Obelk In Modern Society

The "art for art" remained unknown in ancient Egypt; all creation was a practical purpose: the prosperity and triumph of Egypt, providing the survival of rulers and notables. The beautiful had no value in itself; we would say in modern terms, that the supreme intention was magical action. According to our book (art history by Marilyn Stokstad and Michael W. Cothren): “The architecture is religious or funeral destination; only temples and tombs were built of sustainable materials, although we also know some palaces and fortresses. The statuary, too, funeral (the statue is considered the repository of the soul of the deceased) or divine (the royal statues represent the pharaoh, god on earth or in the hereafter). The reliefs are dependent on strict religious patterns; one painting, especially that found in the tombs of the notables of the New Kingdom, manifest a spontaneity and a certain naturalism, but it was only a substitute art to replace cheaply the painted relief. This liveliness is reflected in the minor arts, and fard for spoons or pots ointments; but the jewels themselves usually hold conventions of religious symbolism”. Although, the step pyramid and sham buildings, funerary complex of djoser would perfectly help to illustrate the image of the art of the ancient Egypt. The Djoser funerary complex, built during the reign of Pharaoh Djoser in Saqqara is located in Egypt. It’s the first of this magnitude and the

The majority of ancient Egyptian structures studied by architectural historians and planners alike, were erected to honor a pharaoh or as a grand tomb for their journey through to the afterlife. Whether the structure was in the form of a temple, tomb or statue, the ritual and spiritual influence is unquestionable. The location, scale, and materials used to construct these monuments are all defining factors of how the space is used and functions.

Later conquerors removed many of these obelisks as souvenirs. Two great obelisks, which stood in Egypt for a millennium and a half, were brought to Rome to commemorate Julius Caesar. These became known as Cleopatra's needles. Ironically, one is now in London and

The arch is large with both fluted and unfluted columns, the latter being a result of 19th century restoration.[2] The spandrels on the upper left and right of the arch contain personifications of victory as winged women. Between the spandrels is the keystone, on which there stands a female on the East side and a male on the West side.[2]

Indeed, the monument served a particular religious function, according to the tenets of Ancient Egyptian theology and cosmology. The housing

The artworks of Ancient Mesopotamia and Ancient Egypt are both strikingly different and similar at the same time. Consistent is the theme of serving the different gods the two cultures believed in. In Mesopotamia the various city-states each had their own protective deity, and in Egypt they sometimes differed from one dynasty to the next. Whatever the case, with the beginning of kingdoms and rulership came the need to justify a position of power and establish a hierarchy. And as more time passed came also the human need to leave an impression on their world. Looking at the example of the statues of Gudea from the Neo-Sumerian period and the Temple of Ramses II from the New Kingdom of Egypt in the 19th dynasty, will show how both rulers of

The history of ancient Egypt is divided into three blocks of time referred to as kingdoms. The kingdoms were named as the Old Kingdom, the Middle Kingdom, and the New Kingdom. This essay highlights the differences among the three kingdoms in terms of politics, economics, sculpture, and architecture.

The temple was originally carved out of the mountainside next to the Nile during the reign of Pharaoh Ramesses II in the 13th century BC. It was to serve as a lasting monument to himself and his queen Nefertari, to commemorate his victory at the Battle of Kadesh. He also wanted to intimidate Egypt's neighbors, the Nubians. It was Ramses' way of trying to make an impression upon Egypt's neighbors, as well as to force Egypt's religion upon them. Propaganda in Egyptian art was common. Art can attempt to persuade, publicize and influence the people’s attitudes. Their art work includes paintings, stone carvings, statues, and sculpture and funeral artifacts. Daily life such as field work, special events, political and social hierarchy, battles

The purpose of many monuments is to honor and protect the legacy of some of America's greatest heroes. Kirk Savage in the book Monument

If pictures are worth one million words then a 3-d picture which is a monument is worth one million stories. The purpose of monuments is to tell a story about an events therefore crital thinking adn efforts are placed into making monuments. Depending on where the monuemnt is located and how it is built including its pose and the material it is made up of, it helps the audience live in that moment with the monuments,making the monument and the sudience one.

Envision a world where the single purpose in life was to obey the gods who indirectly controlled people through your king. Rituals, duties, and praising were all part of a manifest to pass the tests of the Underworld to achieve eternal life after death. While this may seem like a radical lifestyle to us, this was how the real world was for the civilians during the Ancient Egyptian times. To truly express their fondness and devotion to the gods, people constructed works of art to represent this; remembrances of their collective significant figures in their locality were highly practiced in order to please them. In particular, the State of Khafre was created to honor their deceased king who held significant power in their society as a part of their funeral liturgy. It epitomized the repercussion he held over his nation and the respect he had acquired. The Statue of Khafre did not just illustrate a polytheistic community, but it also prompted the civilians to be respectful towards their god whom were expressed with kings through their practice of rituals, and additionally exhibited how their religion was ultimately integrated as an essential part of life.

The Washington Monument took much longer than planned to build due to the Civil War. The visual element of the Washington monument is a tall pillar with a pyramid on the top. This kind of visual was used by Egyptians a long time ago. The structure of the Washington Monument changed multiple times. These changes were due to different architectures planning the monument as well as different people in the public having different ideas as to what the monument should look like for what it was supposed to convey. The Washington monument is built of white stone from the top to bottom. The Washington Monument is extremely large and is the most noticeable monument in Washington DC due to its extreme height. This provides to Washington Monument with gradeur. The Washington Monument was once one of the tallest stone buildings in the world. The Washington Monument encourages visitors to stay further away from it. Due to the large height someone must be standing far away from it in order to get the whole monument in the picture. Also, the circle of flags at the bottom of the monument encourage people to stay away from it. These items suggest remoteness when viewing the Washington Monument. Though the Washington Monument does suggest remoteness it also is accessible. You are able to walk right up the Washington Monument even though the best way to view the monument may not be up

Ever since man began building structures and settling land, art has manifested itself in our architectural creations. Whether it be to celebrate or worship a God or Gods, a grand sculpture to bury a powerful leader or remember them by, or to show a culture’s dedication to specific values, our architectural constructions have led to some of the finest art this Earth has ever seen. The Taj Mahal and Palace of Versailles are two great examples of such art. By examining each of these individually, and then comparing and contrasting them, it will become clear that no matter how different looking these buildings may be, they still serve the same purpose to the civilizations that erected them.

The Sphinx of Giza is a symbol that has represented the essence of Egypt for thousands of years. The body of a lion with the head of a king comes from the Egyptian culture symbolizing strength and wisdom. The sphinx is a carved out of the living rock. Egyptologists believe that the sphinx was built in 2500 BC in the fourth dynasty. From the north side the profile of the Sphinx reveals the proportion of the body to the head. It would appear as though the head is small in proportion to the body. Because of the changing desert terrain, the body of the Sphinx has been buried several times over the past several thousand years. Most recently in 1905, the sand has been cleared away to expose the magnitude and beauty of the entirety of

One known Egyptian temple is The temple of Ramses II, and the temple of Nefertiti dedicated to Hathor, they stood for a very long time, until they had a