O Henry

It is not difficult to at first dismiss the similarities of Mark Twain’s The Adventures of Huckleberry Finn and Homer’s Odyssey as entirely superficial. Both are examples of the narrative pattern of The Hero’s Journey; the Odyssey presented as an epic that was so influential it birthed the entire western cannon of story telling and The Adventures of Huckleberry Finn written in the tradition of the Great American Novel that defined the spirit of the age in the United States. Each respective hero embarks on a journey, encounters strange places and people, overcomes the odds they are confronted with, winning the day and ultimately returning home before their next adventure (Coupe). Beneath this pattern however, lie similarities so consistent, that one cannot help but wonder, did Twain use Homer’s Odyssey as a blueprint for The Adventures of Huckleberry Finn? By examining the story of Huck Finn’s trip down the Mississippi through the lens of the Odyssey, I endeavor to show how the deeper similarities between these two classics not only tie them together from centuries apart, but that the influence of Homer’s epic is alive and well in Twain’s novel.

Miline, Ira Mark. Short Stories for Student. Presenting Analysis, Context, and Criticism on Commonly Studied Short Stories Volume 8Virtual Reference Library. Detroit, Mich: Gale. Web. 13 Jan. 2010.

To begin with, a motif I have noticed in the book is the townspeople. This is a possible motif because in chapters 5-7, the townspeople of the town Eatonville are constantly

Studies in Short Fiction 21.4 (Fall 1984). Rpt. In Short Story Criticism. Ed. Janet Witalec

Bausch, Richard and Cassill, Ronald Verlin. The Norton Anthology of Short Fiction. New York: W. W. Norton, 1986. Print.

Ever since the invention of language, humans have been obsessed and intrigued with the aspect of storytelling. Each story, whether written or spoken, holds an important theme within its creative words and exciting plot. While each story is special and unique, over the course of history, different periods of literature have formed where authors tend to focus on similar themes and messages. One of which was the American Romantic era, where authors used their stories to challenge the boundaries of society, and delve deeper into what makes people inherently human, both the flaws and perfections. Some of America’s greatest works of literature were born in this period, like those of Poe, and Hawthorne. A very common literary theme during the romantic period was that of good versus evil, in both individual characters and society as a whole; this theme is especially evident in works such as The Tell Tale Heart, The Raven, and Young Goodman Brown.

Short stories have fully developed themes but appear significantly shorter and less elaborate than novels. A similar theme found in short stories “Winter Dreams” written by Scott F. Fitzgerald and “A Rose for Emily” by William Faulkner included the social and environmental influences that encouraged and controlled the character’s life and decisions. In “Winter Dreams”, the main protagonist-- Dexter-- fell into a fixation over a young, whimsical blueblood, Judy Jones. His obsession led him to believe that Judy Jones reciprocated his feelings for her, leaving him bare and mortal-- despite prior beliefs. Following her father’s death, Miss Emily fell into a dark obscurity due to the pressure and compulsion of having to carry on the honorable family name. While using a unique point of view (first person peripheral), “A Rose for Emily” followed a mysterious and desirable woman named Miss Emily as her hometown tried to understand her peculiar ways and began to find her disgraceful. By comparing and contrasting these two literary pieces, a similar organization-- including the writers’ purpose and themes-- should become clear. By using literary devices-- such as point of view, dramatic irony, detail, and figurative language-- Scott F. Fitzgerald and William Faulkner conducted two short stories similar in aim and reasoning, probable for contrasting and comparing elements within the parallel writings.

Raymond Carver was a master of the short story during the mid nineteenth century due to his unique minimalistic style. Carver has his own artistic signature when it comes to writing, he tells his stories using the least amount of words possible to get a point across. This method leads to a creative piece of literature with strategically placed vocabulary to stimulate hidden meaning and different forms of communication throughout the plots as shown in

Similarly, Henry’s relationship with his boss and his American co-workers shows the readers his willingness of trying to gain acceptance among his peers in order to identify with their culture. His fear of losing that approval forces Henry to stick with his job as a spy, otherwise his job provided no benefits or satisfaction but rather brought along with it the pain and frustration which is reflected on Henry’s relationship with others.

Written in 1927, Ernest Hemingway’s “Hills Like White Elephants” “redefined the possibilities of the short story” (Charters 1700). It has been said that Hemingway was influential in reworking the genre of short

The article “American Short Fiction and World Story” by Alan Cheuse compares the old tales to the modern short story. To start the article he talks about the old type of stories by famous writer Homer. Here talks about how these books are written by the culture of the time. With that being said, he makes the assumption that the old time tales are only applicable to the time in history they were written. This is pretty obvious because in today’s world we rarely see the events that happened in such ages. Next after talking about the period before modernism he starts to contemplate the creation of the modern short story. Here he makes a surprising claim, where he says that the modern story actually started in the United States with the famous poet Edgar Allen Poe. This is surprising to many because in the literature world most people associate modernism with European writers such as Chekov and Flaubert. He actually states the this modern sense of writing started in North America, then went to Europe and finally arrived to the res of the world including North America again. So we are left to ask, what is the modern short story like? Well, Alan Cheuse compares the modern short story to the art story. He says the perfectionists of it such as Hemmingway; owe their credit to writers like Poe because he in fact started it. The art story is a story that is written and can be applicable to any situation within real life. That is Alan Cheuse argument, and main ide of the whole article.

Recent trends in literature heavily rely on crossover between genres. Science fiction is becoming more integrated with young adult novels, and even murder mysteries are starting to incorporate romance. This crossover insures authors that they will be able to reach a broader audience, with the hopes that more people will read their books. Short stories have blended countless genres together for a long time, so it’s not surprising to see a short mystery, or a short romance. Poet James Joyce has recently become just as recognized for his prose, especially when that prose is in the form of a short story. His collection, Dubliners, includes a handful of well-recognized stories that have similar themes run throughout. One of the most famous, Araby, quickly melds between a mystery and a love story, famously ending on a cliffhanger that leads readers to interpret the finale for themselves. Throughout the brief entirety of Araby, James Joyce continues to create an aura of mystery and confusion, even going as far as to end the novel in a cliffhanger. This ambiguity allows for the reader to input their own experiences and ideas into the characters, which leads to the extensive feeling of relatability that most readers have with the little boy.

Flannery O’connor is one of the most shinning stars in American literature. Her distinct writing style makes her work recognizable and outstanding from other literature works. Many critics have commented on Flannery O’connor’s narrative voice. Louise Blackwell discovers Miss O’Connor often wrote according to southern tradition by using symbols in people’s daily life to convey the theme in a more profound way. From the perspective of the O’connor’s writing technique, Shirley Foster speaks highly of Miss O’connor’s works: O’connor’s skilled technique establishes the complicity between the readers and narrators. These two evaluations reveal the most important characteristics of Flannery O’connor’s works, directing readers to understand O’connor’s works much easier. Readers can understand the two critics’ comments by exploring the special narrative voices in Flannery O’connor’s well- known stories: “ Everything That Rises Must Converge” and “A Good Man is Hard to Find”.

characteristics are sometimes found in abundant quantities or limited amounts in each of his short stories. However, no matter what short story Washington Irving wrote, the Age of Romanticism and its defining characteristics are found in each of his selections. So, too, do each of the author’s short stories present a unique study about the author’s intentions for creating his work. In Washington Irving’s selection “The Three Kings of Bermuda”, the author portrays tone in a way that he changes it often throughout his writing to help the reader understand the emotion and