Objectification Of Women Essay

Major Claim: The objectification and “currency” of a women’s body is the pivotal focus for the readings presented in class. It is discussed in the readings about how women are only considered for their looks, and not their personal depth or knowledge. Additionally, intersectionality is observed and how these objectifications effect marginalized groups. Finally, the term of enlightened sexism is introduced and how this concept is dangerous to and reverses feminism.

For as long as media has been around, women have been sexualized in order to sell products. It’s a known fact by brands and consumers alike: sex sells. No one can deny this fact, it’s everywhere. Turn on your radio, you’ll hear songs describing women as nothing more than pieces of meat, objects to look at. Turn on your televison and you’ll see advertisements for inherentlyunsexual products like beer or a burger, but it will accompanied by a half naked woman. Walk into any convenience store, and you will find half a dozen magazine with airbrushed models in bikinis, some of these models so young that they cannot even drive. At what age does it become okay to start sexualizing women, or is it never okay? Some would say the age of legality, which is eighteen, but young Hollywood starlets such as Kylie Jenner and Ariel Winter were victims of the media’s obsession with sexualization before they even turned sixteen. It is an understatement to say that the media has gone too far in many instances. It’s as if as soon as girls reach the age of puberty, they fair game to the media as objects of scrutiny and sexualization. It has gone from bad to worse. The way the media sexualizes women, especially famous teenage girls, is wrong and has

In a society filled with gender stereotypes, children often adopt gender roles as they move from childhood to adolescence because of the many factors that influence their views to the point they will deny certain roles because it does not fit the gender bias. During the early years, boys and girls will usually be drawn towards gender specific activities. Playing house for example, they little boy will imitate going to work, while the little girl will imitate cooking in the kitchen and playing with the baby doll. Gender stereotypes are embedded in our culture as a social identity giving “norms” to how gender is defined. This paper is going to discuss the child’s earliest exposure to gender roles in the home from clothing, toys and expectations to society’s role in gender bias on early childhood development.

The most prominent key that supports this idea is that she has a smirk on her face that is reminiscent of archaic smile that is seen in works such as the Peplos Kore (Figure 3) in the archaic period (Kleiner 112). This hint of a smile not only draws the viewer in, but displays that she is aware of a viewer watching her in a private setting, since she is nude, which then led to the fact that she instinctively covers her genital area in a way that creates a more sensual experience for the viewer (Kleiner 143). Another notable feature is the usage of contrapposto, the figures weight is seemingly shifted to her right leg, allowing for her left knee to gently bend, adding to the display of realistic pose of her body. She is also posed in such a way that has been given a name known as the modest Venus, which involves a nude female discreetly covering her private areas with one hand (Lapatin). The sculptor, Praxiteles, paid close attention to the composition and rendering of the goddesses’ form which was left to be a mesmerizing display, muse, and inspiration for generations to come.

From the start the girlchild was given gifts that stained in her mind as what she was suppose to become in life. With the little dolls, GE stoves and irons, and lipstick her parents put this ideal image of the perfect woman in her head. With these types of presents the girlchild is already learning her role in society.

For centuries, the objectification of women has become the norm, forever portraying them as submissive and passive for the benefit of the male gaze. Eternally capsulated in a world, perfected, unanimously the viewer and viewed alike. Jenny Saville defies expectations in creating the female nude with herself as both subject and painter. Taking on the roles given to women by men and making them her own, Saville elevates the status of women by making them their own judge of beauty. Kenneth Clark, a renowned art historian of his time, believed to create a form of art, the nude must be reformed and not directly recorded from life. In doing so, scouring away all evidence of the woman before the painting, before being perfected.

There are many companies in the world today that put an idea of this perfect female body into the heads of women. These images lead to a faulty standard men hold of women and their bodies and that women strive to become. Margaret Atwood addresses the issue of the way men view the female body by writing her essay in the viewpoints of a male so the reader can better understand how the expectation men have of the female body is unrealistic. First, she uses an allusive comparison to show the male expectation of the female body and how it is objectified as if it were a doll that comes with accessories. Next, she uses an anecdote with defamiliarization to show how the way the father views a Barbie doll and the way it portrays the female body to young girls is hypocritical. Lastly, Margaret Atwood uses insidious diction to talk about how men not only view the female body as a product but how they also use the female body as a product which can be sold amongst businessmen. In The Female Body, Margaret Atwood uses many rhetorical devices to convey how the female body is viewed through the eyes of men.

Prior to reading the article Doing Gender, I have never paid attention to the concept of doing gender. I found it interesting how these roles go so unnoticed because they are so enforced in our society. We never stop to think or questions if an individual’s actions are masculine or feminine. For example, some of us are just so use to having our mothers cook and our dad’s do all the heavy lifting but we never stop to think why is it like this or what does this represent.

Everywhere you turn, there are magazine covers, movies, reality TV shows that portray woman in a sexual light. When was the last time that we as a society sat down and realized the effect that this is having on young girls, teens and even grown women. The portrayal of women as sexual objects in these and many other types of media have greatly affected the mindset of society. What affects has this had you ask? There are there main effects that we will explore. First, is the effect it has on their self-image. Second, is the effect on how they portray themselves in their relationships. Third is the effect it has on their mental state.

The sub-pop culture of drag queens has been getting recognition and respect. Men are not afraid to leave the house wearing lipstick and high heels anymore. This has made the comparison of women and men impersonating women possible. Even though they come from the same idea, a typical modern day women and a drag queen are surprisingly different. While women are kept under pressure for and by various things, drag queens seem to turn this pressure towards their own good. In a patriarchal society that despises women for being women, seeing men in women clothing using womenhood as a fierce weapon is truly bizarre yet amazing.

The purpose of this experiment was to determine the extent to which women are presented as sex objects in magazines. Previous research by Stankiewic and Rosselli (2008) resulted in 51.80% of advertisements in magazines that featured women, and portrayed them as sex objects. The particular way in which objectification is defined, and thus the resulting rates at which women are portrayed as objects, had varied by study. The objectification of women in advertisements also varied by magazine type.

We are constantly surrounded by images of the “perfect” woman. She is tall, thin and beautiful. She rarely looks older than 25, has a flawless body, and her hair and clothes are always perfect. She is not human. She is often shown in pieces – a stomach, a pair of legs, a beautifully made up eye or mouth. Our culture judges women, and women judge themselves, against this standard. It is forgotten that “beauty pornography”, as Wolf says, focuses on underweight models that are usually 15 to 20 years old. Flaws, wrinkles and other problems are airbrushed out of the picture.

The textbook identifies four approaches to gender development: biological, interpersonal, cultural, and critical. Define each theory. Then answer the following question: which of the theoretical approaches to gender do you find the most valid? Be sure to include at least two examples from your own experience as well as two scholarly sources to back up your claim.

Sexism is categorized by extreme cases, but when in reality, both female and male parties execute sexism everyday even in the simplest forms. Though women tend to receive more grieve when it comes to sexist acts or sexist slurs made by men, the level of sexist disputes has decreases drastically with time. The play “Trifles” displays the major difference is the mindset of the split sexes. The setting presents a time when women were belittled and not taken seriously. Susan Glaspell’s play is evidence on the progress our society has made concerning sexism, never less the ever-existing conflict still takes its toll in our everyday life.

A commonly mistaken perception of beauty is its need to be aesthetically perfect, but this is not one of its true qualities. As stated