Nwoye Mother

In the story, she introduces two sisters with almost opposite personalities and different views on heritage: Maggie and Dee. She uses the contrast between the two sisters to show how one should accept and preserve one's heritage. Beyond the contrast between two sisters there exist the judge figure mom, the narrator and the Dee's irony. The irony on Dee's opinion is the key to understand the story and why the mother let Maggie keep the quilts, which symbolize the heritage.

Maggie and Dee have completely different physical appearances than each other. Maggie has a thin body figure, and her arms and legs are scarred from the house fire. Maggie is jealous of Dee’s beauty, and she seems to be ashamed of the way she looks. Mama says, “Maggie will be nervous until after her sister goes: she will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eyeing her

The way the burning house, her stuck-up sister, and society influenced Maggie make her unique in relation to others. Maggie was so damaged from her home burning down that she turned into a meek and undervalued young lady. Maggie is so unsure that her mother says she walks like a dog run over by a car: “chin on chest eyes on ground, feet in shuffle, ever since the fire that burned the other house on the ground.” This demonstrates that Maggie absence of self-confidence make her frightened to look. She imagines that on the off chance that she can’t see the individuals around her, then they can’t see her. What’s more, Maggie’s discernible scars have impacted on the way she conducts herself. As indicated by Mama, when she was pulling Maggie out of the fire, her arms were adhering, “her hair was smoking, and her dress was tumbling off her in minimal dark papery pieces.” This is huge light of the fact that indicates how much the flame really physically scarred her. This additionally clarifies why she is so apprehensive about individuals seeing her. Maggie’s apparent compressed version of confirmation in herself is created basically by the fire. The barbaric way Maggie’s sister, Dee, presents herself awful impact on Maggie’s certainly. At this point when Dee inquired as to whether she can have some unique quilts and Mama says no on the grounds that she

The beginning of the story involved a lot of characterizing on the youngest sister Maggie. Before her older sister Dee arrived at the house, her actions showed that she was scared to see her sister. “Maggie will be nervous until after her sister goes: she will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eying her sister with a mixture of envy and awe. She thinks her sister has held life always in the palm of one hand, that "no" is a word the world never learned to say to her” said the mother.

Mama had been so excited for Dee’s visit because she hadn’t seen Dee in years, “You’ve no doubt seen those TV shows where the child who has “made it” is confronted, as a surprise, by her own mother and father, tottering in weakly from backstage,” Mama had dreamed of this day to come because she knew she had done something good for her child, something to be proud of. But upon Dee’s arrival both Mama and Maggie had noticed her change as if she was better then them and understood more of African culture because she had an education, “ I couldn’t bear it any longer, being named after the people who oppress me.” Dee had converted not only her name but her clothes and jewelry to make a statement of what “real” heritage is. This quilts led to a controversy between the meanings of their heritage. Ironically for Dee, Mama had offered her the quilts a long time ago but was too interested in appearance rather than the legacy left behind, “ I had offered Dee a quilt when she went away for college. Then she had told they were old- fashioned, out of style.” Then when she comes back, she wants to hang them as décor and doesn’t want Maggie to have them because she’ll ruin them, ““Maggie can’t appreciate these quilts!” she said. “ She’d probably be backward enough to put them to everyday use.”

Mama realizes that Dee doesn’t deserve the quilts when Dee explodes on her family and looks at her mother with hatred. Dee doesn’t see the people behind the quilts just like how she doesn’t see the people behind her name. Maggie was a part of the quilt. She could continue the art of quilting. That is a part of her family’s inheritance and heritage. The things Maggie learned from her family created who she was as a woman. Mama takes the quilts from her and

Maggie's personality is closely connected to the ego section because of her powerful desire to do right and to solve her problems realistically. Mama explains that "after dinner Dee went to the trunk at the foot of [the] bed...Maggie hung back in the kitchen over the dishpan" (Walker 95). As Dee tries to usurp the quilts from her mother, Maggie tries to help her mother by doing the dishes. Maggie tries to act morally while Dee tries to take advantage of her mother. While discussing the rightful owner of the quilts, Maggie said, " 'She can have them, Mama'...like somebody used to never winning anything, or having anything reserved for her" (Walker 97). Instead of fighting over the quilts, Maggie willingly gives them to her sister. Even though Maggie wishes to have them, she does not want to produce conflict in her family. Maggie is accustomed to getting less than her sister and has an unselfish personality. Her actions are parallel to an ego because the ego defines moral actions.

““Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armour yourself in it, and it will never be used to hurt you.” --George R.R. Martin, A Game of Thrones. Nwoye’s sense of identity was challenged with the introduction of Western Ideas into the Ibo culture. Nwoye started out as a weak boy, in Okonkwo’s eyes, in the novel. He spent most of his time with his mother, he was very emotional, and he was betrayed by Okonkwo when he killed his best friend, Ikemefuna, however, the cultural collision of the British colonists and Ibo people affected Nwoye to the point that he eventually switched over to Christianity. He became a missionary and had a major fallout with his father and ended

Unlike Dee, Walker’s description of Maggie is seen as an unattractive and awkward girl. Her mother notes “good looks passed her by” (355). Furthermore, she carries herself with low self-esteem, “chin on chest, eyes on ground” (355). Besides her appearance, when Maggie is first introduced in the story, Mama points out that she is nervous about her sister’s visit and “will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eyeing her sister with a mixture of envy and awe” (355).

She lacks all the qualities her sister has. She’s not bold, and she walks with her head down on the floor, showing she has no self-confidence. She has scars all over her body, from the time the house burned down. She’s more of a quiet person who would stand in the corner and not talk to you. You can tell she’s always been kind of jealous of her sister, but I guess also a bit proud of her, and despite everything she does love her. If she didn’t, she would have never raised money with her mom and the church for her sister to go away to college. She also always looks at her sister with a mixture of envy and awe. She’s used to getting everything she wants and loves taken away from her, right in front of her eyes. When Dee finds these quilts that Maggie is supposed to have once she gets married, she’s in the kitchen. When she hears her mom and sister talking about the quilts, she comes out of the kitchen and tells her mom "She can have them mama", and she says it as if she’s used to never wining anything "I can remember Grandma Dee without the quilts." And she smiles, but you can tell it’s not a smile of happiness; it’s more of a forced smile she is used to giving

The narrator described herself as large, big-boned woman with rough, man-working hands. She said she can kill and clean a hog as mercilessly as a man, and her fat keeps her hot in zero weather (444). She seemed to be a hard working woman, who differently from Dee is proud of her heritage and where she came from. It is understood she knew she may not have had the best life possible, but made the best of it. She knew Dee was the successful, popular child, but once Dee returned home with a changed name she saw her in a different light. She realized Dee’s doings were from throwing out the cultural heritage she belonged to into the new, hip black movement. She seemed to appreciate Maggie more after Dee tried to remove things from their house to show off. When Dee argued with her about giving the quilts to her instead of Maggie who was used to never winning, or having anything reserved for her the mother grabbed the quilts from Dee and handed them to Maggie. The mother is very grateful for her children, but is not going to let Dee, the daughter who has “made it”, take over the quilts meant for Maggie once she married.

He is very different form his father and in some way reminds us of Unoka who was a total opposite to Okonkwo. He is the black sheep and the scapegoat of the family, before Ikemefuna is in the house that becomes like an older brother to Nwoye and teaches him to be gentle but successfully masculine at the same time “ Nwoye’s mother was very kind to him. Treated him as one of there own children” (27) “ Nwoye … became quite inseparable form him” (28). Okonkwo approves of Nwoyes actions and stops the beatings. Although Nwoye is now a “real man “ he still misses his “feminine ways” for example music and the act o conversation.

Nwoye is Okonkwo’s eldest son who Okonkwo considers unforgivably emasculate and very much like his father, Unoka. As a child, Nwoye usually receives the brunt of his father’s criticism and remains feeling unwanted. Eventually, Ikemefuna comes to fill that void and Nwoye, in his adoration of his adoptive brother, begins to takes after him. Also In a take strange way, Ikemefuna fills the role of both father and brother for Nwoye, providing him with a peer to share his thoughts and a person to look up to. As Ikemefuna rubs off on Nwoye, Okonkwo begins to find more favor with both of the boys. As a result , the three begin to form an unbreakable bond, or so they thought.

Now all of a sudden she has Black Muslim family and wants to impress them so she returns to grab things that are part of her family’s heritage. That are only interested in what they stand for and not for whom they stand for.  Then as soon as she pays a visit to her home, she picks up and walks out again.  It is obvious, to her heritage is for show not for living. The situational irony is present as well. Selfish Dee expects to be able to just walk into Mama’s house and take what she wants. Instead, Mama finally realizes that Maggie deserves the quilts because she understands her heritage. Mama actually understands what Dee is becoming and decides to give the quilts to Maggie.

When the climactic scene occurs and Dee asks “Can I have these quilts?” (145), Maggie’s first implied reaction is one of surprise and anger; “I heard something fall in the kitchen, and a minute later the kitchen door slammed” (145). But as someone “never used to winning anything, or having anything reserved for her” (146), Maggie succumbs and offers to let Dee have them. Although “Maggie knows how to quilt” (146), she is able to comprehend the deeper personal value of the quilts, and states that she “can ‘member Grandma Dee without the quilts”(146). Despite their value as an item of everyday use, the quilts are meaningful to Maggie, much in the way they are to her mother who remembers having quilted them with Big Dee. The scraps, the bits and pieces and “one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the Civil War.” (145) hold deep significance to Maggie.