyone is proud of the man Nwoye had become, for example Okonkwo. “ Okonkwo’s first son, Nwoye, was then twelve years old but was already causing his father great anxiety for his incipient laziness.”(13/2). Based on his father's observation you can come to a conclusion that Nwoye was very lazy starting at a young age. As you can see Okonkwo was fairly disappointed on the person Nwoye had turned out to be. Okonkwo and Nwoye never had a great relationship and sums up Nwoye as very naive having none of Okonkwo's traits. “What are you doing here?” Obierika had asked when after many difficulties the missionaries had allowed him to speak to the boy. “I am one of them”, replied Nwoye.”(144/2). Nwoye

The way the burning house, her stuck-up sister, and society influenced Maggie make her unique in relation to others. Maggie was so damaged from her home burning down that she turned into a meek and undervalued young lady. Maggie is so unsure that her mother says she walks like a dog run over by a car: “chin on chest eyes on ground, feet in shuffle, ever since the fire that burned the other house on the ground.” This demonstrates that Maggie absence of self-confidence make her frightened to look. She imagines that on the off chance that she can’t see the individuals around her, then they can’t see her. What’s more, Maggie’s discernible scars have impacted on the way she conducts herself. As indicated by Mama, when she was pulling Maggie out of the fire, her arms were adhering, “her hair was smoking, and her dress was tumbling off her in minimal dark papery pieces.” This is huge light of the fact that indicates how much the flame really physically scarred her. This additionally clarifies why she is so apprehensive about individuals seeing her. Maggie’s apparent compressed version of confirmation in herself is created basically by the fire. The barbaric way Maggie’s sister, Dee, presents herself awful impact on Maggie’s certainly. At this point when Dee inquired as to whether she can have some unique quilts and Mama says no on the grounds that she

Mama realizes that Dee doesn’t deserve the quilts when Dee explodes on her family and looks at her mother with hatred. Dee doesn’t see the people behind the quilts just like how she doesn’t see the people behind her name. Maggie was a part of the quilt. She could continue the art of quilting. That is a part of her family’s inheritance and heritage. The things Maggie learned from her family created who she was as a woman. Mama takes the quilts from her and

When the climactic scene occurs and Dee asks “Can I have these quilts?” (145), Maggie’s first implied reaction is one of surprise and anger; “I heard something fall in the kitchen, and a minute later the kitchen door slammed” (145). But as someone “never used to winning anything, or having anything reserved for her” (146), Maggie succumbs and offers to let Dee have them. Although “Maggie knows how to quilt” (146), she is able to comprehend the deeper personal value of the quilts, and states that she “can ‘member Grandma Dee without the quilts”(146). Despite their value as an item of everyday use, the quilts are meaningful to Maggie, much in the way they are to her mother who remembers having quilted them with Big Dee. The scraps, the bits and pieces and “one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the Civil War.” (145) hold deep significance to Maggie.

Unlike Dee, Walker’s description of Maggie is seen as an unattractive and awkward girl. Her mother notes “good looks passed her by” (355). Furthermore, she carries herself with low self-esteem, “chin on chest, eyes on ground” (355). Besides her appearance, when Maggie is first introduced in the story, Mama points out that she is nervous about her sister’s visit and “will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eyeing her sister with a mixture of envy and awe” (355).

In the story, she introduces two sisters with almost opposite personalities and different views on heritage: Maggie and Dee. She uses the contrast between the two sisters to show how one should accept and preserve one's heritage. Beyond the contrast between two sisters there exist the judge figure mom, the narrator and the Dee's irony. The irony on Dee's opinion is the key to understand the story and why the mother let Maggie keep the quilts, which symbolize the heritage.

Momma's point of view defines how she feels about her daughters and the degrees of separation that exist between the two girls. Momma describes Maggie as a partially educated child who does not look as appealing as her older sister. Maggie was burned in a house fire that left her scared all over her body. She does not wear revealing clothes, nor does she attract men as Dee does. Dee, on the other hand, is described as an educated young woman who is ready to take on any and every adventure. Momma says that Dee used to read to her and Maggie without pity (94). She describes Dee as the stylish child; she always prepared dresses out of momma's old suits and is always up on the current style. Momma likes the different qualities Dee possesses, but she is slightly threatened because they are unfamiliar to her. From the description that momma gives of her daughters the reader can feel the differences that exist in her thoughts about her daughters.

In the story, a dispute comes about, which was who should receive the grandma’s quilts even though they were already promised to Maggie. Dee argued her sister wouldn’t appreciate the quilts; she would put them to everyday use rather than hang them. Mama explained that was the purpose of the quilts to be used; it held no sentimental value because it was a materialistic thing. At this part of the story, Mama conformed to Maggie’s needs by giving her the quilts instead of obeying Dee’s (Wangero’s) demands as usual.

The behavior of overlooking her sister's, Maggie, and Mama's feelings since her childhood to the present indicates Dee's character as a person who disregards others. Mama ponders that while the house where they used to live burned to the ground; Maggie was burning, her "hair smoking and dress falling off her in little black papery flakes." Although she saw that Maggie needed her sister's aid, Dee stood "off under the sweet gum tree" at a distance (87). Walker reveals that Mama still finds Dee carrying her self-centeredness when she excludes herself from the pictures and "never [took] a shot without making sure the house is included" (89). Dee wants to capture the signs of poverty from her past so that she can show how much success she has gained in spite of being poor to her friends. Dee is so egotistical that she declares her sister is "backward enough to put [the quilts] to everyday use" (91) whereas she considers herself smart and would appreciate the quilts by hanging them. Her coldness and lack of concern make